Scent, Pandemics, Escape, Dogs, Baking, and Surviving 2020

There is not a person alive who has been unaffected by the wretchedness of 2020 and the pandemic that has dominated the list of traumas. I won’t even start to talk about the issues of this year because they are many and all hideous. But what about the escape methods for many of us during the best of times: scent? How much is perfumery still a big escape in the midst of one of the worst years in the 21st century?

Fourreau Noir Serge Lutens

Fourreau Noir. Now vtg Bell Jar. Photo: my own.

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Six from La Via Del Profumo

Today, we’ll look at six fragrances from AbdesSalaam Attar of La Via del Profumo in styles ranging from ambered oud to a green fougère, incensey-woody florals, a boozy, chocolate leather oriental, and a salty, vetiver-laden, woody, spicy oriental. They are: Amber Oud, Lake Blossom, African Night, Sensemilla, Cuoio dei Dolci, and Sea Wood. I’ll look at each one in turn, trying to keep things as short and succinct as I can.

AbdesSalaam's logo, based on his own calligraphy. Photo: my own.

AbdesSalaam’s logo, based on his own calligraphy. Photo: my own.

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La Via Del Profumo: Ambers, Incense, Woods & Florals

Six fragrances ranging from leather wrapped in incense and vetiver, to chocolate lava cake, amber roses, incense laced with green herbs and powdered roses, and green white florals splattered with chunks of juicy fruits — these are some of the bouquets represented by six creations from La Via del Profumo and AbdesSalaam Attar. Each fragrance caught my attention or stood out for some reason or another during the recent perfume seminar I attended in Italy. They are: Amber Rose, Amber Chocolate, Acqua di Angelica, Grezzo d’Eleganza, Tasneem/Tasnim, and Oasis. I’ll look at each one in turn, and provide comparative reviews whenever possible.

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AbdesSalaam Perfume Course – Part VII: Final Topics & Thoughts

Words are no substitute for actual experience. I’ve tried to give you a small glimpse into the wide range of topics and olfactory experiences involved in AbdesSalaam Attar’s Italian perfume seminar but they are, ultimately, mere words and abstractions. It’s not even the whole picture. I’ve omitted several subjects, partially by request in order to maintain the impact for anyone who decides to take the course for themselves, and partially out of my own concern of boring those who are not interested.

There are two topics, however, that I’d like to briefly cover before concluding with some thoughts on the class as a whole and information on the upcoming sessions: 1) psycho-aromatherapy and the neurological impact of scent; and 2) distillation.

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