Rose Aqor, Oud Ulya, and Vanilla Barka are three of six new attars that Amouage has launched recently in an attempt to straddle the richness, glory, popularity, and complexity of its old legends and the increasingly draconian restrictions placed on perfumery in the eight or so years since IFRA forced Amouage to retire its original olfactory beauties. Do the new additions live up to the greatness of old? No. Do they come across as real, authentic attars? Also no, in my opinion. Are they terrible? Well, it depends on which ones you try and your personal tastes. Are they worth the money in question? That answer, like most things involving perfumery, cannot be anything but purely subjective and individual, but I will tell you that I personally have a lot of issues with these new “attars.”
Areej Le Doré has just launched its fourth series of fragrances. There are four new parfums: Koh-i-Noor, Malik Al Taif, Oud Luwak, and Baikal Gris. Today, I’ll provide you with information on the scents, their notes, any relevant raw material information or perfume techniques that may have been used, packaging changes, price reductions, the sample situation, shipping changes, and retail information. I’ll include mini reviews for the fragrances and end by briefly covering the new sinking-grade oud incense offering.
Areej Le Doré and Russian Adam have launched a new series of fragrances, including the long-anticipated upgraded version of his celebrated Siberian Musk. There are five fragrances in total, if one counts the concentrated attar version of one of them as a separate entity which, in my opinion, it really is. The five releases are: Russian Musk, Walimah Parfum, Walimah Attar, Russian Oud, and Indolis. Today, I’ll give you the basic run-down on launch, the scents, their notes, the sample situation, packaging upgrades, and even include mini reviews or pre-reviews for some of the fragrances.
Walimah is one of several brand-new, upcoming fragrances from Areej Le Doré and is intended to be a celebration of love and marriage. It was created by Russian Adam in tribute to “the beautiful union of two souls from different corners of the globe” and their wedding late last year, so it’s quite symbolic that the fragrance’s two versions — a parfum and an attar — act as yin and yang. Although they have the same notes and formula, they are surprisingly different on my skin: the spray is feminine, ethereally bridal and, later, sensuously creamy); the attar casts dark, masculine shadows upon its luminous, radiant, white florals, sometimes shrouding them almost entirely. The attar is not only more complex but it is also a shape-shifter. In addition, it is unisex-to-masculine in its character, veering between co-equal unisex elements and an elegantly rugged masculinity that has an occasional animalic growl. I’ve been told that the spray version will eventually age into something closer in scent and character to the attar but, even as they are right now, both versions are striking in their own way.