Serge Lutens Veilleur de Nuit

Posted on August 5, 2016 by Kafkaesque

Source: upi.com

So, I guess luxury “Choco-Florals” have now become a thing. This year alone, there have been three luxury-priced Roja Dove chocolate floral orientals ($500+) and a luxury-priced Amouage ($300+) one. And, at first glance, Serge Lutens‘ new Veilleur de Nuit (“The Night Watchman” or “Watcher of the Night”) would appear to be joining their ranks.

The reality feels different, though. To me, Veilleur de Nuit is quietly and only tangentially floral, and the fragrance is primarily an animalic chocolate with leathery, musky, and smoky facets. When wearing it, I never thought of something like a chocolate version of Tubereuse Criminelle. Not even once. I thought of a chocolate twist on Boxeuses instead, albeit only briefly.

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Serge Lutens Bapteme du Feu

Posted on August 3, 2016 by Kafkaesque

Bapteme du Feu, the latest release from Serge Lutens, is not a scent that lends itself to easy characterisation. What I can say is that it’s different, puts a sometimes bizarre twist on traditional fragrance categories or genres, and that the old Lutens eccentricity and creative twists are back. Wearing it left me flummoxed at times, highly ambivalent at other times, but at least it feels like a Lutens, for better or for worse.

Source: shutterstock.com

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Aedes de Venustas Palissandre d’Or

Posted on July 30, 2016 by Kafkaesque

Palissandre d’Or. Source: aedes-parfums.com

Fragrant Indian rosewood is the focus of Palissandre d’Or, a spicy woody-amber fragrance from Aedes de Venustas. It is an eau de parfum that was created by Alberto Morillas and released in 2015. However, even though it was inspired by Indian rosewood, it is not literally and actually a rosewood fragrance, only metaphorically so. To put it bluntly, this is the scent of an “imaginary wood,” and I’m quoting Aedes de Venustas’ own words when I say that:

The idea for the house’s fifth offering was sparked off by the Indian rosewood tree also known as Dalbergia sissoo, which has historically been the primary rosewood species of northern India.

Rather than a specific essence, it was the word “palisander”, redolent of intricate Oriental carvings and serene Asian groves, which provided the inspiration. “I can’t make overly figurative fragrances”, Alberto Morillas explains. “To me, a perfume is a melody.” With Palissandre d’Or, he draws mesmerizing music from this imaginary wood.

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Amouage Lilac Love

Posted on July 28, 2016 by Kafkaesque

Lilac Love. Source: wmj.ru

With Lilac Love, Amouage heads fully into European territory, abandoning the Arab aesthetic and the silver Omani frankincense that were once its signature in favour of an easy, approachable, gourmand floral whose classical composition is fully in Roja Dove and Guerlain‘s wheelhouse. Lilac Love is not a bad fragrance; I find it more luxurious in quality than some of the recent releases with their noticeable arid synthetics; the very Shalimaresque classical themes of the drydown were actually lovely; and I think it would be a best-selling fragrance with women if the price were not so high.

However, I also think parts of Lilac Love feel incongruous in the first stage and, more importantly, that hardcore lilac fans won’t be satisfied. My advice for them is to put aside all thoughts of a true lilac scent. If they have no expectations, then they might perhaps be pleasantly surprised by any temporary, abstract, and wholly impressionistic whiffs that may pass by the European, floral oriental gourmand bouquet.

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