Tag Archives: Areej Le Dore fragrance review

Areej Le Doré Agar de Noir (+ Santal Galore)

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Hello everyone. I hope you have been well and, above all else, safe and healthy in this utterly wretched year. No, I am not back, but I have been inspired and impelled by the latest Areej Le Doré collection, Series 6, to do pretty lengthy reviews on Twitter. And since I typed everything out via screenshot for Twitter, I figured I might as well copy and paste it some of it here for those of you who aren’t Twitter fans. This may be the only review that I’ll end transforming into a blog post, or it may not. I did a pretty lengthy review for the new Santal Galore as well, but since I stupidly deleted the source document, I’m going to be lazy and just link to the Twitter thread at the end instead of re-typing everything from scratch.

None of this will be like what I’ve written and done in the past in terms of photos or all the rest. I pecked the reviews out on my phone, which comes with a whole series of likely auto-correct and typo issues, but I figured it’s better than nothing. For now. At least it tells you something about the fragrances if you don’t read me on Twitter. (And I strongly advise you not to follow me on Twitter if you’re not interested in politics.) Continue reading →

Areej Le Doré Russian Oud: Willy Wonka’s Oud

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Willy Wonka would probably have loved Areej Le Doré‘s new Russian Oud. The chocolate and candy magician in Roald Dahl’s beloved children’s book was noted for transforming sweet items into something fun outside of its usual structure. The same can be said for Russian Oud which puts an oriental twist on the famed sweets factory or, to view it in a different light, takes Willy Wonka’s magic factory and places it firmly in the Orient. Imagine Willy’s river of chocolate, but now slash it through with caramel and treacly labdanum toffee and transport it to Ali Baba’s cave of oriental treasures. The cave lies deep in the heart of a Hindi oud mountain, its carved walls emitting gusts of black smoke and heavy brown muskiness. Willy Wonka’s gourmand river now runs alongside tall river beds made out of resinous, smoky red sandalwood and brown-red earthy patchouli, and is watched over by Oompa Loompas clad in birch tar leather, their skin orange from a thin patina of spices, and Ali Baba’s forty thieves clad in myrrh and more leather. Together, they stir the molten river of chocolate, toffee, and caramel with long paddles made out of creamy sandalwood, oud wood, and buttered oud calfskin, sending it down into the heart of the mountain where it finally winds its way into an ambered pool of caramel muskiness flecked with a pinch of cocoa.

Photo: Lusika33.livejournal.com/ The Siberian Times. Source: Dailymail.co.uk

Russian Oud. Photo: my own.

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Areej Le Doré Russian Musk

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Today, I wanted to take a closer, more detailed look at Russian Musk, the new parfum from Areej Le Doré. Though my mini review in the New Releases post covered the broad basics, I always think specifics are more helpful, particularly for a fragrance like this one which will automatically, inevitably, be judged and compared to its much-admired, popular predecessor, Siberian Musk.

Russian Musk parfum. Photo & source: Russian Adam.

Russian Musk is a pure parfum with the following note list:

Top notes: Russian Fir and Pine, Lemon, Bergamot, and Mandarin;
Heart notes: Orange blossom from Tunisia, Morocco, Egypt and France; Indian Sandalwood, Tonka bean, Nutmeg absolute, Clove and Cinnamon;
Base notes: legally-obtained wild Siberian deer musk, co-distilled by Russian Adam; Agarwood (oud) oil from Sri Lanka, Cambodia, Burma and Thailand; Rose absolute, Fossil Amber, Patchouli, Vetiver, Cypress, Tree Moss resinoid, and Oakmoss absolute.

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Areej Le Doré Ottoman Empire: Maharajahs, Heat & Sensuality (+Oud Zen)

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Maharajah Singh of Patiala, wearing the Patiala diamond and platinum parade necklace created by Cartier in 1928. Photo source: NYTimes.com

Maharajahs dripping with diamonds, a trip back in time to India, narcotic opulence, heat, lust, and sensuality — Ottoman Empire is all those things and more. It is such an utterly over-the-top floral oriental and with such a hedonistic grandeur that it’s a pity the name “Shalimar” with its palatial Indian inspiration was already taken, because it would suit this one quite well. In fact, I find that vintage Shalimar parfum (in its oldest form) and Ottoman Empire have a few strands of DNA in common.

In the case of Ottoman Empire, I was swept off my feet with heady 3D roses married to honeyed jasmine, tropical frangipani, plush oakmoss, warm spices, buttery sandalwood, several different kinds of oud, smoldering vetiver, and gorgeously molten labdanum amber — all enveloped with a fur coat of muskiness.

It’s sybaritic, it’s divaesque on a grand scale, it’s got the heft of a tank, and it turned my head from the very first sniff all the way to the addictively cozy, sexy last. It impacted me immediately, instinctively, and on a visceral level, transporting me back in time to one of my favourite days and memories of India. Without a doubt, hands down, Ottoman Empire is one of my absolute favourite things that I’ve tried this year and will be high on my year-end list of “Best Fragrances of 2017.” It will be the focus of this review, but I’ll have a short review for Oud Zen, the third Areej le Doré release at the end as well.

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