Oud Extraordinaire is an utter delight – and I say that as one who isn’t really an Oud Head. Its gourmand opening evokes Serge Lutens‘ signature of spices, stewed or candied fruits, and ambery, honeyed sweetness (along with Christmas and Persian Sohan sweets) before the thick, rich scent transitions into the conventional oud bouquet of incense, tarry leather, charred woods, and medicinal camphor and then into a velvety, ambered fusion of both. When you add incredible longevity and a reasonable (current sale) price, Oud Extraordinaire is an oud worth considering.
Category Archives: Brands D-H
Ensar Oud Santal Sultan (Parfum)
The original Santal Sultan oil stole my heart and was my Holy Grail sandalwood scent. Heck, as far as I was concerned, it was THE Unicorn sandalwood that nothing else came close to in terms of notes, smell, opulence, smoothness, or quality.
My total adoration of Ensar’s Santal Sultan oil was no small thing; a long-time reader teasingly called me a “Sandalwood Snob” almost a decade ago and that moniker is so true that I adopted the name for myself. (I’m still waiting on those “Sandalwood Snob” t-shirts that were promised to me, “Hajasuuri.”) Whether it was an Amouage santal attar or something from Tom Ford, Rising Phoenix, or Killian, nothing was the perfect fit for my personal tastes or impressed me much.
Nothing until Ensar Oud’s (original) Santal Sultan oil.
And now he’s made a sprayable pure parfum version of it!
Masque Milano Dolceacqua (La Donna Di MASQUE collection)
Dolceacqua is one of several recent releases in Masque Milano‘s separate and new collection line called La Donna Di MASQUE. All the fragrances in this new line have female names, city names, or female city names and also, if I recall correctly, are all made by female perfumers as well, at least thus far. (The prior Masque fragrances with which you and I are accustomed have belonged to The Opera Collection.)
Masque Milano Lost Alice: Whimsical Fun & Comfort
Masque Milano‘s Lost Alice is a lovely, fun, whimsical olfactory escape and comfort scent for a pandemic world where most of these things are in short supply.
Creatively inspired, original in notes and ideas, and (mostly) successfully achieved, it is one of those fragrances that epitomizes, in my opinion, what niche is supposed to be, the reason why we seek it out over more easily accessible fragrance brands, the reason why we’re willing to pay more money, and the reason why we expect so much more from other brands that claim to be “niche” only to offer the most tired, downtrodden, generic retreads of stale ideas instead. When I write scathingly about the latest rehash of tobacco, vanilla, and amber (or worse still, Ambroxan), when I lament about Serge Lutens’ loss of original ideas and pioneering spirit, it is fragrances like many of those from Masque Milano that come to mind as alternatives where the brand is genuinely making a constant, years-long effort to put something new, interesting, or creative out there. Like Lost Alice.