Areej Le Doré Agar de Noir (+ Santal Galore)

Hello everyone. I hope you have been well and, above all else, safe and healthy in this utterly wretched year. No, I am not back, but I have been inspired and impelled by the latest Areej Le Doré collection, Series 6, to do pretty lengthy reviews on Twitter. And since I typed everything out via screenshot for Twitter, I figured I might as well copy and paste it some of it here for those of you who aren’t Twitter fans. This may be the only review that I’ll end transforming into a blog post, or it may not. I did a pretty lengthy review for the new Santal Galore as well, but since I stupidly deleted the source document, I’m going to be lazy and just link to the Twitter thread at the end instead of re-typing everything from scratch.

None of this will be like what I’ve written and done in the past in terms of photos or all the rest. I pecked the reviews out on my phone, which comes with a whole series of likely auto-correct and typo issues, but I figured it’s better than nothing. For now. At least it tells you something about the fragrances if you don’t read me on Twitter. (And I strongly advise you not to follow me on Twitter if you’re not interested in politics.) Continue reading

Le Labo Tonka 25

Le Labo recently released its first new fragrance in three years, Tonka 25. It’s an eau de parfum that was created by Daphne Bugey and it’s available worldwide (as opposed to being part of the city-exclusives line of fragrances).

Though I had high hopes for Tonka 25, I found it as dull as dishwater. There are certain aspects which I could see appealing to fans of a particular, specific genre of perfumery but, for me, it was about as memorable, distinctive, robust, flavorful, and interesting as Chef Boyardee canned spaghetti.

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Zoologist Tyrannosaurus Rex

Tyrannosaurus Rex marks the pairing of two popular figures in the niche world: Victor Wong‘s Zoologist brand and Antonio Gardoni, the celebrated perfumer. Together, they sought to create a “gargantuan” fragrance that was not only worthy of the T-Rex associations but also one which they specifically wanted to evoke the smoky, dark, hot, and fiery Cretaceous period in which he lived, a time where ferocious beasts ripped apart delicate florals amidst dark woods set alight by smoldering flames.

Zoologist in its regular and special edition packaging. Photos from Zoologist’s website. Collage, my own.

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Giorgio Beverly Hills Vintage Giorgio For Men: A Bargain Powerhouse

Vintage Giorgio, also known as Giorgio Extraordinary Spray Cologne For Men. Photo: my own.

Rich, bold, powerhouse fragrances for a bargain price, what could be better? There is a definite advantage in going vintage, and Giorgio For Men is a perfect example of why: addictive patchouli is layered with loads of genuine oakmoss, Cuir de Russie-style birch leather, and gales of spices and amber, then lashed with honey, iris-orris butter, sandalwood, citruses, dry cedar, chocolate, vanilla, and silky cream. It’s all presented in a seamless, complex, long-lasting and audaciously intense concoction with parallels to both vintage legends and modern niche, except Giorgio costs a pittance of the price of most fragrances in those categories and it also contains high levels of raw materials now limited or banned in perfumery.

For a mere $30, I purchased a large, 95% full, 120 ml or 4 oz bottle whose scent bore echoes of fragrances which came both long before it and long after it: legends like vintage Givenchy Gentleman and popular modern creations like Serge Lutens’ Borneo 1834, Chanel‘s Coromandel, and Guerlain‘s LIDGE. Throughout its long lifespan, Giorgio’s character changed from the ruggedly polished but elegant 1980s alpha male to the unisex, modern, and addictively, delectably cuddly. While there are a handful of small issues with the fragrance, mostly if one sprays a lot of it, they’re minor in the overall scheme of things and the low price makes them easy to ignore. In short, this is a scent well worth looking up.

Vintage Giorgio. Photos and collage: my own.

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