Laboratorio Olfattivo Patchouliful

Posted on April 8, 2015 by Kafkaesque

“Black and Gold Yin Yang” by Dynamicz34 on DeviantArt.com. (Website link embedded within.)

“The Happy Hippie King” in a bright Hawaiian shirt, smiling and affable in his patchouli warmth. The sweetness of white flowers, laced with darkness and spices, then encased in amber. Those are two very different images, but they are both parts of Patchouliful, a paradoxical scent that starts out as one thing before transitioning into another. It’s almost as if the fragrance were split in two, first echoing a true patchouli scent like Santa Maria Novella‘s Patchouli before turning into a very close replica of the orange blossom, tobacco, myrrh fragrance inspired by George Sand, Jardins d’Ecrivains‘ George. Regardless of the split focus (or identity), all of it is beautifully done with Italian polish in a smooth, high quality, and very appealing scent from a house that has really piqued my interest.

Roberto Drago of Laboratorio Ollfativo and Jacques Zolty via YouTube.

Roberto Drago of Laboratorio Olfattivo and Jacques Zolty via YouTube.

Patchouliful is an eau de parfum from Laboratorio Olfattivo, an Italian house based in Rome that was founded in 2010 by Roberto Drago. We saw his hand yesterday in Van-ile, the wonderful vanilla scent from Jacques Zolty, a brand which Mr. Drago took over in 2014. So far, I’m impressed with the results of his creative direction because all the things he puts out are very wearable, easygoing, good quality, and reasonably priced. (A third fragrance called Kashnoir that I hope to review soon caught my breath as a wonderful cousin to vintage Shalimar with all the latter’s former smooth beauty, and none of the hideous screeching synthetics of the modern version.)

Source: Fragrantica.

Spicy, brown patchouli isn’t always the easiest note for people and it has a terrible reputation left over from the 1970s, which may be one reason why Mr. Drago did not want Patchouliful to be a hardcore soliflore, but a refined, “bright” interpretation where the main note ebbs and flows like a wave, and where the scent as a whole feels like “The Happy Hippie King.” On its website, Laboratorio Olfattivo has a long description of the scent, but it is in Italian with no English counterpart. However, Mr. Drago spoke in detail about the scent in an interview with Fragrantica, and I think his comments are significant. For one thing, they accurately describe Patchouliful’s unusual movement on my skin. Long before I ever read that interview, my notes for Patchouliful are filled with references to how the patchouli waxes and wanes like a wave, often playing peekaboo and feeling almost like a mirage at times in the opening moments. Apparently, all of that was intentional:

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Orto Parisi (Nasomatto) Boccanera & Stercus

Posted on March 30, 2015 by Kafkaesque

Alessandro Gualtieri via Fragrantica.

Orto Parisi is the new brainchild of Nasomatto‘s Alessandro Gualtieri who founded the theoretically separate, unrelated house in 2014. Boccanera and Stercus are part of the 5-piece collection, all of which follow Mr. Gualtieri’s manifesto to create over-sized, strong scents that represent “parts of our body,” as well as how our animalic side has been repressed by civilisation. I’ll look briefly at each of them in turn with a more generalised summation than my usual in-depth analysis.

BOCCANERA:

Boccanera via Luckyscent.

Boccanera is a pure parfum that was released without any notes. It was recently chosen as a finalist in the Independent Category for the 2015 Art & Olfaction Awards. I’m surprised, to say the least, because Boccanera trods very (very) well-worn territory. In fact, it’s a complete riff on Mr. Gaultieri’s own Black Afgano for his Nasomatto line, only with a heavy dusting of cocoa in the opening phase and a heightened quantity of industrial-strength aromachemicals.

As noted earlier, Boccanera comes with no notes and Orto Parisi offers no description for the scent on its website. However, First in Fragrance has a small blurb that seems to quote the company’s press copy. It states: “Boccanera means ‘dark mouth’ in Italian. Nature offers dark holes that express sensuality in an erotic dark way.”

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Arabian Oud Kalemat Floral & Kalemat Musk

Posted on March 25, 2015 by Kafkaesque

Lush, almost tropical florals drenched in honey and cocooned in golden amber. Clean, sugared roses laced with black incense and woods. Those are the faces of Kalemat Floral and Kalemat Musk from Arabian Oud. One of them is a variation on the theme represented by the gloriously opulent Kalemat Amber. The other is not. I’ll take a look at each one of them in turn.

Trio of the Kalemat oils at the Arabian Oud London store. Source: Arabian Oud London.

KALEMAT FLORAL:

Source: shikhalal.com

Kalemat Floral is an attar or concentrated fragrance oil that was released last year. Its notes on Fragrantica are incorrect, judging by the information provided to me by Mr. Ahmed Chowdhury of Arabian Oud London who kindly sent me my sample. He said the perfume pyramid is officially:

Top notes: Heliotrope, Jasmine
Heart notes: Hibiscus, Rose
Base notes: Vanilla, Cedar Wood & Musk.

Hibiscus. Source: 1ms.net

A brief word about the hibiscus note. I don’t recall the actual flowers having any smell at all. Furthermore, the “hibiscus” bath or body products that I’ve tried smell primarily like frangipani or plumeria. On Fragrantica, hibiscus is defined as a “soft note of flower recreated in the lab.” In a discussion on the Fragrantica boards, Doc Elly of Olympic Orchards Perfumes bears out my view that the flowers have no scent and that the “fantasy accord” is primarily based on “tropical flower notes like frangipani,” unless the goal is more of a musky scent in which case ambrette seeds might be used. Here, in Kalemat Floral, the aroma is absolutely the tropical one of frangipani (or plumeria).

Source: etshoneysupliers.

Kalemat Floral opens on my skin with honey, lots and lots of dark, raw, sticky honey in a heavy, thick stream that feels as dense as molasses. Trapped inside, like flies caught in amber, are a slew of flowers dominated first and foremost by what really seems to be orange blossoms. To be precise, orange blossoms splattered with the sweet juices of sun-ripened oranges, as well as Middle Eastern orange blossom syrup and more honey. They’re a smoother, deeper, more fruited but a less shrill, overpowering and nuclear version of the note in Ghroob, which is clearly an orange blossom fragrance. Arabian Oud makes no mention of the flower in its notes, but then again, they don’t mention the roses that are such a clear part of Kalemat, either. Regardless, every time I wear Kalemat Floral, “orange blossoms” are what come to mind in the opening moments, and I wasn’t the only one. When I brought the oils to a family testing session, my father had the same reaction.

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Arabian Oud Kalemat Amber: Molten Magnificence

Posted on March 23, 2015 by Kafkaesque

Hubble Space Telescope photo. Source: abc.net.au

Rivers of honey, dark and raw, flow like molten lava from an exploding honey volcano, running along side river banks made from beefy, spicy, damask red roses that lie at the base of cedar trees. Swirling together like a force of nature, they eventually flow out to a calm, serene ocean of soft amber where there are waves of woodiness and undercurrents of toffee and cocoa.

This is not the tale of Arabian Oud‘s Kalemat, but of Kalemat Amber, its concentrated oil version that takes many of the same strands of the original but highlights different parts in different ways, all in a mix that is as rich and brightly golden as a supernova. It’s so intensely saturated and rich in feel that it blows the slightly similar Amber Oud extrait from Roja Dove out of the water. Kalemat Amber is utterly glorious, a fragrance was a real joy to wear, and one that any lover of the original Kalemat must try.

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