LM Parfums Sensual Orchid: Dressed to Seduce

Posted on September 8, 2013 by Kafkaesque

Gisele Bundchen for Vogue Turkey March 2011. Photo: the always incredible Mert & Marcus.

The urban jungle seemed very far away as she dressed in the bedroom of the villa at St. Barts. It hadn’t been a planned visit, but her seduction of him had been a long time in the making. He’d stolen her heart the minute he’d walked into the room, with his black leather jacket, devil-may-care tousled blond hair, chiseled Nordic face, emerald eyes, and wide grin. He smiled at everything, and she hoped he would smile at the new lingerie she had bought. She felt nervous, but excited, as she awaited his arrival. She gave herself another big spray of perfume for good luck.

Source: wallpaperstop.biz

The swirl of orchids, velvety ylang-ylang, jasmine, vanilla and sweet musk curled in the air around her, mixed with the tropical hint of coconut that wafted in from the trees on the beach. She had loved him for so long, not daring to think he may feel the same way, and she almost couldn’t believe their time had finally come. She hurriedly poured herself a snifter of expensive, aged cognac to relax her nerves, and a few drops fell on her golden skin, mixing with the sweet flowers and tropical headiness. She smiled as the fragrance and boozy liqueur enveloped her in their narcotic touch. How could he resist their heady lure? She was wearing Sensual Orchid, she was ravishing, she was invincible, she would tempt him beyond all belief.

Source: Fragrantica

I generally try not to review fragrances that are exclusive to Europe, extremely hard to track down, or difficult to sample. I couldn’t help it this time, as I was quite surprised by a sexy, heady, gorgeous fragrance from LM Parfums called Sensual Orchid. LM Parfums is a French niche house founded by Laurent Mazzone, and its fragrances used to be exclusive to Europe until just recently. A short while ago, New York’s Osswald perfumery started carrying the line. Yet, I still hadn’t intended to officially review the fragrance that I obtained last year by complete happenstance from eBay. [Update: LM Parfums is now also available at Luckyscent.]

Then, a few days ago, after having a bad day, I just decided to put a tiny, single, minuscule sprayed drop on my hand. For hours, that almost nonexistent smear emitted a smell whose delicate tendrils curled in the air around me. I couldn’t believe it, and every time I sniffed my hand, I couldn’t get enough. So, I said limited access be damned, I just had to had to tell you about this wonderful perfume and the house behind it.

Laurent Mazzone. Source: unique.ru.com

LM Parfums is the brain child of a Frenchman with Italian origins, Laurent Mazzone, who was fascinated by fragrance from a young age. As Essenza Nobile explains, “[a]s a young child, he analyzed and mixed samples of perfumes to discover new scents…. a passion for scents was born.” In 1998, “drawn by fashion catwalks and workrooms,” Mr. Mazzone decided to dedicate his life to fashion, opening up a boutique called Premiere Avenue. (I believe it is the same Premiere Avenue site that I so often link to in the Details section as a perfume retailer.) When Mr. Mazzone decided to enter into the world of fragrance, he initially started with scented candles but, in 2010, he expanded into actual perfumes. He launched LM Parfums which now has eight fragrances to its tally. As that Essenza Nobile biography explains, his “desire is to convey his passion to fashion through a line of perfumes evoking luxury fabrics. […] He came across renowned noses that he had always admired by their creation fulfilling his emotion.”

One of those noses is Jerome Epinette whom Mr. Mazzone hired to create the second Extrait pure parfum in his collection. In 2012, LM Parfums released Sensual Orchid, a floral oriental with 20% perfume concentration. Believe me, its opulent richness and luxuriousness shows! Sensual Orchid’s description, as quoted by OsswaldNYC, reads:

Like a feminine model on the catwalk, Sensual Orchid captivates your senses with its incredible aromas. The second essence of perfume will take you to the front of the stage. The carnal pleasures evoked by this sumptuous arrangement of natural sophisticated fragrances. A first subtle scent of citrus fruit and almond leads you into a refined heart of orchid, jasmine sambac, Lysilang, peony and heliotrope then leaves a voluptuous final touch made of vanilla, musk, blonde wood, white cedar wood, labdanum and benzoin.

Source: Topwalls.net

The notes, as provided by OsswaldNYC, include:

Top notes: Mandarin, almond, neroli

Heart notes: Orchid, jasmine sambac, Lysilang [ylang-ylang], peony, heliotrope

Base notes: Vanilla, musk, blonde wood, white cedar wood, labdanum, benzoin

Fragrantica adds ylang-ylang to the list, but it seems to be a reference to Lysilang. According to the Academia del Profumo, Lysilang involves a special and different sort of ylang-ylang scent due to the “fractioning” method of perfume processing:

The technique of fractioning can be used to dismantle the odour into its various components or groups of components, before proceeding to select the fractions that are nobler or more interesting from an olfactory standpoint. The result is a cleaner, purer end product.

This technique is used with vetiver, for example, removing its earthier parts: the smell of the roots and its less attractive notes.

Lysilang (by Robertet), a very pure, natural and fresh odour, is obtained in this way from the essential oil of Ylang Ylang III from the Comoro Islands.

I think the description is important because ylang-ylang is a big part of Sensual Orchid, and its aroma feels unusually concentrated, rich, heady and creamy in the fragrance, while simultaneously being oddly clean in a way. It’s just one of a few unusual aspects of the fragrance.

Source: de.flash-screen.com

The key to Sensual Orchid, however, is the eponymous flower in the title. It’s an odd flower because it doesn’t have any one, particular, easily identifiable aroma. Orchids are not like tuberose or roses, to give just one example, with a clear, set fragrance. Instead, it can be almost anything, depending on the species of flower and what pollinated it. Fragrantica has a very fascinating exploration of the subject, in which Dr. Ellen Covey of the Olympic Orchids (both an actual perfume house and an orchid nursery) talks about the flower’s various, different, possible aromas:

There are about 20,000-30,000 species of orchids belonging to about 900 different genera. Orchid scents are all over the place from the most beautiful floral scents to odors that we find unpleasant, such as feces or rotten meat. The scent depends on what insect pollinates the orchid. Bees and butterflies are attracted to floral scents, and flies are attracted to rotting animal matter. Each genus of orchids has a range of scents, but there is generally some predictability within a genus. Cattleya orchids all have floral-type scents that range from light and citrusy to heavy and indolic. Bulbophyllum orchids often have rotten meat odors, or other stinky smells.

I have orchids that smell exactly like coconut suntan lotion, butterscotch and cedar wood, cinnamon, sweet clover, roses, or baby powder. If there is a “typical” orchid flower scent, it would probably be a generic cattleya, but more often the “orchid” note in perfume is a fantasy note of some sort. Vanilla is extracted from the seedpods of an orchid, so maybe it could be thought of as the quintessential orchid scent.

Source: hd4desktop.com

I have no idea what species of orchid is in Laurent Mazzone’s Sensual Orchid, but I can tell you it smells wonderful! The fragrance opens on my skin with a burst of booziness. It’s pure cognac, as explicit, sharp, liqueured and slightly fruity as very aged, extremely expensive cognac can be. The note is then followed by: the richest ylang-ylang; custardy, rich vanilla; a hint of smoky woods; and bitter, green-white almonds.

On their heels is a delicate, pastel, floral note as crystal clear, clean, bright and sparkling as a bell rung at the top of the Swiss alps. It smells of lilies, peonies, hyacinth, rose, jasmine, vanilla — all wrapped into one in a cool, clean, crystal liquidity. It is all of those things, and, yet, none of those things. It’s a floral orchid in 3D. Mixed with the powerful ylang-ylang and the sweet vanilla, backed by that boozy cognac fruitedness, the final result is incredibly narcotic, dramatic, opulent, and heady.

Source: Foundwalls.com

Other notes are layered underneath. The orchid has a coconut characteristic that Dr. Covey talked about above, as well as some sort of subtle, intangible, sweet spiciness. There is also a whiff of juicy, sun-sweetened mandarin, lying heavy and ripe on the branch. The heliotrope’s almond note is interwoven throughout, and the whole thing sits atop a base of white woods with slightly smoky cedar.

Within minutes, the cognac’s sharpness softens, as the vanillic, creamy, floral facets of the orchid increase, along with a sensuous muskiness and the coconut. The latter feels both like chunks of the fresh fruit, and its rich cream. My feelings about coconut generally range from ambivalence to dislike, especially if there is a suntan oil feel or anything cloying. On my skin, Sensual Orchid manages the feat of having a rich coconut scent that is nothing like Hawaiian Tropics, and yet, conveys a wholly tropical feel in a very light way. I have no idea why I find it so intoxicating, but I think it’s the overall combination of notes that renders Sensual Orchid a very sensuous, compulsively sniffable experience.

Model Lara Stone, French Vogue.

There is a very classique richness to the scent, but it also has a very modern feel. Sensual Orchid is very airy in feel, though it is also extremely potent, heady, and strong in projection. Not Amouage or ’80s powerhouse levels of potency, but definitely enough to wrap you in a very shimmering haze. Despite the old-school richness, nothing about the fragrance feels dated or centered on traditional tropes. Sensual Orchid doesn’t call to mind the famous Dior models of old in their New Look dresses, or the grand dames of Chanel. It’s not a scent that I would associate with Guerlain’s divas, but with a very fashion-forward, confident, strong woman who is assured enough to flaunt her own sensuality. She is the sort who would wear Sensual Orchid with a skimpy dress to go out clubbing, then come home to toss the bottle in her carry-on bag and go on a quick, impromptu, romantic, weekend get-away to St. Barts.

Ylang-Ylang. Source: Soapgoods.com

Thirty minutes in, Sensual Orchid shifts a little. The dry, slightly smoked cedar stirs more prominently in the base. Up on top, the jasmine now appears to dance a merry quartet with the ylang-ylang, the orchid’s coconut, and the vanilla. The peony, the almonds, and that lingering, crystal clear, liquid note that feels so much like lilies, all look on from the sidelines and clap. From afar, the fragrance smells like an extremely seamless, well-blended bouquet of boozy sweetness, indolic flowers, and creamy vanilla. Up close, it’s almost too powerful and rich, with an opulent depth that reminds me of Amouage‘s Ubar mixed with some of my beloved Alahine‘s boozy overlay.

Sensual Orchid is a rather linear scent, and its core essence never changes. Over the next few hours, the differences are primarily ones of strength, deepness, and projection. At the end of the first hour, Sensual Orchid becomes smoother, richer, and deeper. The boozy cognac fades away, the mandarin orange retreats to the edges, and the fragrance feels mellower as a whole. By the 2.5 hour mark, the fragrance feels like a soft cloud. I wish the notes were better delineated with less overlap and haziness, but Sensual Orchid is nonetheless an intoxicating swirl of creamy, indolic, sweet florals, infused with vanilla, touches of coconut, and the vaguest whisper of dry cedar. The word “lush” keeps coming to mind, along with visuals of a billowing white and yellow cloud, and scantily clad women with golden skin. On occasion, the image is that of a naked woman on a beach because there is a clean, warmed muskiness to Sensual Orchid that feels like heated skin touched with a shimmering, floral, slightly tropical oil. It’s never animalic or sweaty, it’s not even a very prominent note, but it adds to the languid sensuality of the fragrance.

Model Isabeli Fonatana for Muse Magazine via trendhunter.com

Near the end of the fourth hour, Sensual Orchid hovers as a potent veil just above the skin. It’s a blend of ripe, blooming white florals infused by a dry woodiness, and the subtlest hint of booziness. The jasmine, ylang-ylang and orchid are fused together as one. The vanilla has now turned almost dry, thanks to the impact of the cedar and its quietly smoked character. The coconut is almost silent, and the almond has vanished. The mandarin which was never an integral part of Sensual Orchid on my skin is now merely a vague suggestion that pops up occasionally, but you have to sniff damn hard to really notice it. Finally, there is a tinge of synthetics in the base, whether from the “white woods” or from something else, but it’s muted, minor, and soon fades away.

Sensual Orchid remains that way until the middle of the seventh hour when it finally turns wholly abstract. It’s a soft, nebulous, indolic, musky floral sweetness that covers the skin like the finest silk lingerie. In its final hours, Sensual Orchid is merely a trace of sweetness, muskiness and abstract white flowers. All in all, it lasted just over 14 hours with very strong projection for the first 2 hours, then good to moderate sillage for a number of hours, before ending as a soft, unobtrusive veil for about 6 hours. It only became a true skin scent around the middle of eighth hour. I used about 3 small sprays. While aerosolisation definitely increases both longevity and projection, Sensual Orchid is generally a strong fragrance with a very soft weight that I think is intended to go from hardcore diva glam, down to an increasingly intimate scent, before ending as a “my skin but better” musky sweetness in its final stage.

At no time is Sensual Orchid an edgy or revolutionary scent, but it’s a very luxurious, opulent, and sexy one. It feels like the sort of perfume that a woman would to seduce, and consistently calls to mind the image of a woman in lingerie, lying languidly on a bed as she awaits her lover. It’s a scent that seems intentionally meant to intoxicate and captivate a romantic partner with its narcotic sensuality and brazenly diva-ish, dramatic headiness. Part of it is the sheer indolic nature of those lush, ripe, blooming white florals, and part of it is the quiet, golden muskiness of the scent combined with the creaminess of both the ylang-ylang and the vanilla.

Photo: Mert Alas & Marcus Piggott for Roberto Cavalli feat. Elisabetta Canalis. Source: CityinAds.com

I couldn’t find a single blog review for Sensual Orchid, either in-depth or otherwise. However, the fragrance does come up in two Basenotes discussions. One is a thread in the Men’s Fragrance Discussion section called “SUPERNICHE- Best Frag No One Has Heard Of,” and asks for suggestions. Sensual Orchid is the very first name given by a male poster called “Hednic.” Later, down below, another commentator adds: “This whole LM line has some real crackers – Sensual Orchid but hey guys we got Black Oud by LM too which is really well done! We gonna hear a lot more about LM I assure you.” Sensual Orchid gets mentioned again in a very short thread from August 2013 in the Female Fragrance Discussion section about LM Parfums in general. The original poster purchased a bottle from Italy for supposedly $190 and thought Sensual Orchid was “soooo gorgeous!”

You may wonder why I’m bringing up the location of the Basenotes threads. It’s because I think Sensual Orchid can work on a guy’s skin, and there are clearly men on Basenotes who agree and have no hesitation saying so in a discussion of Men’s Fragrances. Yes, Sensual Orchid is a very lush, floral scent that skews feminine, but I happen to think that a confident, assured man could rock this type of fragrance just as much as an Amouage oudh or Creed’s Aventus. Perhaps not every guy would feel comfortable with orchid and vanilla, but dammit, they should be! Sensual Orchid would smell unbelievably hot on a guy’s skin, and I’m not budging from that belief, all my photos of scantily clad women notwithstanding.

Lastly, I have to talk about the price. Sensual Orchid costs $225 or €195. While that may seem a lot, it’s for 100 ml of extrait de parfum. When was the last time any of you saw that concentration being offered in a 100 ml size and for a price less than some smaller eau de parfums?! I never have. 15 ml for Rubj Parfum extrait is $325! 50 ml of Amouage’s Lyric Extrait costs $470, and it’s half the size of Sensual Orchid. Puredistance’s Opardu is also an extrait that comes in a 100 ml size, but it costs $590! My point is that Sensual Orchid is a gorgeous fragrance whose price may seem high, but it’s almost a steal for what it is, let alone as compared to the price of other niche extraits on the market.

Now, I realise it’s almost sadistic to bring up a fragrance that my American readers can’t sniff or test unless they live in New York. For that, I deeply apologise. As part of my penance, I’d like to offer one reader a small sample from my own decant. It won’t be much, just around 1 ml, but my own decant is very small and I’d like to have a bit of Sensual Orchid to wear when I go on holiday at the end of the month. So, in the comments below, leave a comment letting me know if you’re interested.

Given LM Parfums’ wide availability in Europe and New Yorkers’ access to it at Osswald, I’m afraid this mini-drawing will be limited to American readers who do not live in New York City’s Tri-State Area or have access to Osswald. You have until Friday, September 13th at 11:59 p.m. Central Standard Time (CST) in the U.S. to let me know if you’d like to be entered. I will select a name using Random.org at some point the next day, and will update the end of this review with the winner’s name. So, check back Saturday the 14th, and if you’re the winner, you have three days (until Tuesday, September 17th) to contact me at the blog email with your shipping address. (Failure to contact me in the appropriate time frame means I’ll give the sample to someone else.) If lush, floral Orientals are your cup of tea, and if you’re not bothered by sweetness or indolic headiness, then I think you may like Sensual Orchid.

[UPDATE: GIVEAWAY & General Samples: Random.org has chosen and the winner of a small sample is POODLE! Please contact me with your address, and I’ll send some Sensual Orchid off to you. ]

DETAILS:

Cost & Availability: Sensual Orchid is an extrait de parfum (or pure parfum) in concentration. It comes in a 100 ml/3.4 oz bottle that costs $225, €195 or £195. In the U.S.: You can buy it from OsswaldNYC and Luckyscent. Outside the U.S.: In Europe, you can buy Sensual Orchid directly from LM Parfums for €195. Decant samples are also available for €19, and come in a good 5 ml size. Laurent Mazzone’s Premiere Avenue also sells the perfume and the 5 ml decant. In the UK, the line is carried exclusively at Harvey Nichols which sells Sensual Orchid for £195. In Paris, it’s sold at Jovoy. Germany’s First in Fragrance carries the full line and sells Sensual Orchid for €196, in addition to samples. You can also find Sensual Orchid at Essenza Nobile, Italy’s Vittoria Profumi, or Alla Violetta. In the Netherlands, you can find Sensual Orchid at Parfumaria. There are many Russian vendors for LM Parfums, but one site carrying Sensual Orchid is SpellSmell. For all other locations, you can find a vendor near you from Switzerland to Belgium, Lithuania, Russia, Romania, Croatia, Azerbaijan, and more, by using the LM Parfums Partner listing. Laurent Mazzone or LM Parfums fragrances are widely available throughout Europe, and many of those sites sell samples as well. Samples: OsswaldNYC has a Sample Program for domestic customers. You can also buy a sample from Luckyscent, and several of the European sites listed above.

Perfume Giveaway: Neela Vermeire Créations

Posted on September 7, 2013 by Kafkaesque

I’m excited to announce that Neela Vermeire Créations, Parfums Paris (“NVC“) has kindly offered to give away two prizes, each of which will include samples of the upcoming Ashoka fragrance that will be released next week, on September 13, 2013. The only restriction is that you have to have an address in the U.S., Canada, or the EU.

Source: urduplanet.com

THE PRIZES:

Mohur Eau de Parfum

Grand Prize: one full bottle of Mohur Eau de Parfum (retail cost: $250 for 55 ml/1.85 oz at Luckyscent), along with a sample vial of Ashoka Eau de Parfum and a sample vial of Mohur Extrait pure parfum.

Second Place: The “Try your India” sample set (Trayee, Mohur Eau de Parfum, and Bombay Bling), plus one sample of Ashoka and one sample of Mohur extrait pure parfum. Each vial is about 2 ml, though perfumers rarely fill them to the top for leakage fears, so the liquid may be about 1.7 ml.

All the fragrances are Eau de Parfum in concentration, except the not-yet-released Mohur Extrait which is pure parfum and which won’t be out until the end of the year. If you’re unfamiliar with the fragrances, you can read my reviews linked within each name. In a nutshell, however:

One of Trayee’s many sides, encapsulated. Source: paramountfocus.com

Trayee is a powerful, spicy Oriental temptress with too many parts to list. She’s a complicated, dark seductress who blows through life like a force of nature.

Mohur is a exquisitely refined, quiet, elegant, haunting, floral beauty, centered around roses, violets, iris, sandalwood, cardamom, and more.

Bombay Bling is a happy, bouncy, outgoing, but sophisticated, fruity-floral scent. Considered by many to be an anti-depressant in a perfume bottle, she’s a flirt, made up of mango, lychee, jasmine, gardenia, tuberose, ylang-ylang, vanilla, sandalwood, and a few other tricks up her flirtatious Bollywood sleeve.

The brand new Ashoka is a refined, sophisticated comfort fragrance with milky fig, iris, lotus, osmanthus, tonka bean, leather, sandalwood, and more. It soothes you with a heart that is both powerful and gentle, and very much reminded me of a mother’s warm embrace.

Dress: Rami Kadi Haute Couture Spring-Summer 2013. Source: FlipZone and Tweets.seraph.me

And Mohur Extrait is one of the most va-va-va voom glamorous, sophisticated rose florals I’ve ever smelled. It takes Mohur Eau de Parfum and revs it up about 10 notches, turning her quiet elegance into diva glam, and sending her to a gala in an haute couture dress. To give you an idea of what I thought about it, I called Mohur Extrait “A Queen to Rule Them All.” And I’m someone who doesn’t particularly like rose fragrances, so I think that says something!

ENTRY RESTRICTIONS & REQUIREMENTS:

Both gifts are limited to people living ONLY in the EU, US or Canada. The problem is that new postal regulations make it extremely difficult to send fragrances (classified now as hazardous materials) to certain parts of the world. Some fascistic postal services go out of their way to search for and destroy perfume, even apparently using x-ray machines in their efforts. So, we’re terribly sorry, but please do not enter if you live outside of the three zones listed above.

To enter, you have to do two things:

1- “Like” Neela Vermeire Créations’ Facebook Page, if you haven’t done so already. (If you’re not on Facebook, you can follow Neela Vermeire on Twitter.)

2- Leave a comment here about anything you found interesting, fun, or appealing in yesterday’s interview with Neela Vermeire, entitled Neela Vermeire: Ashoka, Perfume, Food & Life. Okay, I guess that’s three things if you haven’t read the interview yet, but hey, the main prize is a $250 bottle of perfume, and samples of fantastic, not-yet released eau de parfums. I’m sure you can find the motivation… 😉

WHEN DOES IT START & END:

The giveaway starts today, Saturday September 7th, 2013 and will continue for 8 days until Sunday September 15th, 2013 at 11:59 p.m. Central Standard Time (CST) in the U.S. which is -6:00 GMT (Greenwich Mean Time).

WINNERS & EMAILS:

The Grand Prize and Second Place winners will be chosen by Random.org, and will be announced sometime the next day, September 16th.

Once I post the winners, you have FIVE (5) days to contact me with your shipping information. Deadline is end of the day, my time, on September 20th. Please send an email to Akafkaesquelife @ gmail . com (all one word, scrunched together). If you don’t, and if I fail to hear from you within the deadline, I will give the gift to the next person on the list.

SHIPPING:

Neela Vermeire Créations will send the prizes directly to the winners, and pay for all shipping costs. Given that NVC is located in the Paris, it may take some time (up to 14 days, depending on your location and Customs processing) for you to receive your gift. It may take even little longer if your country has really nightmarish customs issues. Neither Neela Vermeire nor I am responsible for items that are destroyed by customs or that are lost in transit for some reason. The Grand Prize cannot be replaced.

FINALLY:

I’d like to express my enormous gratitude to Neela Vermeire for her generosity, kindness and thoughtfulness in offering two fantastic gifts. Some companies may give away a small samples, but a whole bottle of expensive pure parfum and samples of not-yet released fragrances, along with a generous consolation prize?! Amazing! I cannot thank Ms. Vermeire enough. Good luck to everyone! May the perfumed winds blow you to India.

Source: mariyatourtravels.com –

Interview – Neela Vermeire: Ashoka, Perfume, Food & Life

Posted on September 6, 2013 by Kafkaesque

Source: In Rig Veda Psych4u blogspot

A while ago, I asked Neela Vermeire of Neela Vermeire Créations (“NVC”) if she would be kind enough to do an interview. She graciously agreed, and I sent along some questions. “Some” is an understatement — not being one for brevity, I’m afraid I inundated her with rather a lengthy list. Ms. Vermeire never blinked, and never once said that her incredibly busy schedule couldn’t accommodate such a barrage. Instead, she spent a portion of her holidays answering them. (And she never told me to fly a kite when I came back with follow-ups, twice!) I’m incredibly grateful for her graciousness, her time, her enormous patience, and her always sunny disposition.

Neela Vermeire. Source: Ms. Vermeire.

My goal with the questions was for us to learn as much about Neela Vermeire the person and perfume lover, as about the one who creates beautiful perfumes. Many of you know the brief outlines of Ms. Vermeire’s story. She was born in India, living life in the lushness of Calcutta (now Kolkata), before travelling around the world. She studied in America, completing a Master’s Degree in social sciences, then eventually moved to England where she studied law and became a solicitor. She spent a little time in Aberdeen, Scotland, practiced in London, and, for a brief period, moved to Paris where she remained for two years. She went back across the pond to England, then, six years after she left Paris, Ms. Vermeire and her Belgian husband moved back for good, this time for her husband’s work.

Bertrand Duchaufour. Source: mparis.ru

Ms. Vermeire was always passionate about perfumery and, in an almost organic process, she decided to express her love concretely by starting her own line. So, she approached Bertrand Duchaufour — one of the most famous perfume noses in the world, who has worked with everyone from Dior, to Acqua di Parma, L’Artisan Parfumeur, Comme des Garcons, Givenchy, Penhaligon, and many others. The result was Neela Vermeire Créations, three highly acclaimed fragrances, an award nomination, inclusion at the top of many perfume sites’ annual “Best of” lists, and a passionate following of admirers. And now, a fourth creation whose release is just a week away: Ashoka, Imperial Buddhist, a scent intended to capture the essence and life of India’s most famous Emperor, the man whose very symbol (a chakra) is now placed right in the center of India’s flag.

Emperor Ashoka.

I asked Ms. Vermeire about Ashoka, its creation, and the feelings that she sought to capture. But what about the woman herself? As I said earlier, I wanted you to know the complex, intellectual, extremely diverse, fascinating woman behind the fragrances, as much as the perfumista who created them. Ms. Vermeire kindly shared everything from some of her favorite perfumes that she used to wear, to her favorite television shows, her culinary weaknesses, and even her favorite type of chocolates. I hope you enjoy the answers as much as I did.

* * *

What are some of your favorite notes in perfumes? Notes that make you sit up with excitement when you see them on a perfume list?

There are too many to list but here are some: iris, jasmine sambac, tuberose, rose, lavender, vetiver, galbanum, sandalwood and most precious woods, styrax, resins…

Are there any perfume notes that you struggle with or that you don’t like at all?

Certain fruits, heavy patchouli, overtly sweet “gourmand” notes.

Which fruit notes don’t you like? Peach? Grape? Grapefruit? Blackcurrant?

I have difficulty with fruity notes in general – difficult to point to and blame certain fruits. It really depends on how a perfumer works with some of the fruity notes.

What was your earliest perfume memory?

It comes of course from my childhood years in India –smell of sandalwood paste, incense, tea, spices, flowers…

Before you started your own perfume line, what were some of your favorite perfumes?

There are too many to list as I collected many fragrances over the years. What I reached out for the most were:

Chanel Bois des Iles Extrait; Chanel No. 22 Extrait; Guerlain Jicky, Vega, and Sous Le Vent; Frederic Malle Iris Poudre and Une Fleur de Cassie; Serge Lutens Iris Silver Mist and Bois de Violette. I used to wear the Le Labo Tubereuse 40 NY exclusive, Iris 39 and Labdanum 18.

Also, I love and collect vintage perfumes. My main haul this year include an unopened Shalimar extrait in the box from the 1940s with the original wrapping paper, vintage Femme, and vintage Madame Rochas over summer from an antique fair, among a few…. [All font emphasis to the names added by me.]

Did you ever have a signature fragrance?

I don’t have a signature fragrance; I have always been too interested in experimenting or trying new scents. That said, I do wear NVC Mohur frequently, and a future creation which is still work in progress. [Font emphasis added by me.]

When you started your own perfume house, you obviously had a clear overall vision and inspiration for the perfumes that subsequently became Trayee, Mohur and Bombay Bling. What happens after you have that initial idea for a scent? Can you share a little about the steps in the creative process, and the methods by which you and Bertrand Duchaufour rendered your initial idea into something concrete? For example, would both of you test out different formulas each week?

Once I have clear vision – it is expressed to the perfumer. Sometimes we can start with a part of the entire vision and then build the foundation of the fragrance – we usually work on a couple of options in line with the original idea.

For Ashoka, the challenge was rather different compared to the first trio (which express vast periods of history) and not a legendary personality who helped spread a magnificent religion Buddhism. [Font emphasis to the name added by me.]

Can you expand a little on the process of building the perfume’s foundation and working with different options in line with the original vision?

It is one of the ways for me to develop and flesh out ideas – when you express an idea – you may not get (as a mod) what you think it is going to be. [Me: “Mod” is industry-speak for “version.”] The guiding factor is in imagination of the notes and the balance of the work-in-progress creation.

A perfume can take shape from those early stages to something very different from what was presented at say stage one. It is truly a matter of being on the same page for all parties involved in the creation.

Things take time in general – it is either a matter of being quick/hurried and accepting mods which may not be fully formed or the tougher route when one decides to carry on with the development and make sure that one reaches a satisfactory stage where the “eureka moment” actually happens!

Why did Emperor Ashoka appeal to you in the first place as a source of perfume inspiration, as opposed to some other Indian figure representing peace? Has he always interested you?

Emperor Ashoka’s Chakra, which is the very symbol in the center of the Indian national flag.

Personally as an Indian, Ashoka has always held a very special place since my childhood. One cannot ignore his importance if you grow up in India. In a nutshell – he was a true humanist (after his self-realization) and possibly one of the greatest emperors ever. He believed in secularism and was way ahead of his times.

In fact, our logo was adapted from Ashoka’s famous Chakra.

The bottle for Ashoka, as designed by Pierre Dinard.

Our new bottle, designed by Pierre Dinand, has 24 ridges just like Ashoka’s chakra. The logo [adaptation of the chakra] is also embossed on the metal cap. [So, the perfume] is about the meaning of this important symbol.

H.G. Wells summed up what you need to know about Ashoka in his book A Short History of the World. (1922):

“Asoka was at first disposed to follow the example of his father and grandfather and complete the conquest of the Indian peninsula. He […] was successful in his military operations and —alone among conquerors— was so disgusted by the cruelty and horror of war that he renounced it. He would have no more of it. He adopted the peaceful doctrines of Buddhism and declared that henceforth his conquests should be the conquests of religion.

The Mahabodhi temple in Bodhgaya, India, constructed by Ashoka. Two monks are meditating in front of it. The tree under which the Buddha attained enlightenment is on the left, behind the monks. This temple is the number 1 pilgrimage site of Buddhism in the world. Source: Wikicommons.

His reign for eight-and-twenty years was one of the brightest interludes in the troubled history of mankind. He organized a great digging of wells in India and the planting of trees for shade. He founded hospitals and public gardens and gardens for the growing of medicinal herbs. He created a ministry for the care of the aborigines and subject races of India. He made provision for the education of women. […]

Such was Asoka, greatest of kings. He was far in advance of his age. He left no prince and no organization of men to carry on his work, and within a century of his death the great days of his reign had become a glorious memory in a shattered and decaying India. […] But beyond the confines of India and the realms of caste Buddhism spread—until it had won China and Siam and Burma and Japan, countries in which it is predominant to this day…”

Perhaps the sole sculptural depiction of Emperor Ashoka that remains today, though the identity of the figure has not been fully established.

What made you both decide on certain notes, like fig, being a perfect way to reflect a stage in Emperor Ashoka’s life?

The main idea was to ensure that the fragrance has a contrasting start from a strong top note to a gentle drydown. We included some floral notes, fig leaves and fig milk, styrax, and sandalwood as some of the important notes to bring about this contrast.

Buddha achieved his enlightenment while meditating under a Bodhi tree/Sacred Fig (Ficus religiosa) and the fact that Ashoka converted to Buddhism to gain his own enlightenment.

The new NVC bottle design by Pierre Dinand.

For each of the perfumes, including the upcoming Ashoka, when did you finally know that a particular version or formula was “the” final, perfect one? Was there one of the perfumes that was a little harder to finalize and perfect (according to that mental vision) than the others?

I could go on perfecting a perfume forever and I do not care to rush towards any deadline. In the case of the trio, Trayee was the toughest to declare “final” as well as Mohur. Bombay Bling appeared to be relatively less complex to finalize in comparison to the other two.

Ashoka was incredibly tough and took many iterations. [All font emphasis to the names added by me.]

Speaking of Ashoka, there is already a tidal wave of anticipation and excitement. I read your interview with Fragrantica back in April about the two versions of the perfume that you showed at Milan: versions 108, 110 and their differences. To quote the relevant part of the Fragrantica reviewer’s perceptions: “108 is more masculine, green and harsh, with a fierce start recalling the period of the youth of Ashoka—a fearless hunter, cruel warrior and a great conqueror. 110 is more lactonic and sleek; it shows Ashoka after his enlightment [sic], as a kind and compassionate person…” Given his description and your own words about having different versions in Milan, it sounds like you went through numerous different interpretations for the scent. Did you finally settle on #108? And, if so, what made one formula seem like a better, truer, more representative fit for Ashoka than the other?

The numbers got juxtaposed somehow and did not get amended! It is 110 we settled for as it “is more masculine, green and strong, with a fierce start recalling the period of the youth of Ashoka—a fearless hunter, cruel warrior and a great conqueror.”

110 was the overall character of the perfume that we had in mind for Ashoka.

108 was relatively gentle in the opening.

One of the many, many things that I think will make Ashoka such a hit is that it hits that sweet spot in your line-up for a comfort fragrance. Each of your other ones represent a certain type of fragrance: Trayee is the seductive temptress with flair; Mohur is quiet, refined elegance; and Bombay Bling is fun, jubilant, exuberance. For me, Ashoka represents soothing comfort, a sort of serenity mixed with a mother’s protective embrace. Obviously, that’s my subjective interpretation of it, but I’m curious if you thought about the types of perfumes that you had already, and if you sought to create a type of refined, sophisticated comfort fragrance for your line-up?

Thank you for your faith in our fourth creation! To answer your question, for us – it is about the general mood of a fragrance.

Trayee is spiritual, contemplative and refined.

Mohur is elegant and glamorous as the same time.

Bombay Bling is sheer sophisticated fun.

Ashoka is intended to be that sophisticated comfort fragrance that you describe, both powerful and gentle.

All are created for men and women. We wanted everyone to be able to select a fragrance wardrobe from the collection. [All font emphasis to the names added by me.]

If you had to choose a painting, picture, photo or place that you think sums up the overall feel of Ashoka, perhaps as an emotional experience, what would it be?

It is very much a collage of various images – it is very tough to link it to one single image. The only image I can think of right now is the Ashoka’s chakra.

Emotionally it is a fragrance that works from a powerful top note to a very warm and comforting heart and base notes.

I’m always in awe of the quality of your ingredients but, especially, of that stunning sandalwood in your original trio. Without getting into trade secrets, can you tell us anything about the sandalwood or perhaps the Laotian Oudh that you use?

I have faith in a specialist perfumer like Bertrand Duchaufour’s choice of materials – naturals and aroma chemicals he uses in the compositions and we know that in the case of the NVC perfumes we did not cut any corners for the sake of economics.

We have used some precious woods like Mysore sandalwood oil and Laotian Oudh. We hope to continue on this path.

To what extent has your creative process or the perfume’s development been impacted by sourcing issues for ingredients? For example, that beautiful sandalwood is neither cheap nor in great abundance.

As mentioned above, I leave this to the perfumer and the essence company. The perfumers are specialists and know their materials well. It is their tool. Using some of the rare and precious raw materials can make a formula exorbitantly expensive.

When you work with experts/professionals in the fragrance world and I will underline experts – who know how to create a formula and know that if the ingredients are excellent – the end result will usually be very good.

There is a level of complexity to get an idea or message across through the perfume – even though the message is used mainly as an intellectual prop.

The perfume should make one “feel”/emote…

You make very French perfumes, even if they have an Indian inspiration. I think there is a very definite style to French perfumery as a whole or, at least, there was. Do you think that may be in danger in the years ahead due to things like IFRA or EU restrictions? Do you see any changes ahead for French perfumery?

Yes, but as long as one can conform to the new rules – it will hopefully be ok.

Perfume and your company obviously take up a vast amount of your time. What do you do to relax? Or, to put it another way, what are some of your non-perfume-related passions? Do you have any guilty pleasures — whether in television, books, food or something else — that you would confess to? 🙂

Music – all forms – I do enjoy going to classical concerts and productions of baroque opera.

Theatre when we visit London or NYC. We enjoy some French Theatre.

Art – everything from street art (like Space Invader), to Chagall.

Food – see below.

I adore the Cinema but rarely find the time to go.

I am also a fan of intelligent TV series – enjoy some excellent HBO productions, BBC and Nordic productions.

I know you love the TV show, Borgen, but what else? Which HBO or BBC series?

Borgen, Wallander, The Killing, The Bridge. On the BBC, there are too many to list, as I grew up with the BBC – crime, justice, comedy. But I am a Downton Abbey fan. I’m also a HUGE Poirot fan.

From HBO or American television, there are also too many, but some include The Wire, Boardwalk Empire (fabulous), The Sopranos…. I also watch other shows like: Engrenages (French), The Shield, and The Good Wife.

I’ve enjoyed Mad Men very much. It’s very stylish, and I love John Slattery’s part, as well as many other characters. Homeland is also great, and I liked the original Israeli version, Prisoners of War. Another show I like is the new Netflix series, House of Cards, mainly for Kevin Spacey. I’ve been a fan of his since early in his career with The Usual Suspects.

I do not dare to mention feature films, as I am film buff and have an endless list that may bore everyone.

Source: Ms. Vermeire.

Since you live in Paris with all that glorious food, and since I’m a foodie myself, I have to ask as my last question: what are some of your favorite dishes, cheeses, patisseries, breads, or other aspects of French culinary life? Please let us live vicariously through you!

Even though I live in Paris, I remain a huge fan of all types of Asian cuisine (which I still like the best). Second for me comes Italian cuisine. I also enjoy savoury Persian and Lebanese cuisine. In fact, I am known to impose Asian or Middle Eastern cuisine on my friends.

There is nothing like good organic bread and we have some excellent artisanal boulangeries near us.

Sadly, we have not found a truly great Indian restaurant in Paris, the UK and the US just seem better for that.

In India, the cuisine is varied – I love most regional cooking. My favourite type of cuisine is Dum Pukht. If you are in New Delhi, you must try the restaurants Dum Pukht and Bukhara for an excellent culinary experience.

I also enjoy creative meals from any of the great French chefs and from chefs from all over the world. There, I go more for quality than quantity.

Source: goodealmart.com

However, if I have to go for general French cuisine, I enjoy good fish restaurants. I enjoy platters of my favourite French oysters — speciales Gillardeau with some vintage champagne — followed by a deliciously cooked sole (grilled or fried), or grilled sea bass with olive oil or cooked in salt crust.

Biscuits Roses de Reims. Source: agence-des-grands-crus.com

I also enjoy wine tasting wherever we go. And we enjoy looking for good champagne houses that are rather niche in production. My favourite champagne maison is Jacquesson. I also enjoy dunking rose biscuits from Reims in champagne.

I’m not fond of heavy patisseries, but I enjoy some good dark chocolate from time to time. My favourite chocolatiers include Pierre Marcolini (Belgian), Patrick Roger, Debauve et Gallais (French)…

* * *

Oh my God, I don’t know about you, but I salivated like a dog reading her food answers! Wouldn’t you love to go eating and drinking across Europe with Ms. Vermeire?! Coincidentally, I went to the famous Bukhara in New Delhi years ago, and can attest that it is as good as Ms. Vermeire says it is. (Actually, it was completely mind-blowing. And I gained 6 pounds to prove it!) Ms. Vermeire clearly knows her food. And her oysters, too! The New York Times calls Gillardeau “the most famous name in oysters.” If you’re curious about Jacquesson, the champagne house has a fascinating history that goes back to 1798 and not only pre-dates Krug, but arguably gave rise to the latter.

Macarons, Pierre Marcolini, via Wikicommons.

Lastly, if you’re a masochist who loves to torture yourself with food porn from afar (as I do), then you really should check out the handsome Pierre Marcolini, his lovely website with its various chocolate collections, and his e-Boutique that offers everything from macarons to your own choice of chocolate selections. (No U.S. deliveries, alas.) A much less visually appealing website is that of Debauve & Gallais, and it offers chocolate deliveries on a more global basis, including FedEx shipments to the U.S. The company was founded in 1800, and became the official chocolatiers to Emperor Napoleon, as well as to several kings who followed him.

As for the perfumes, I think we would all agree with Ms. Vermeire that the fragrance should make us feel. And the very best ones always do. I have felt the soothing comfort of Ashoka, and I think many of you will love the Emperor’s embrace. I’m still madly in love with the upcoming Mohur Extrait above all else (yes, even more than Trayee!), but I think Ashoka has a refined gentleness that makes it very appealing and perhaps the most versatile of all the NVC creations. I can’t wait for you all to try it!

I would like to repeat my grateful thanks to Ms. Vermeire for taking big chunk of time out of her extremely busy schedule to answer my questions. She is working on a new fragrance, is constantly on the move, and is also preparing for the new launch of Ashoka that is mere days away. The fragrance will be officially released at the Pitti Immagine Fragranze Faire in Florence on September 13^th! In light of all that, her graciousness, and patience mean even more. I shall see if I can one day repay her with dark chocolates or, perhaps, with some grilled sea bass.…

[AVAILABILITY UPDATE: Ashoka will be available for sale starting on September 23, 2013. In the U.S., it will be sold at Luckyscent and Min New York. I asked Ms. Vermeire about Ashoka samples and the Discovery Sets. This is her reply:

Here is what we are planning till we have Ashoka in the sets.
Try your India sample sets (3×2 ml) and Discovery sets with Ashoka EDP from late autumn from the site.

We will include a free glass vial sample of Ashoka with every purchase of the NVC Discovery set 10 ml x 3 of the first trio.

Please stay tuned for news on e-boutique.

The full flacons of Ashoka will be available at 190 Euros plus shipping.

So, starting on September 23rd, if you order the Discovery Set, you will get a glass vial of Ashoka. Ms. Vermeire says that samples of Ashoka won’t be available to go with the smaller “Try your India” sample set until much later in the Fall. So you can only get a sample if you order the NVC Discovery Set. As for a possible 10 ml bottle of Ashoka, at some point much later in the Fall, Ashoka will be added to the Discovery Set, but it is not offered being right now. (When it is, the Discover Set’s prices will presumably change for 4 x 10 ml, instead of 3 x 10 ml, but that is just my guess).]

Dior Eau Noire (La Collection Privée): Licorice Immortelle

Posted on September 5, 2013 by Kafkaesque

Source: fr.123rf.com

Chilled iciness and warmth, silvered light and black darkness, thickness and airiness, herbal crispness with gourmand chewiness, all swirled together in one. That is Eau Noire, a surprisingly gourmand fragrance from Dior with almost a fractal juxtaposition of textures, notes, and sensations.

Eau Noir is part of Dior’s prestige line of fragrances called La Collection Privée. (The line is sometimes called La Collection Couturier on places like Fragrantica and Surrender to Chance, but I will go with the name used by Dior itself on its website.) The eau de parfum was one of the very first Dior Privée perfumes, and was released in 2004. Unlike most of its siblings, it was not the creation of François Demarchy, the artistic director and nose for Parfums Dior. Instead, it was created by the then-young perfume prodigy, Francis Kurkdjian, who went on to found his own perfume house, Maison Francis Kurkdjian, to great acclaim.

Source: Fragrantica.

Dior categorizes Eau Noire as an “oriental aromatic,” and provides the following description:

An elegant gala spirit in an intense evening fragrance, swathed in mystery. This interpretation of Lavender in chiaroscuro reflects the atmosphere of the Château de la Colle Noire, an estate owned by the Designer, which is located in the Provence region.

Dior’s very limited — and I would argue, very incomplete — list of notes include:

White Thyme, Lavender, Liquorice, Vanilla Bourbon, and Virginia Cedar.

Fragrantica adds coffee, leather, spiced sage, and violets as well. And everyone includes immortelle, that tricky note that can smell of maple syrup, curry, and several other things as well. I definitely agree with a lot of those additions. So, in my opinion, the full note list looks more like this:

White Thyme, Lavender, Liquorice, Coffee, Immortelle, Vanilla Bourbon, Leather, and Virginia Cedar.

Source: Dylanscandybar.com

Eau Noire opens on my skin with the blackness of its name. It is a potent blast of licorice that is chewy and thick, almost resinously meaty in its depths, and, surprisingly, very chilled in feel. It’s followed by hints of thyme, coffee, vanilla, and a brief, transient pop of thick, yellow, spiced curry. It’s such an odd combination of iced, herbal, spiced and sweet notes that you have to blink. To be honest, the forcefulness of the licorice — so concentrated and thick that it feels like the distillation of every black anisic candy on the planet — is a bit alarming for someone like myself. Until just ten years ago, the mere smell of licorice would make my stomach heave and, though I now enjoy eating fennel/anise, I still won’t go near black licorice.

Source: blog.diginn.com

Nonethelesss, Eau Noire is oddly mesmerizing. I feel almost paralyzed and transfixed by the scent which becomes increasingly more nuanced and complicated. An unexpected floral note darts about, though it’s not immediately identifiable, at this point, as anything in specific. Then comes the immortelle, coffee, and caramel. The coffee is lovely, potent, and black, just like a freshly brewed cup combined with the scent of freshly ground expresso beans, and it works beautifully with the licorice.

Immortelle, or Helichrysum in Corsica. Source: Wikicommons.

The real key to Eau Noire, however, is the Immortelle (or Helichrysum) which must be in Eau Noire by the bucketfuls. Francis Kurkdjian has created a multi-faceted note, because the fragrance reflects almost all of immortelle’s various characteristics: dryly herbal floralacy; maple syrup; dry woodiness; and the curry that popped up that for a brief moment at the beginning. (No fenugreek, thank God.) I think that Eau Noire’s strong caramel note must stem from the combination of the immortelle’s maple syrup aspect with the Vanilla Bourbon. By the same token, if the coffee is not an actual, separate note, then I suppose it may be the result of the licorice mixed with the vanilla. Either way, Eau Noire is a fascinating blend of chewy, dense black licorice, sweet caramel, maple syrup, strong coffee, with flickers of herbs and a subtle undercurrent of rich vanilla.

Source: 1ms.net

Ten minutes in, Eau Noire feels warmer, sweeter, and more gourmand. The lavender keeps trying to brush his way onto the stage, only to get elbowed back to the sidelines by the other notes. Still, he tries valiantly, his little purple head darting up and down every five minutes above the big, blokey shapes of the licorice and maple syrup. The name “Eau Noire” feels almost misleading for a scent that is so much like a rich, unctuous, almost cloying dessert. It certainly wasn’t what I had expected.

By the end of the first hour, Eau Noire changes. The lavender is very prominent now, and there are hints of something woody in the base. The fragrance, as a whole, is a more modulated, balanced, and smoother blend that is equal parts licorice, coffee, and lavender. The dominant trio is trailed lightly by caramel, vanilla, occasional hints of maple syrup, and the lingering, muted traces of an intangible, abstract floral. The licorice fascinates me in its dense potency. Sometimes, it has a distinctly icy feel. At other times, there is a very subtle but unmistakable leatheriness to the note. At all times, however, it is chewy and almost resinous in feel, conjuring up images of something like a thick, black brownie, only made of pure licorice.

For the next few hours, Eau Noire remains largely unaltered in its core essence. The only differences are one of degree, not of kind, as there are subtle changes in the order, priority and strength of the various notes. The lavender waxes and wanes in strength, as does the power of the licorice, coffee, and caramel. Each one takes its turn leading the brigade, and sometimes, they all share equal time on stage in a well-blended swirl.

Source: free-3d-textures.com

Dior’s description for the fragrance references the term “chiaroscuro,” an interplay of contrasts, and Francis Kurkdjian certainly succeeded here. For the first six hours, Eau Noire is a constant play on opposites: chilly iciness; silvery lightness; warm blackness; airiness and dense chewiness. The texture or depth of Eau Noire follows suit, because the visual feel of black, unctuous denseness is juxtaposed with the fragrance’s surprisingly airy weight. Don’t mistake me, Eau Noire is not weak in sillage — quite the opposite, actually — but the fragrance doesn’t feel opaque or heavy. Instead, it billows around you like a very forceful cloud with at least half a foot in projection from just 2 large smears. This is not a fragrance to overspray with reckless abandon if you work in a conservative office environment.

One thing I found interesting was how Eau Noire appeared from afar. Around the third hour, as the fragrance wafted all around me, I would catch little trails of it in the air. I’ll be honest, my mouth watered a little at the aroma, despite not generally being a fan of gourmand fragrances. There is something about Eau Noire that is utterly entrancing from a distance where it smells almost like a chocolate-coffee-caramel mix, and I found it much prettier than up close where you can separate out the notes into chewy, black licorice with lavender, coffee, and vanilla.

Another point is the impact of different temperatures on the scent. I tested Eau Noire this summer, and found it both cloyingly sweet and largely dominated from the start by the maple syrup aspect of immortelle. Though my tests always take place indoors under extremely cool air-conditioning, as well as outdoors, it was hot enough this summer that even short periods outside made Eau Noire’s sweetness really explode. I don’t generally believe in seasonality when it comes to wearing fragrances, but I think Eau Noire is much prettier in cooler conditions where its various accords blend in better harmony and it’s not quite so sweet.

Maple Syrup. Source: iccoin.com

Around the start of the fourth hour, Eau Noire starts to change again. At first, it’s merely a subtle difference in the base where flickers of a smoky woodiness start to stir, as the cedar attempts to make itself heard. More importantly, however, the immortelle reverts back to its maple syrup character instead of the primarily caramel facet it had shown up to now. It also starts to become increasingly more prominent in the fragrance’s composition. At the same time, the lavender starts to weaken, and the licorice loses some of its shape. The latter feels as though it has infused or melted into every other element in the fragrance. It also starts to feel extremely leathery in undertone, instead of just plain licorice.

Increasingly, Eau Noire becomes primarily an immortelle fragrance in nature. Maple syrup dominates, followed by leathery licorice. The lavender pops up and down like a Jack in the Box, but it’s no longer an equal partner with the other notes. The coffee has vanished, along with the vanilla bourbon. The cedar is barely noticeable, even in the background. At times, Eau Noire feels mostly like maple syrup with caramel, though it’s somewhat drier than those terms would suggest. Actually, I’m surprised that the fragrance has as much dryness as it does. On my skin, Eau Noire isn’t a fragrance that is oozing sugary syrup, though it is sweet. I suspect the cedar may be working indirectly from the base, along with the leathery undertones of the licorice, to keep some of the sweetness in check.

Source: 123rf.com

Eau Noire’s sillage also starts to change. At the start of the sixth hour, the fragrance loses some of its powerful projection, and hovers only an inch or two above the skin. It is still quite potent when smelled up close, but it no longer sends little trails out into the air around you. At the end of the eighth hour (!), Eau Noire finally becomes a skin scent, radiating primarily maple syrup with a faint hint of black licorice. In its final hours, the fragrance is merely a blur of sweetness. All in all, Eau Noire lasted an astounding 14.5 hours on my perfume consuming skin. Most of Dior’s Privée line has exceptional longevity, but Eau Noire exceeded all the ones that I’ve tried thus far.

I think Eau Noire is a very well-made, intriguing, and rather mesmerizing scent on some levels, but I have mixed feelings about it personally. As a whole, its dark sweetness was much more attractive than I had expected from its opening moments, especially once I got over the shock of that much licorice. Yet, despite how entrancing Eau Noire can smell from afar, I’m not hugely tempted to get a bottle. For one thing, I struggle with gourmands. In light of that fact, even if I had a bottle, I’m not sure how often I could wear such a fragrance. Eau Noire is lovely as a “once in a blue moon” sort of fragrance, but, with Dior’s increased prices and out-sized bottles, do I really want to spend $170 for the “small” 4.5 oz bottle just for occasional wear? For me, it doesn’t seem worth it, but I’m sure that a gourmand lover would find Eau Noire to be worth every penny.

Of course, that assumes that the notes wouldn’t go terribly south on your skin. Eau Noire doesn’t seem to be the easiest fragrance for some people, due to the immortelle. In fact, Fragrantica is littered with comments about some of Eau Noire’s odder manifestations: curried lavender; “curried creme brulée” mixed with cedar; “curry meets caramel;” a “sinister affair of spices and herbs… that reminds me of cough syrup;” and more. One woman thinks Eau Noire is best on a man, while a male commentator thinks it’s a woman’s fragrance.

On the other side are those who are ardent admirers. One commentator thinks it’s the most “sublime” lavender fragrance ever, with spices and a touch of leather, calling it a “real masterpiece of subtlety and spice.” A number of people had the same experience I did with the interplay of contrasting notes. To give you just one out of many similar accounts:

EN is an olfactory maze of ying-yang scents. It is warm and cold, sweet/spicy and woody/leathery, bright and obscure, simple and complex. Indeed, its name says it all: black water. You don’t know what you might get or what to make of it when you wade in it. The key here is to relax and take it in. Just breath in every punch that is thrown at you with your eyes closed and take in each aroma and you may start valuing the grand bal of scents that dance together here. It is a mary-go-round composition where each note underneath the core licorice and lavender combo decides to jump in randomly, show up for a moment, and then suddenly be replaced by another. You will not get bored with this polytonal composition.

Ultimately, I think that you will like Eau Noire only if you adore immortelle in all of its various characteristics (including the potential curry note), along with gourmand scents in general. If so, then Eau Noire will probably be true love for you. Take, for example, the Candy Perfume Boy, a blogger known for enjoying a number of gourmand perfumes, and who has said flat-out that, for him, Eau Noire is “a holy grail fragrance.” In his review, entitled “Eau My God!“, he writes, in part:

The first blast of Eau Noire is somewhat of a baptism of fire […] I find it to be a totally joyful experience, and unlike anything else that has come into contact with my nostrils.

Things fall into place pretty quickly and the top notes are very much about lavender and liquorice, two aromas that are very much intertwined. Each brings out the dark anisic, herbal, and sugary qualities of the other and the overall vibe is neither floral nor gourmand, it sits somewhere comfortably between.

Possibly the most striking aspect of Eau Noire is the HUGE amount of imortelle within the heart. […] Personally I love imortelle, it is perhaps one of the most complex and pleasing smells around, it smells like sweet maple syrup, burned sugar and curry. Much to my pleasure, Eau Noire seems to showcase each and every one of the imortelle flower’s wonderful facets in perfect proportion. […][¶]

I keep trying to think whether I have smelled a fragrance as damn good as this recently, and I really don’t think I have! Eau Noire is everything that a good fragrance should be; distinct, unusual, well proportioned and exceptionally blended, beautiful and of obscenely high quality. Bravo Dior!

It is the ultimate accolade from a man who knows (and loves) his gourmands. And he’s not alone in his passion for Eau Noire. A number of its fans talk about its beauty in this Basenotes thread discussing a possible Eau Noire clone, J’S Extè Man, from an Italian company. On the official Basenotes review post for Eau Noire, the fragrance has a total of Four Stars, with 67% of the 57 reviews giving it a full five stars and making such comments as: “Pure perfection. Completely flawless creation.”

On the other hand, 23% or 13 commentators give Eau Noire just one star, and the main reason almost each time can be summed up as “maple syrup and curry.” I cannot emphasize enough that you have to love immortelle in ALL its potential aspects to love Eau Noire. There may have been just a single, momentary pop of curry on me, but then, my skin has almost never brought out that side of immortelle. (Thank God!) Clearly, I’m one of the lucky ones, but you may not fare so well.

Source: atyabtabkha.3a2ilati.com

As a side note, a number of people have compared Eau Noire to Annick Goutal‘s Sables, perhaps the ultimate benchmark for immortelle fragrances. I haven’t tried it to know how it measures up, but one commentator in that Basenotes thread, “alfarom,” has a useful comparison. He states that Sables “pushes to the very limit the boldness of Helichrysum by introducing a massive dose of amber, [while] Eau Noir focuses on its gourmandic/syrupy aspect adding a liqorice effect and a strong vanilla base[.]”

As you can see, again and again, the issue comes back to immortelle and gourmands. If you share the gourmand sensibilities of The Candy Perfume Boy, and if you love both immortelle and licorice, then I strongly encourage you to give Eau Noire a sniff. If you love gourmands but immortelle doesn’t always work on your skin, then you should hesitate and perhaps consider a test. But if you loathe immortelle, licorice and/or gourmands, then run very, very far away. Eau Noire may make you utterly miserable.

DETAILS:

Cost & Availability: Eau Noire is an eau de parfum that is available exclusively at Dior boutiques, at Dior online, and a few select, high-end department stores. Dior Privé perfumes come in two sizes: the 4.25 fl oz/125 ml costs $170 with the new Dior price increase, while the 8.5 fl oz/250 ml costs $250. (There is a third option which is so enormous, I can’t imagine anyone buying it.)

In the U.S.: Ambre Nuit found at Dior’s NYC boutique, and at the main Las Vegas store [call (702) 369-6072]. If you’re really interested, however, what I would do is to call this number instead — (702) 734-1102 — and ask for Karina Lake, the Dior Beauty Stylist at the Las Vegas store. She is an amazingly sweet lady who will also give you a free 5 ml mini bottle of the Dior perfume of your choice, along with 3-4 small 1 ml dab vial sample bottles, to go with your purchase. Even better, you will get free shipping and pay no tax! Tell her Kafka sent you. (I get nothing for the recommendation, by the way.) U.S. Department Stores: New York’s Bergdorf Goodman, San Francisco’s Neiman Marcus, and the Saks Fifth Avenue in Chevy Chase, Maryland also carry the Dior Privée line collection of perfumes.

Outside of the US: The Dior International page offers all their Privée fragrances for you to order online. This is the listing for Eau Noire. In addition, you can use the Points of Sale page on the Dior website to find a location for a Dior store near you. You can also navigate the Dior website’s International section to buy the perfume online. The problem is that the site is not very straight-forward. If you go to this page, look at the very far right to the bottom where it will say, in black, “International Version” and click on that. You should see options for Europe, Asia-Oceana, and South America. Within Europe, there are different sub-sites divided by country. The one closest to you should have the perfume available for sale.

Samples: If you want to give Eau Noire a sniff, samples are available at Surrender to Chance where prices start at $3.00 for a 1 ml vial. If you’re interested in trying the whole Privée line (minus the new Gris Montaigne), Surrender to Chance sells all 13 fragrances in a sampler set for $35.99.