The Average, The Banal, The Bad & The Ugly: Vol. 2

Posted on July 10, 2016 by Kafkaesque

Atramental from Room 1015. Photo: Roberto Greco.

Today, a look at seven niche fragrances that didn’t do much for me, leaving me either shrugging, apathetic, or running to scrub. There are a few more entries this time around in the “Average” category as compared to Volume 1 because one or two of the perfumes have decent or wearable elements, typically right at the start. However, when all the factors are taken as a whole, from start to finish, and in relation to the price as well, then their sum-total amounts to merely okay or “average,” in my opinion. The rest of the scents fell into other categories, as you will see.

As in Volume 1, I’ll be following an abbreviated format and there won’t be note lists, official descriptions, photos of every bottle, links to Fragrantica, discussion of other people’s experiences as a comparison, a long list of retail links, or anything else. I’m going to take a page out of what Luca Turin and so many other people do, and simply give my opinion in the most general, synthesized fashion I can manage.

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Parfums Dusita: A New Talent To Watch

Posted on June 17, 2016 by Kafkaesque

Pissara Umavijani or Ploi Uma of Parfums Dusita. Photo: Paul Aroon. Source: about.me

There’s an impressive new talent on the perfume scene, Pissara Umavijani, the woman behind Parfums Dusita and three new fragrances whose superb openings left me smiling and, in one case, practically dumbstruck at its heart-stopping beauty, my breath caught in my throat as I felt simple happiness sweep over me.

Ms. Umavijani (who sometimes goes by “Ploi Uma” on Facebook or social media) is a self-taught perfumer and, judging by her maiden efforts, is remarkably gifted, sure-footed, and creative. Far more so than many a professionally trained “nose,” if you ask me. In her hands, the tired floral-oud combination becomes something special and distinctive, while her deconstruction of the fougère genre brings a new breath of life to the genre. As for her treatment of florals, it is something to behold, whether it’s my beloved white florals or the roses that normally leave me cold. I don’t know if it’s her finesse, the clearly exceptional quality of so many of her raw materials, or both, but this rose-hater was left wishing for a perfume with only her roses in it. Bottom line, she’s someone to watch if you are really serious about good perfumes, I’m impressed by her talent, and you should really try her stuff.

Dusita trio of fragrances. Source: Parfums Dusita. [Photo slightly cropped by me on the sides.]

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The Life of a “Nose”: One Perfumer’s Story

Posted on May 3, 2016 by Kafkaesque

Viktoria Minya. Photo possibly by Cseh Gabriella. Source: Viktoria Minya FB page.

What’s it like to be a professional nose? How difficult is it to become one? How does one deal with the restrictions inherent in perfume creation, whether IFRA/EU-related, a client’s brief, or basic price constraints? And why do so many perfumes smell the same?!

Those are a few of the questions I posed to Viktoria Minya, the award-winning perfumer and owner of Parfums Viktoria Minya. She’s a rare creature in the industry for a few reasons. First, she’s one of the few professionally trained female noses who also runs her own perfume house. Second, she’s both an insider and, in many ways, an outsider as well. She’s not part of the stable of perfumers hired by the big companies like Givaudan, IFF, or Robertet, but she was one once. Now, she’s independent but, unlike Bertrand Duchaufour, she’s not a nose for hire in the typical sense and she works primarily on her own creations. Her closest counterpart might be Patricia de Nicolai, but the latter is arguably a part of the establishment, whether through her presidency of Osmothèque or her membership in the Guerlain family.

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Parfums MDCI Les Indes Galantes

Posted on February 11, 2016 by Kafkaesque

Les Indes Galantes in the basic tasseled bottle. Source: Luckyscent.

I had such hopes for this one. Les Indes Galantes, the latest fragrance from Parfums MDCI, seemed like such a promising scent based on early reviews, the brand’s focus on quality and luxury, the fragrance’s note list, and the perfumer who created it. Yet, it turned out to be the latest in a trend I’ve experienced repeatedly over the last few months, a trend that is starting to make me feel like a crash test dummy. Again and again, my initial excitement or anticipation over a fragrance ends up crashing head-long into the wall of a very different reality. I know I’m not the easiest person to please, perfume-wise, and I know a number of bloggers felt 2015 wasn’t a great year for new releases, but the repeated crashes into that wall of reality and disappointment are starting to take a toll on me.

Most of the time, it’s the inevitable result of marketing hyperbole but, in the case of Parfums MDCI, it wasn’t completely foolish or irrational to have some hope, particularly since this is the same company that made the superb Chypre Palatin and a number of other things that the niche world really admires. But wearing Les Indes Galantes was a completely different experience than the brand aesthetic, note list, perfumer, and early rave reviews had led me to anticipate. I was genuinely surprised and disappointed at how things turned out. While wearing it, the words “Oh dear” rang through my mind again and again. Part of it is my fault or issue because I hadn’t realised it was meant to be quite so gourmand a fragrance as it turned out to be. The real source of my dismay, however, was the fact that I couldn’t rid myself of thoughts of inexpensive Bath & Body Works products, inexpensive holiday candles, and a rather traumatizing fragrance from Profumum Roma. I have no doubt that hardcore gourmand fiends and Theorema lovers will adore Les Indes Galantes, but I don’t know about everyone else.

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