Slumberhouse Ore (2022)

Ore 2022 is not Ore 2009 or even the Ore circa 2013 that I tried – and that’s fascinating as a historical development for those of us who have followed Slumberhouse for years. The original (or 2nd version?) Ore was replete with pure Scotch whisky of the wonderful single-malt variety, infused with dry cocoa powder, butterscotch, smoky woods, dark resinous amber, peppermint, and a hint of green herbs. In fact, as I wrote back then: “It’s hard not to think about drinking when you wear Ore, a dry, woody, sweet, and virtually alcoholic fragrance that swirls about in a rich, unctuous, deep bouquet that can be compulsively sniffable at times.”

The new Ore of 2022 is a somewhat different creature on an olfactory basis. That’s not better or worse; it’s just different. As it turns out, however, Ore 2022 is just as enjoyable as its predecessor. I just don’t know whether die-hard Slumberhouse loyalists will feel the same way.

Source: Dreamstime.com

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Bortnikoff Santa Sangre: A Sandalwood Cloud

Bortnikoff‘s Santa Sangre showcases authentic fragrant sandalwood in all its glory. Not only does Mr. Bortnikoff use the very best, most luxurious version, Mysore sandalwood, but he and his co-creator add to the verisimilitude of the bouquet through a plethora of other ingredients that help to recreate the bouquet of a santal tree from the ground up.

Sandalwood. Source: styx.odessa.ua

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Dior Spice Blend (La Collection Privée)

I had high hopes for Spice Blend, a fragrance in Dior‘s exclusive, high-end, and quasi-niche Privée Collection with a wonderful list of notes including rum, a plethora of spices, and woody notes. Alas, in the end I end up feeling just conflicted and underwhelmed.

Dior Spice Blend. Photo: Dior.

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Serge Lutens Le Participe Passé

I thought I’d take a look at Serge Lutens Le Participe Passé which I enjoyed more than a number of his releases over the last few years, largely because it recycles many of his classic themes and scent combinations.

“Curtain Of Fire Kilauea Volcano Hawaii” Print by Karen Whitworth on Fine Art America. (Direct website link embedded within.)

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