Hermès Cuir d’Ange (Hermessence Collection)

“Angel leather,” inspired partially by Hermès’ iconic bag and luggage creations, lies at the heart of Cuir d’Ange. It is Jean-Claude Ellena‘s newest fragrance for Hermès’ luxury Hermessence Collection, an homage to the brand’s most famous products, and was ten years in the making. For me, Cuir d’Ange is the very best thing that I’ve tried from Jean-Claude Ellena thus far, though it’s not without the usual problems stemming from his minimalistic, wispy aesthetic. It’s a truly beautiful recreation of leather that oozes elegance and refinement. In essence, it bottles the very smell of the leather department in an Hermès boutique, capturing it to an astonishing degree.

Source: bostoncommon-magazine.com

Source: bostoncommon-magazine.com

On the Hermès website, Jean-Claude Ellena describes Cuir d’Ange and his inspiration for the scent as follows:

The softness of leather, a promise hovering over the skin. Engaging, bewitching, hazy.

“For a long time I’d wanted to reveal the importance I attach to literature, and where it meets perfume. More importantly, I wanted to evoke my connection with the work of Jean Giono. Two words from a passage in Jean le Bleu came back to me: ‘cuir d’ange’ – angel leather. Using the smells that are my words, I wanted to write a poem to rekindle the love duet between leather and the skin. Its softness and lightness, its tension and its caress. Heliotropes and hawthorn, leather and musk.”

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YSL Black Opium

Source: lookbooks.com

Source: lookbooks.com

This is nothing like Opium. Let’s get that point out of the way right from the start. Black Opium isn’t even in the same galaxy as the original, let alone a related flanker with strong olfactory kinship. Regardless of whether you loved the original Opium or hated it, the objective reality is that the fragrance was a masterpiece that changed the perfume landscape, ushering in the oriental genre like nothing else before it, and becoming the benchmark by which all subsequent orientals were measured. Black Opium is not a masterpiece. In my opinion, it doesn’t deserve to bear the “Opium” name even in a small way.

"Tattooed Salome," c.1876 by Gustave Moreau.

“Tattooed Salome,” c.1876 by Gustave Moreau.

This is an extremely difficult review for me to write. As I’ve said many times in the past, original vintage Opium is my Holy Grail, one of two fragrances that changed everything for me and made me the perfume lover that I am today. Luca Turin called it “The Spice King” in his Five Star Review, but I prefer a friend’s loving, adoring term, “The Bitch Goddess.” In my wholly biased, subjective view, there is nothing like 1970s or 1980s Opium. It is bottled magic that transcends a mere set of notes to become something else entirely. It is a roaring, spectacular, bold masterpiece that is the Sistine Chapel of Orientals, a warrior’s olfactory shield worthy of Joan of Arc and all of the Seven Veils for Salomé. Men should wear it, women should seduce with it. There is simply nothing like vintage Opium, in my opinion. Period. (Note: versions post-1992 or 1995 are not so special, while absolutely none of this applies to anything put out during L’Oreal’s reign of horrors at YSL from the late-2000s onwards.)

Source: feminorama.com

Source: feminorama.com

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Surrender to Chance Cold Water Canyon & Surrender

Source:  wayoutwax.wordpress.com

Source: wayoutwax.wordpress.com

Cold Water Canyon and Surrender are two different takes on jasmine, both by the same master of all-natural perfumery, both surprisingly sweet, fresh, and green. The two fragrances are part of the debut collection from Surrender to Chance, the American decanting service, and were created by AbdesSalaam Attar (or Dominique Dubrana) of La Via del Profumo.

He is a man who I think has a particularly masterful touch when it comes to jasmine, and the new Surrender to Chance fragrances are no exception. They both highlight a very tender side to the flower, a side that I did not expect from the perfumes’ descriptions or one that I encounter very often. At the same time, however, the tender, sweet fragility and the fresh greenness were also (and quite cleverly) given an original twist through the inclusion of unexpected notes, be it licorice with a wisp of darkness, or the aromatic sweetness of sage, pine, myrrh, and mountain plants. The end result is different, charming, and appealing, though not without its flaws.

COLD WATER CANYON:

Cold Water Canyon bottle. Source: STC and La Via del Profumo.

Cold Water Canyon bottle. Source: STC and La Via del Profumo.

Cold Water Canyon is intended to replicate the aroma of a mountain canyon in summer. Surrender to Chance’s press release describes the scent and its notes as follows:

Coldwater Canyon was suggested to us by a friend and long-time customer who asked for a fragrance inspired by the scent of a summer canyon full of sage, pine and mountain plants with sweetly scented night-blooming jasmine perfuming the night air. Coldwater Canyon is a perfect balance between a green perfume and a floral.

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Couvent des Minimes Eau des Missions Cologne

Source: footage.shutterstock.com

Source: footage.shutterstock.com

The buzz on Couvent des Minimes‘ Eau des Missions Cologne was loud, excited, and almost uniformly insistent: it was a bargain beauty that was an exact copy of Guerlain‘s very expensive Spiritueuse Double Vanille (“SDV“.) Or so everyone said, from perfume groups to Fragrantica reviews. One major reason for all the excitement was the price. Guerlain’s boozy, smoky, dark vanilla costs $260 for 75 ml. Eau de Missions is $38 for 100 ml, with smaller bottles available for even less on eBay. By the admittedly crazy, skewed standards of the niche world, that made Eau de Missions practically “free.” So, I bought one of the eBay bottles to see what all the fuss was about. And it’s true, there are strong similarities to SDV. However, unlike everyone else, I don’t think the two fragrances are identical.  Continue reading