Chanel‘s original Coromandel gradually turned into my all-time favourite modern designer scent, so today I thought I’d look at the recent extrait or pure parfum version and how it measures up. Spoiler alert: It’s a good successor to the EDT. That was not my opinion of the replacement 2016 eau de parfum, by the way.
Le Lion de Chanel is the latest addition to Chanel‘s high-end Exclusifs collection and a fragrance that I loved from the start, so much so that I bought the largest bottle possible soon after my second test. Today, I’ll share a broad scent overview of Le Lion, macro and micro olfactory descriptions, and scent comparisons to other fragrances.
There is not a person alive who has been unaffected by the wretchedness of 2020 and the pandemic that has dominated the list of traumas. I won’t even start to talk about the issues of this year because they are many and all hideous. But what about the escape methods for many of us during the best of times: scent? How much is perfumery still a big escape in the midst of one of the worst years in the 21st century?
Rich, bold, powerhouse fragrances for a bargain price, what could be better? There is a definite advantage in going vintage, and Giorgio For Men is a perfect example of why: addictive patchouli is layered with loads of genuine oakmoss, Cuir de Russie-style birch leather, and gales of spices and amber, then lashed with honey, iris-orris butter, sandalwood, citruses, dry cedar, chocolate, vanilla, and silky cream. It’s all presented in a seamless, complex, long-lasting and audaciously intense concoction with parallels to both vintage legends and modern niche, except Giorgio costs a pittance of the price of most fragrances in those categories and it also contains high levels of raw materials now limited or banned in perfumery.
For a mere $30, I purchased a large, 95% full, 120 ml or 4 oz bottle whose scent bore echoes of fragrances which came both long before it and long after it: legends like vintage Givenchy Gentleman and popular modern creations like Serge Lutens’ Borneo 1834, Chanel‘s Coromandel, and Guerlain‘s LIDGE. Throughout its long lifespan, Giorgio’s character changed from the ruggedly polished but elegant 1980s alpha male to the unisex, modern, and addictively, delectably cuddly. While there are a handful of small issues with the fragrance, mostly if one sprays a lot of it, they’re minor in the overall scheme of things and the low price makes them easy to ignore. In short, this is a scent well worth looking up.