Hermès 24 Faubourg — Part II: Modern EDP & How To Recognize The Vintage

24 Faubourg is a different creature in its modern formulation. It’s far from being a “bad” perfume when considered in a vacuum; it’s nice, enjoyable, even pretty at times. But it’s hardly the original. Jean-Claude Ellena has imposed his own preferences and aesthetic upon the baroque powerhouse through changes which fit his own olfactory world view, a goal which has the simultaneous benefit of complying with restrictive EU standards and  sharply reducing Hermes’ costs of production through dilution and the use of synthetics. The end result is a composition which would have been a good 1990s flanker to what I described in Part I: a purely feminine and impressionistic white floral with a sunny but abstract orientalism and no real chypre backbone. I would have named it “24 Faubourg: Solaire Oriental — Eau de Parfum Légère” — and then I would have bought another bottle of the original 1990s formula.

That is exactly what I shall recommend after a scent description of the modern EDP in the second part of this article. The third part will have technical bottle/dating information to show you what to look for if you’re interesting in buying a vintage bottle. But first, we should begin by discussing the timeline of IFRA/EU regulations and 24 Faubourg’s  possible reformulation dates.

Left: my 1990s EDT & EDP bottles. Right: photo of the modern EDT version on the Saks Fifth Avenue website.

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Hermès 24 Faubourg — Part I: The Glorious Vintages (EDT/EDP)

When I was in my 20s, one of my signature fragrances was Hermès‘ 24 Faubourg, an opulent chypre-oriental powerhouse created by the legendary Maurice Roucel. It was centered on luminous, creamy, heady florals which Monsieur Roucel sheathed, first, in multifaceted mossy chypre greenness laced with peach, then in oriental clouds of golden amber layered with real sandalwood, creamy vanilla, spicy resins, and a sliver of leatheriness. The fragrance feels like the more feminine, white floral cousin of Hermes‘ 1984 floral-leather-chypre, Parfum d’Hermes (reformulated and renamed in 2000 as Hermes’ Rouge) and Puredistance M (directly modeled on Hermes‘ 1986 vintage Bel Ami) during their middle chypre-oriental stages. The eau de parfum version even has a phase which is like a white floral twist on the 1930s-1970s version of vintage Mitsouko extrait. On top of that, vintage 24 Faubourg also inhabits the same world of rich chypre-florals as Givenchy‘s famous 1984 Ysatis, although the Hermes scent has a greater oriental underpinning and I would argue that it is much grander. Its richness, heaviness, and ornate complexity not only result in a very baroque regalness, but also somehow manage to ooze money and wealth in the most tasteful, elegant way imaginable. That may be why 24 Faubourg became the signature scent of the most glamorous princess of her era.

24 Faubourg vintage 1990s EDT left and center, 24 Faubourg vintage 1990s EDP on the right. Photo: my own.

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Guerlain Vintage Apres L’Ondee

A garden lies at the heart of Guerlain‘s vintage Apres L’Ondee, a secret garden pulled straight out of Frances Hodgson Burnett’s famous 1910 children’s classic by the same name. It’s a magical place awakening after a long sleep, brought back to life in early Spring, reborn with tender efforts that make its once untamed nature a thing of the most civilized Edwardian beauty. It’s an exquisite portrait, even a heartbreakingly tender one, where fields of iris and violets sprout to spread their wings in the morning light, their petals glistening with dew and the last traces of Spring showers, their fragile bodies shooting up out of dark, loamy soil to bloom against rambling thickets of rose, sweet jasmine, and green walls covered with climbing vetiver and mossy greenness. The morning light is bright, fresh, and crystal clear, offset by gleaming rays of yellow citrus freshness and clean aldehydes, but a mist of sweet powder swirls through the air like pixie dust and tiny fairies.

Collage: my own.

Collage: my own.

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Guerlain Vintage L’Heure Bleue: Parfum & EDP (1960s-2003)

Vintage L’Heure Bleue was my first Guerlain love. In fact, until I tried a really old bottle of vintage Shalimar extrait, no other Guerlain came close. There was just something about L’Heure Bleue for me, something that touched me deeply in ways I can’t always explain. Part of it is that I first encountered the fragrance during a happy time in my life, but mental associations are not the only reason. To me, L’Heure Bleue simply feels special. The way the notes are juxtaposed sometimes feels intellectually introspective in a way that almost rises to the cerebral, and that fascinates me, but at the same time, the fragrance always triggered an even stronger emotional response as well, filling me with joy, comfort, and a sense of serenity in a way that other legendary Guerlains did not at the time.

Vintage L'Heure Bleue, in the Parapluie or "Umbrella" bottle on the left, and in a Baccarat "heart-shaped" bottle on the right. Photo: my own.

Vintage L’Heure Bleue in the Parapluie or “Umbrella” bottle on the left, and in a “heart-shaped” bottle on the right. Photo: my own.

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