Fragrance Recommendations: Leathers, Vetivers, Fougères & More

Source: mf.techbang.com

Source: mf.techbang.com

Every week, I get at least three or four emails from people seeking fragrance recommendations. The vast majority of them are men, but there are some women, too. Most of them are not long-time readers of the blog and have simply stumbled upon it, so they don’t know my long-time favorites that I talk about often, but a few are subscribers who seek specific suggestions. Sometimes, people start by giving me a brief idea of their tastes and/or names of prior fragrances they’ve worn. Typically, though, the information is insufficient for me to know what might really suit them, so I write back with a list of questions, trying to narrow down what notes they have issues with or love best, how they feel about sweetness or animalics, how their skin deals with longevity or projection, and what sort of power they want in both of those last two area.

Ralph Lauren Purple Label editorial ad via tumblr.com

Ralph Lauren Purple Label editorial ad via tumblr.com

What I’ve noticed is that I tend to make certain recommendations time and time again for particular genres or fragrance families. So, I thought I would share them with all of you. However, please keep in mind that these names are in response to some pretty set criteria given to me by the person in question, even though many of those factors end up being quite similar. For example, the men who like dark, bold, rich or spicy orientals all seem to want a certain sillage or “to be noticed in a crowd,” as several have put it. In contrast, most of those who want clean, crisp scents prefer for them to be on the discreet side and suitable for professional business environments. Men whose favorites are classical designer scents that fall firmly within the fougère, green, fresh, or aromatic categories (like Tuscany, Guerlain’s Vetiver, or vintage Eau Sauvage, for example) tend to want very traditional scents, even “old school” in vibe, and not something sweet, edgy, or with a twist. So, that is what I try to give them as recommendations, which means that there are a whole slew of fragrances that fall outside the category.

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Guerlain Heritage (Eau de Parfum)

Ralph Lauren Purple Label editorial ad via tumblr.com

Ralph Lauren Purple Label editorial ad via tumblr.com

Strains of Guerlain’s heritage float like olfactory ghosts over a banker wearing pinstripes in a wood-paneled boardroom. As he sits in conservative elegance and restrained reserve, the Ghosts of Guerlain Past move over him via Jicky‘s aromatic lavender creaminess and Habit Rouge‘s citrus cologne opening that lies atop slightly leathered, balsamic resins. There is also the Ghost of Guerlain Future in the form of L’Instant de Guerlain Pour Homme, as well as strains of a fragrance created years later by a Guerlain family member for another company entirely. This is Jean-Paul Guerlain‘s Heritage, both the name of the actual fragrance and an intentional, symbolic encapsulation of parts of Guerlain’s past.

Heritage (officially spelled with an accent as “Héritage“) is actually meant to feel familiar on some levels. The fragrance was created in 1992 by Jean-Paul Guerlain and, according to the unaffiliated website, Monsieur Guerlain, he intentionally sought to combine some of the most beloved parts of various Guerlain classics into one scent, but to push the limits even further,by “playing on the whole legendary Guerlain scent repertoire.” At the time, it was probably an inventive idea; there weren’t endless flankers back in 1992, and the call-backs to Guerlain’s Jicky and Habit Rouge subtly swirled in a sea of other notes that helped to make Heritage a singular character in its own right. I remember smelling the fragrance shortly after its release, and finding it elegant but also very interesting. People sometimes reference bankers when talking about Heritage, and it definitely gave off that vibe, but what a chic, pinstriped banker he was and how he dominated the room with his complex, powerful presence.

Vintage Heritage ad. Source: Basenotes.

Vintage Heritage ad and the old, limited-edition bottle. Source: Basenotes.

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Bogue Profumo Cologne Reloaded: Lavender & Leather

Source: Bogueprofumo.com

Source: Bogueprofumo.com

Lost olfactory treasure from the 1940s, vintage essences, and an ancient recipe lie at the heart of a modern fragrance centered around a duet of lavender and leather. Cologne Reloaded takes the cornerstones of a very traditional barbershop fougère, and juxtaposes its cleanness with darkness, blackened leather, smoky resins, and a touch of musky dirtiness. The result is classicism with a twist and an elegant fragrance with a rather sensual drydown.

Antonio Gardoni. Photo: Bogue Profumo via Delicatessen at moreinside.blogspot.com

Antonio Gardoni. Photo: Bogue Profumo via Delicatessen at moreinside.blogspot.com

Cologne Reloaded is a 2013 eau de parfum from Bogue Profumo (hereinafter just “Bogue“), an Italian artisanal perfume house founded by Antonio Gardoni. On his website, Mr. Gardoni describes the fascinating story behind its creation. In a nutshell, an antique dealer told him about 40 bottles of raw essences and perfume preparations from an old pharmaceutical laboratory. The vintage materials dated back to the 1940s! The dusty bottles had been hidden away and forgotten in a dark cupboard of an underground warehouse, but they were still sealed, somehow unaffected by heat, and very well-preserved. You can see them below in the photo. (Isn’t it the coolest thing?!) Accompanying them was a fragrance mixture for something called “Cologne of Esperis,” complete with the original recipe and the dosage amounts for preparing an eau de cologne.

The vintage bottles. Source: bogueprofumo.com

The vintage bottles. Source: bogueprofumo.com

Mr. Gardoni started experimenting. As he explains on his website, he “mixed the ingredients following the instructions glued to the bottle for all the 5 different cologne variations with some very interesting results, full of granddad memories and old barbershop’s flavor.” He fell in love with the results in such a way that he decided to “exploit this treasure in order to create a completely new contemporary perfume.” He used the vintage materials, but increased the concentration from 4% to 15%, making the fragrance an eau de parfum instead of cologne, and added to this base “a mix of contemporary new materials”: Continue reading

Guerlain Jicky Eau de Parfum: Clair de Lune

Source: space.desktopnexus.com

Source: space.desktopnexus.com

Elegance that defies time and age, the crystal clear clarity of moonlight, the refinement of a dandy with the soft warmth of the lady, the natural freshness of an aromatic country garden, and a play on light and dark, cleanness and dirtiness. Those are a few of the things encapsulated for me by Jicky, a Guerlain legend that just celebrated its 125th birthday and is reportedly the oldest fragrance in continuous production. In this review, I’ll focus on modern Jicky, solely because it is the version most people have access to, and limit myself to the Eau de Parfum concentration, often called Parfum de Toilette. The eau de toilette is most common form of the scent, with the lightest, freshest, and most citrusy aspects, but I think the PDT/EDP may be truest to the spirit of the original Jicky.

The gold bottle of Jicky in EDP or PDT concentration. Source: FragranceX

The gold bottle of Jicky in EDP or PDT concentration. Source: FragranceX

Jicky was created in 1889 by Aimé Guerlain. The legend is that he created it in memory of a girl he loved whose nickname was “Jicky,” though it seems that he may have named it after his nephew instead. It is a fragrance that is considered one of the very first “modern” creations, both in terms of its use of synthetically extracted molecules and in terms of being truly unisex. In fact, Jicky seems to have been originally marketed as a men’s fragrance before women took it over for their own. I think it is a masterpiece that anyone of any gender who enjoys aromatic perfumes centered on lavender should try for themselves. Continue reading