Thierry Mugler Oriental Express & Supra Floral (Les Exceptions)

Posted on February 19, 2015 by Kafkaesque

Thierry Mugler launched a prestige collection last year called Les Exceptions, created by Chanel‘s Olivier Polge with Jean-Christophe Hérault. The collection has five fragrances: Oriental Express, Supra Floral, Chyprissime, Fougère Furieuse, and Over the Musk. Modernistic techniques like IFF’s “Head Space” technology were used, according to what one of the perfumers told the blog, Grain de Musc, who found the fragrances to carry a “retro-futuristic” aesthetic. I tried two of the line and don’t think they’re as interesting or complex as that description, but one of them is very enjoyable.

Source: 2luxury2.com

The fragrances are an attempt to partake in the niche trend, so they bear a higher price tag than what is the norm for Mugler and are only available in limited fashion. Outside of Mugler’s U.S. and French websites, I’ve only seen the collection on the American Nordstrom website and Canada’s The Bay. Only a few Nordstrom shops are expected to carry it in-store. Oddly, the scents are not available for actual purchase on a number of Mugler’s sub-sites, like its Italian one, and the perfumes are not even listed on its U.K. page.

Though I generally try not to cover scents with very limited availability, two of the scents caught my eye. Oriental Express tempted me because of its notes and the name’s implicit reference to the legendary train. Supra Floral intrigued me because it is a hyacinth soliflore with incense. Hyacinth is one of my favorite flowers and one that is rarely highlighted in perfumery, let alone with incense. Finally, on a superficial note, the bottles look very chic, sleek, and expensive. So, here are reviews for Oriental Express and Supra Floral.

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Frapin Nevermore

Posted on December 18, 2014 by Kafkaesque

Nevermore. Source: Frapin via Fragrantica.

“…on the Night’s Plutonian shore!’/ Quoth the raven, ‘Nevermore.'” Edgar Allen Poe wrote those words in his famous poem, The Raven, which has now become the inspiration for a new fragrance from the French luxury cognac house, Frapin.

Frapin entered the perfume business only six years ago in 2008, but the brand has been making expensive cognac for centuries. In fact, as a Vanity Fair article explains, the family behind Frapin goes back almost 800 years and has a true passion for cognac, as well as an interest in tradition. Understandably, as a perfume house, their creations all involve cognac to some degree or another.

Nevermore, however, is their first fragrance to have a literary focus. The inspiration is two-fold. First, Poe’s poem, The Raven, where a man slowly descends into despair and madness, aided by a talking raven who squawks out “Nevermore” like a prophet of doom at the man’s every mention of a happy memory in the past. In my opinion, the second inspiration is far more significant and noticeable in terms of its concrete effects on the perfume, and it involves a mysterious visitor called The Poe Toaster who visited Poe’s grave to pay tribute with cognac and three roses every year on Poe’s birthday for more than seven decades. As the Frapin press release quoted by a number of sites explains:

In the works of Edgar Allan Poe, the poet reveals the misery that overcame him whenever he was confronted with loss. Each happy memory become so distant that he knew of only one term for this condition: “Nevermore” – never again.

For the first time in 1949 on January 19 – the poet’s birthday, a mysterious visitor began to leave three red roses and a bottle of cognac at the grave of Edgar Allan Poe. An enigmatic gesture and a myth-enshrouded story, a dark, baroque universe, purple roses and amber liquid…

Source: The London Telegraph newspaper. telegraph.co.uk

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Oriza L. Legrand Marrions-Nous (Let’s Get Married)

Posted on December 14, 2014 by Kafkaesque

Gloria Swanson, photo by Edward Steichen, 1924. Source: galleryhip.com

Love and marriage, virginal propriety and lusty naughtiness. Marrions-Nous runs the olfactory gamut from the virginal, cool aloofness of an aristocratic aldehydic floral, through the consummation of lust with darkly skanky notes, before ending with a sigh as creamy smoothness. The fragrance was released by Oriza L. Legrand (hereinafter just “Oriza“) in 1928 and feels very much a product of its time, a decade when the cool hauteur of Chanel No. 5 had become a runaway hit that revolutionized perfumery, but one in which Josephine Baker also ruled the stage and naughty, animalic seduction was in the air. I find Marrion-Nous to have been influenced by both competing trends, resulting in an elegant fragrance that is one-part aristo in white, one-part Mae West and a Folies Bergère showgirl doing the can-can in black.

Source: Oriza L. Legrand.

Technically, however, Marrions-Nous was inspired by “Gai! Marions-Nous” [“Great! Let’s Get Married”], a successful 1927 novel by Germaine Acrement that later became a famous play. As Oriza explains on its website, the perfume house was moved by the play to make an eau de parfum that was meant to be “an expression of sensory playfulness.” The various notes were intended to be symbolic parallels to the various stages of the romantic process:

Inspired by love and marriage, which are not always related to each other, “Marions-nous” offers the virginal touches of orange blossom, rose, jasmine, and hyacinth.

Charlotte Babcock Brown, gown by Jeanne Lanvin, photo by Edward Steichen 1928. Source: onewed.com

In an interplay of propriety and informal understandings, the marriage reaches its peak as the heart succumbs to the essences of carnation and iris and the comforting accents of aldehydes and Ylang Ylang.

On the chessboard of Love, mutual consent seals the arrangement… and we slip into the gentle clutches of sweet emotion.

Tonka Beans, Musk Tonkinese accord, Civet, and Sandalwood add their fragrances to the happy ceremony… “Gai! Marions-nous!”

Marrions-Nous bottle and box via Oriza L. Legrand.

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Von Eusersdorff: Classic Mimosa, Orange, Myrrh & Vetiver

Posted on December 2, 2014 by Kafkaesque

Camille Henfling of Von Eusersdorff.

Von Eusersdorff is a Dutch-based perfume house that is run by the descendents of German immigrants with roots dating back to the 15th century and who are now inspired by the vibrancy of New York City. According to the company’s website, the original Von Eusersdorffs ran an apothecary for three centuries, “dealing in rare perfume materials, spices and herbs.” The brand was reborn in 2010 as “Von Eusersdorff New York” under the direction of Camille Henfling-Von Eusersdorff, and its five eau de parfums finally became available in America a few months ago after being European exclusives.

I first tried a few of the fragrances last year at Jovoy, but didn’t have the time to give the full range a thorough assessment. Finding the scents in America turned out to be impossible, despite the “New York” part of their name. Then, several months ago, a very thoughtful, generous reader, “Petra,” kindly sent me samples of all the fragrances from German. About six weeks later, the perfumes became available in America, first at Twisted Lily and now at Indigo Perfumery. So, I thought it might be useful to briefly cover four of them — Classic Mimosa, Classic Orange, Classic Myrrh, and Classic Vetiver — leaving the fifth one, Classic Patchouli, for a comparative review with Lorenzo Villoresi‘s Patchouli.

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