The New Nicolai Era: An Interview with Patricia & Axel de Nicolaï

Source: Pnicolai.com

Source: Pnicolai.com

A new era is dawning at Parfums de Nicolai, the venerable brand that was one of the pioneers of niche perfumery. Founded and led by the legendary Patricia de Nicolaï, the company recently celebrated its 25th anniversary, changed its name to NICOLAÏ: PARFUMEUR-CRÉATEUR (hereinafter simply referred to as “Nicolai“), and brought in Axel de Nicolaï, Patricia de Nicolaï’s son, as both the General Manager and her collaborator in the perfume-creation process.

It’s a significant step for a few reasons. Axel de Nicolaï was raised in the Nicolai perfume and family tradition, but he also brings a different perspective to the mix after working in the larger mainstream fragrance industry with the big perfume conglomerates of LVMH and InterParfums, and spending time in the Middle East. It was his idea that Nicolai should explore the oud genre, resulting in last year’s Rose Oud and Amber Oud, and his influence also helped to shape the direction of Nicolai’s newest release, Ambre Cashmere Intense. In his main role as the new General Manager, he’s made changes to the company’s marketing direction and sales strategy, but he’s equally determined that marketing should never impact or alter the Nicolai olfactory “DNA.”

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Parfums de Nicolaï Ambre Cashmere Intense

Source: teatimemagazine.com

Source: teatimemagazine.com

A journey to the golden comforts of amber that travels through dessert and confectionary treats at afternoon tea — that is the essence of Ambre Cashmere Intense, the latest release from Parfums de Nicolaï. From lemon chiffon cakes layered with iris butter and served with lemony black tea to cupcakes and vanilla creme brulée laced with hints of spices, the scent unfurls in sweetness before ending with the golden strains of darkened labdanum and soft vanilla.

Axel de Nicolai via pnicolai.com

Axel de Nicolai via pnicolai.com

Ambre Cashmere Intense marks the start of a new direction and perhaps even a new era for the company. It is the first collaboration between Patricia de Nicolaï and her son, Axel de Nicolaï, who will undoubtedly be her successor down the line. (For the sake of speed and convenience, I’ll spell the family’s last name from this point as “Nicolai,” sans the dotted “i,” and simply call the fragrance “Ambre Cashmere.”) His voice played a large role in shaping the character of the scent, according to the press release that I was sent which says he sought to give a “feminine” quality to the classical pairing of labdanum and vanilla. Personally, I’d call it “gourmand” more than “feminine,” since I think the resulting creation could be worn by either gender if they loved a lot of sweetness in their perfumes.

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2014 In Review: 30 Personal Favorites

Source: designzzz.com

Source: designzzz.com

My list of favorite fragrances that I’ve tried this year is quite different from yesterday’s list of the best new releases of 2014. The latter centered largely on scents that I thought were good, very elegant or interesting representations of their genre, regardless of whether they were my personal cup of tea, and they were only things that debuted in 2014. Today’s list is purely about what I really enjoyed and does not consider the date in release at all. So, this time around, there are very few qualifications and caveats, and the vast majority of these fragrances are things that I bought for myself, am thinking about buying, or would love to buy were their price not a consideration.

You will notice that a good number of the fragrances are not complex masterpieces at all, but quite simple in nature. One reason for that is that I love cozy, comfort scents, and they are generally not very nuanced or multifaceted to begin with. Plus, mindlessly simple but really well-done fragrances that combine richness with soothing warmth are, in all honesty, a huge relief to me after a long day where I do nothing but analyse every nuance and change in a scent for hours (upon hours) on end.

Ferdinand Leeke,  "The Last Farewell of Wotan and Brunhilde," (1875). Source: Wikipedia.com

Ferdinand Leeke, “The Last Farewell of Wotan and Brunhilde,” (1875). Source: Wikipedia.com

A few other points. As always, I have to repeat my mantra regarding the subjective, personal nature of reviewing in general, and how a list like this is even doubly so. With regard to the rankings, it’s always an utter nightmare, but the Top Ten chosen here are generally quite firm in order. There is a bit more leeway with the next 10 names, as a tiny handful could go up or down one to two places of where they are at the present time. I’m most undecided about the placement of the last 10 which are the most subject to fluctuations in order. One reason why is because perfumistas are a fickle bunch who can change their mind from one month to the next, and I’m no exception. The other reason is that I’ve gone back and forth on a few scents, switching their places repeatedly until I just gave up in the end. So, for now, this is where things are, for the most part. Finally, you will notice that some of my summary descriptions are verbatim from my list of best, new releases of 2014 or from my mid-2014 best or favorites list. My apologies in advance. Covering almost 60 fragrances in two days is rather an exhausting process, so I hope you will forgive me.

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Best New Releases of 2014

Source: 1ms.net

Source: 1ms.net

This has been a good year for perfume releases. For all that I sometimes grumble about the generic nature of fragrances put out these days, 2014 actually had a number of scents that really impressed me. Last year, I could not find a full 10 new releases for my list, and refused to simply include things for the sake of round numbers. This year, I have 15 scents that I actually think are good representations of their genre and were done very well, along with a few Honourable Mentions.

Violettes du Czar. Photo: Roberto Greco for Oriza L. Legrand.

Violettes du Czar. Photo: Roberto Greco for Oriza L. Legrand.

As I always emphasize, perfume reviewing is subjective and personal by its very nature, so winnowing fragrances down to some favorites is even more so. My criteria for selection varied. A number of the fragrances were not really for me, personally, for various reasons (a particular note or genre that I struggle with, discreet sillage, or something else), but were chosen nevertheless because something about the particular scent was either interesting, luxurious, evocative, complex and/or, as noted above, an extremely good example of its genre that also happened to be done in a very elegant manner. A handful of perfumes are on the list for the most subjective reason of all: I either bought full bottles for myself, plan to get them, or would love to do so if their price were not a consideration.

Ranking things is an utter nightmare, but the Top Five are firmly placed in accordance with my feelings. The remainder of the scents are ranked within one to three slots, plus or minus, of where they are in my estimation at the present time, though keep in mind that perfumistas are a fickle bunch who can change their mind from one month to the next, and I’m no exception. All of these fragrances were released in 2014. The problem is that some of the names that I would love to have on this list (like SHL 777‘s O Hira and Black Gemstone) technically debuted in very limited fashion in 2013, before being released globally this year. As a result, what I’ve decided to do is to write a separate list of my 30 personal favorites of 2014, things that I’ve covered this year but without regard to their official launch date. I’ll update this post with a link when I do. There is some overlap between the two lists, but not a lot.

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