The Koh-i-Noor, “mountain of light” in Persian, is one of the largest and most famous diamonds in the world, part of the British Crown Jewels, and a glittering focus of the opulent Queen Mary’s Crown. It is also the name of Areej Le Doré‘s latest parfum, a floral oriental with a heart of lush, indolic flowers, radiating white, yellow, and gold, against a velvety backdrop of golden amber, Mysore sandalwood, citrus, deer musk, and oud.
Inspired by the Arabian Nights, Malik Al Taif weaves tales of thousand and one opulent, majestic Taif roses — some fruity, some lemony, some honeyed, some spicy, and some laden with sticky Middle Eastern pastries and loukhoum — but all so narcotic, rich, deep, complex, and heady that they create a sensory onslaught of pure delight. It is only the start of the tale. Accompanied by beautiful, authentic, luxurious and buttery Mysore sandalwood, purring oud, saffron, and resinous amber, the Taif roses are woven into a magic flying carpet which transports you deep into the heart of ancient Saudi Arabia. There are other fragrances which have taken this same journey, but few of them are as well executed, authentic, luxurious, and smooth.
Areej Le Doré has just launched its fourth series of fragrances. There are four new parfums: Koh-i-Noor, Malik Al Taif, Oud Luwak, and Baikal Gris. Today, I’ll provide you with information on the scents, their notes, any relevant raw material information or perfume techniques that may have been used, packaging changes, price reductions, the sample situation, shipping changes, and retail information. I’ll include mini reviews for the fragrances and end by briefly covering the new sinking-grade oud incense offering.
For perfumistas, reading about fragrances is fun but smelling what you’ve read about is even better. As most of you probably know, Luca Turin and Tania Sanchez just published their Perfumes The Guide 2018, the first new version of the book in ten years. The authors sought to examine the changed perfume landscape since the original Guide was released and, consequently, there is a heightened focus on both niche and indie/artisan houses.
I haven’t done a giveaway in years and years, but this seemed like a good occasion to make an exception. One of the criticisms of the book, in some quarters at least, is that too many of the houses are small and unknown. That won’t be the case if you’ve been a regular reader of this blog because I’ve long emphasized niche and indie/artisanal houses over big designer ones. In fact, a good number of the brands that I’ve covered are reviewed in the book.