Fragrance Recommendations: Leathers, Vetivers, Fougères & More

Source: mf.techbang.com

Source: mf.techbang.com

Every week, I get at least three or four emails from people seeking fragrance recommendations. The vast majority of them are men, but there are some women, too. Most of them are not long-time readers of the blog and have simply stumbled upon it, so they don’t know my long-time favorites that I talk about often, but a few are subscribers who seek specific suggestions. Sometimes, people start by giving me a brief idea of their tastes and/or names of prior fragrances they’ve worn. Typically, though, the information is insufficient for me to know what might really suit them, so I write back with a list of questions, trying to narrow down what notes they have issues with or love best, how they feel about sweetness or animalics, how their skin deals with longevity or projection, and what sort of power they want in both of those last two area.

Ralph Lauren Purple Label editorial ad via tumblr.com

Ralph Lauren Purple Label editorial ad via tumblr.com

What I’ve noticed is that I tend to make certain recommendations time and time again for particular genres or fragrance families. So, I thought I would share them with all of you. However, please keep in mind that these names are in response to some pretty set criteria given to me by the person in question, even though many of those factors end up being quite similar. For example, the men who like dark, bold, rich or spicy orientals all seem to want a certain sillage or “to be noticed in a crowd,” as several have put it. In contrast, most of those who want clean, crisp scents prefer for them to be on the discreet side and suitable for professional business environments. Men whose favorites are classical designer scents that fall firmly within the fougère, green, fresh, or aromatic categories (like Tuscany, Guerlain’s Vetiver, or vintage Eau Sauvage, for example) tend to want very traditional scents, even “old school” in vibe, and not something sweet, edgy, or with a twist. So, that is what I try to give them as recommendations, which means that there are a whole slew of fragrances that fall outside the category.

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Guerlain Habit Rouge Dress Code

How do you pay tribute to a legend? In the case of a fragrance like Guerlain’s Habit Rouge, the question also becomes how one celebrates a masterpiece without simply creating something that hews so closely to the original as to feel dated and shallow. It’s a difficult task, one which Thierry Wasser resolved in the case of Habit Rouge Dress Code by cleverly opting to create a completely separate fragrance that gives only the faintest nod to parts of the original, while also including modern elements consistent with the current Guerlain aesthetic.

The result is a bit of a mixed bag, in my opinion. There are parts of Habit Rouge Dress Code that are very appealing, especially from a distance, and other parts that I’m not so fond of, particularly up close. That said, I think this is one of the better Guerlain releases in recent years, maybe even the best as compared to the last few, and it will be popular on its own merits, irrespective of the original. It also has the virtue of feeling significantly more unisex and less overtly masculine than Habit Rouge, so I think it may appeal to women as well.

Source: Vanityfair.com (Photo lightly cropped by me horizontally.)

Source: Vanityfair.com (Photo lightly cropped by me horizontally.)

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Guerlain Myrrhe & Delires: Many Faces, No Name

There are faceless men in Game of Thrones, men who go by no name, have no set identity, are fluid in their ability to take on different guises, and who worship the Many-Faced God. Guerlain‘s Myrrhe & Delires reminds me a lot of them: many faces with a fluid identity that is sometimes quite elusive and often quite forgettable.

Source: cosmoshopping.ru

Source: cosmoshopping.ru

It’s a fragrance which I first tried a few years ago, but I never got around to writing about it simply because it frequently slipped my mind. It’s all too easy to forget about Myrrhe & Delires, which is actually part of the problem. Or the biggest problem. Every few months, I made the resolution to cover the scent, but something interesting invariably came up, something which moved me for better or for worse, or triggered some sort of emotion. So, my little decant went back on the shelf. From time to time, I would see it and would struggle to remember what exactly Myrrhe & Delires smelt like because, you see, that faceless quality leads to an all too forgettable nature. I could vaguely recall a fruity, rose-y-ish gourmand with licorice smokiness, but that’s about it. It left no real impression at all. Even now, after re-testing it for the umpteenth time, it’s hard to describe its exact specifics because, on my skin, Myrrhe & Delires is the fluid Many-Faced Guerlain that has no real face at all.

Image by Monsieur Guerlain via monsieur-guerlain.com

Image by Monsieur Guerlain via monsieur-guerlain.com

I had forgotten entirely about Myrrhe & Delires (as usual) until a few days ago when the blogger, Monsieur Guerlain, announced on his Facebook page that the fragrance was being discontinued, and that Guerlain had confirmed it. Monsieur Guerlain states that the Myrrhe & Delires will only be sold in stores while stock or supplies last. In rounding up my retail links for this review, I noticed that the fragrance is already off the one Guerlain website that always allowed online purchases, the French one. Typically, all the Guerlain sub-sites permit you to put their niche fragrances on a wish-list, but only Guerlain France  consistently permits online purchases of their higher-end releases. That is no longer the case for Myrrhe & Delires, a definite sign of discontinuation, so I thought it best to review the scent while supplies last for any of you who may wish to try it.

Guerlain's L'Art et La Matiere Collection. Photo/Source: Fragrantica.

Guerlain’s L’Art et La Matiere Collection. Photo/Source: Fragrantica.

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Guerlain Santal Royal

Source: q80ean.com

Source: q80ean.com

It takes some effort to get a One-Star “Avoid” rating from Luca Turin, but Guerlain has managed it with its new Santal Royal. I don’t always agree with the famous perfume critic and I don’t think Santal Royal is the worst thing I’ve ever smelt, even from Guerlain (L’Homme Ideal holds that dubious distinction), but he’s right: Santal Royal isn’t good. It is especially disappointing coming from a once-great house, perhaps the greatest that ever was.

In essence, Santal Royal is another sub-par, extremely commercial creation from Guerlain without any distinctiveness or originality, and with absolutely nothing remotely reminiscent of sandalwood. What it does have, however, is a strong resemblance to a heavily aromachemical Montale fragrance or to any number of basic, cheap, Middle Eastern fragrances centered on a generic, overly sweet, wholly synthetic, fruity rose-oud combination. Actually, I’ve smelt better perfumes from Montale, which is saying something given my general view of that house.

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