The New Nicolai Era: An Interview with Patricia & Axel de Nicolaï

Source: Pnicolai.com

Source: Pnicolai.com

A new era is dawning at Parfums de Nicolai, the venerable brand that was one of the pioneers of niche perfumery. Founded and led by the legendary Patricia de Nicolaï, the company recently celebrated its 25th anniversary, changed its name to NICOLAÏ: PARFUMEUR-CRÉATEUR (hereinafter simply referred to as “Nicolai“), and brought in Axel de Nicolaï, Patricia de Nicolaï’s son, as both the General Manager and her collaborator in the perfume-creation process.

It’s a significant step for a few reasons. Axel de Nicolaï was raised in the Nicolai perfume and family tradition, but he also brings a different perspective to the mix after working in the larger mainstream fragrance industry with the big perfume conglomerates of LVMH and InterParfums, and spending time in the Middle East. It was his idea that Nicolai should explore the oud genre, resulting in last year’s Rose Oud and Amber Oud, and his influence also helped to shape the direction of Nicolai’s newest release, Ambre Cashmere Intense. In his main role as the new General Manager, he’s made changes to the company’s marketing direction and sales strategy, but he’s equally determined that marketing should never impact or alter the Nicolai olfactory “DNA.”

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Fragrance Recommendations: Leathers, Vetivers, Fougères & More

Source: mf.techbang.com

Source: mf.techbang.com

Every week, I get at least three or four emails from people seeking fragrance recommendations. The vast majority of them are men, but there are some women, too. Most of them are not long-time readers of the blog and have simply stumbled upon it, so they don’t know my long-time favorites that I talk about often, but a few are subscribers who seek specific suggestions. Sometimes, people start by giving me a brief idea of their tastes and/or names of prior fragrances they’ve worn. Typically, though, the information is insufficient for me to know what might really suit them, so I write back with a list of questions, trying to narrow down what notes they have issues with or love best, how they feel about sweetness or animalics, how their skin deals with longevity or projection, and what sort of power they want in both of those last two area.

Ralph Lauren Purple Label editorial ad via tumblr.com

Ralph Lauren Purple Label editorial ad via tumblr.com

What I’ve noticed is that I tend to make certain recommendations time and time again for particular genres or fragrance families. So, I thought I would share them with all of you. However, please keep in mind that these names are in response to some pretty set criteria given to me by the person in question, even though many of those factors end up being quite similar. For example, the men who like dark, bold, rich or spicy orientals all seem to want a certain sillage or “to be noticed in a crowd,” as several have put it. In contrast, most of those who want clean, crisp scents prefer for them to be on the discreet side and suitable for professional business environments. Men whose favorites are classical designer scents that fall firmly within the fougère, green, fresh, or aromatic categories (like Tuscany, Guerlain’s Vetiver, or vintage Eau Sauvage, for example) tend to want very traditional scents, even “old school” in vibe, and not something sweet, edgy, or with a twist. So, that is what I try to give them as recommendations, which means that there are a whole slew of fragrances that fall outside the category.

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AbdesSalaam Perfume Course – Part I: The Pre-Course, Theories & Philosophy

Artwork by Lisa Dietrich (part of her Spirit Art collection): www.lisadietrich.com

Artwork by Lisa Dietrich (part of her Spirit Art collection): www.lisadietrich.com

How do you describe the experience of a lifetime that introduced you to new worlds, theories, sights, and smells? How do you convey the depth of information so generously shared by a master of his art through six intense days (and a pre-course) covering both theory and practical usage? Perhaps one way would be to compare it to an olfactory Star Trek, where Captain AbdesSalaam Attar took many of us through a new frontier where few of us had gone before, through a portal into a new dimension of thought as much as scent and perfume creation.

It may sound silly or hyperbolic, but it really isn’t. AbdesSalaam tried to teach us a completely new way of thinking about scent through concepts that, as you will see in this post and others, are completely untraditional, unconventional, or alien to typical fragrance narratives, let alone the mainstream perfume world. The sheer quantity of information was staggering, and that combined with the unique experiences during the course truly blew my mind. Not just mine, either. When the lunch break was called on the first day, one of my classmates said she felt as though she was having an out-of-body experience at the deluge of information and the intensity of the smells that were pouring over her. Like the essences we explored, the class itself became a form of life undiluted — life at its most essential, fundamental level, concentrated for a burst of raw, thrilling intensity that none of us would ever forget.

AbdesSalaam's logo, based on his own calligraphy. Photo: my own.

AbdesSalaam’s logo, based on his own calligraphy, on one of his bottles. Photo: my own.

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Guerlain Santal Royal

Source: q80ean.com

Source: q80ean.com

It takes some effort to get a One-Star “Avoid” rating from Luca Turin, but Guerlain has managed it with its new Santal Royal. I don’t always agree with the famous perfume critic and I don’t think Santal Royal is the worst thing I’ve ever smelt, even from Guerlain (L’Homme Ideal holds that dubious distinction), but he’s right: Santal Royal isn’t good. It is especially disappointing coming from a once-great house, perhaps the greatest that ever was.

In essence, Santal Royal is another sub-par, extremely commercial creation from Guerlain without any distinctiveness or originality, and with absolutely nothing remotely reminiscent of sandalwood. What it does have, however, is a strong resemblance to a heavily aromachemical Montale fragrance or to any number of basic, cheap, Middle Eastern fragrances centered on a generic, overly sweet, wholly synthetic, fruity rose-oud combination. Actually, I’ve smelt better perfumes from Montale, which is saying something given my general view of that house.

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