La Via del Profumo & A Summer Perfume Course in Italy

Italy in summertime! High above Rimini on the Adriatic coast, the hills are alive with the sound of perfume vials clinking, fragrance essences being blended in beakers, and the teachings of AbdesSalaam Attar (Dominique Dubrana) of La Via del Profumo. That is the essence of a press release that I thought I would share with you, as it’s a great opportunity to learn from one of the masters of natural perfumery. Plus, did I mention Italy in summertime?

Monte Columbo, Rimini, Italy. Source: bimbirimini.it

Monte Colombo, Rimini, Italy. Source: bimbirimini.it

For those of you unfamiliar with the name, AbdesSalaam Attar is an Italian and a Sufi convert whose all-natural creations are some of Luca Turin‘s favorites, several of which have received Five Star reviews. The New York Times calls him “a genius of sorts” and “a Saracen Willy Wonka” in an article that also talks briefly about his “wonderful olfactorium.”

That is what you can experience, if you take his mini perfume course over a six-day period this June. It will take place in Monte Colombo, which seems to be the hillside or more countryside part of the ancient Roman town of Rimini, located in the gorgeous Emilia-Romagna region of Italy on the Adriatic coast.

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Guerlain Heritage (Eau de Parfum)

Ralph Lauren Purple Label editorial ad via tumblr.com

Ralph Lauren Purple Label editorial ad via tumblr.com

Strains of Guerlain’s heritage float like olfactory ghosts over a banker wearing pinstripes in a wood-paneled boardroom. As he sits in conservative elegance and restrained reserve, the Ghosts of Guerlain Past move over him via Jicky‘s aromatic lavender creaminess and Habit Rouge‘s citrus cologne opening that lies atop slightly leathered, balsamic resins. There is also the Ghost of Guerlain Future in the form of L’Instant de Guerlain Pour Homme, as well as strains of a fragrance created years later by a Guerlain family member for another company entirely. This is Jean-Paul Guerlain‘s Heritage, both the name of the actual fragrance and an intentional, symbolic encapsulation of parts of Guerlain’s past.

Heritage (officially spelled with an accent as “Héritage“) is actually meant to feel familiar on some levels. The fragrance was created in 1992 by Jean-Paul Guerlain and, according to the unaffiliated website, Monsieur Guerlain, he intentionally sought to combine some of the most beloved parts of various Guerlain classics into one scent, but to push the limits even further,by “playing on the whole legendary Guerlain scent repertoire.” At the time, it was probably an inventive idea; there weren’t endless flankers back in 1992, and the call-backs to Guerlain’s Jicky and Habit Rouge subtly swirled in a sea of other notes that helped to make Heritage a singular character in its own right. I remember smelling the fragrance shortly after its release, and finding it elegant but also very interesting. People sometimes reference bankers when talking about Heritage, and it definitely gave off that vibe, but what a chic, pinstriped banker he was and how he dominated the room with his complex, powerful presence.

Vintage Heritage ad. Source: Basenotes.

Vintage Heritage ad and the old, limited-edition bottle. Source: Basenotes.

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Amouage Homage Attar

An homage to a rose, one portrayed first in shimmering light and with richness beyond imagination, then in smokiness with silver incense. A spicy, sweetly nectared, fresh rose that glows like a mix of yellow diamonds and pink rubies, before darkness sweeps over it and dries its petals. It’s a rose with a few thorny flaws as well, from sour lemon to a sharply pointed clean musk and a lathering of soap, but it is still one of the most famous, critically lauded, and beloved roses around. It is Homage from Amouage.

Source: wallshark.com

Source: wallshark.com

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Frederic Malle L’Eau d’Hiver

"Fall Hydrangeas" by PatChoffrut at Etsy. (Store website link embedded within.)

“Fall Hydrangeas” by PatChoffrut at Etsy. (Store website link embedded within.)

Winter is in full swing in the Western hemisphere, so Frederic Malle‘s L’Eau d’Hiver by Jean-Claude Ellena seemed like a suitably symbolic choice for today’s review. It is described as a watercolour that intertwines water and coolness with softness and warmth. What struck me was the exquisitely delicate opening that felt like an olfactory visual that captured intangible senses of atmospheric light and quiet moods, and turned them into concrete form.

Painted in translucent colours, the opening somehow manages to encapsulate Zen-like serenity, silence, and elegance in a way that makes the perfume as a whole far more than a mere collection of notes, far more than the sum of its parts. Again and again, the words which came to mind were “hushed breaths” and “translucent light.” The overall effect is more of a feeling than just a perfume. I’m not one of Jean-Claude Ellena’s fans and his minimalism usually leaves me cold, but the opening of L’Eau d’Hiver truly impressed me and leaves no doubt as to his technical mastery or brilliance. If only it had lasted….

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