Amouage Journey (Man): Fiery Splendour

Source: dragonw.wikia.com

Source: dragonw.wikia.com

Stunning, bold splendour that grabs you from the first moment, and never lets go. Amouage‘s new Journey for Men takes you on a tour of the spice markets of Sichuan, armed with a hefty bottle of expensive cognac, as tendrils of incense waft from a nearby Buddhist temple. The fiery bite of a thousand Sichuan Hot Pots envelop you, but so do the dry woods nearby which are shot through with tiny streams of leathery resins. A haze fills the air, a haze of golden amber which cocoons you in warmth as you stumble — drunk on fruited booziness, your mouth on fire from the chili peppers, with incense smoke woven through your hair — into a soft cocoon of tonka creaminess. Journey Man is a brilliant essay on spiced, fiery boldness mixed with oriental opulence. I thought it was truly fantastic, but that opening… what a stunning opening.

Journey Man. Source; Amouage Facebook page.

Journey Man. Source; Amouage Facebook page.

Journey Man accompanies Journey Woman as the latest releases from the house of Amouage. They are both eau de parfums that will be released in June, and were created by Alberto Morillas and Pierre Negrin under the direction of Christopher Chong, Amouage’s Creative Director. As of yet, there is no press release on the exact inspiration or story behind Journey Man (hereinafter sometimes referred to just as “Journey“), but Amouage provided the perfume’s notes on its official Facebook page:

Woody Spicy

Top: Sichuan Pepper, Bergamot, Cardamom, Neroli Bigarade
Heart: Juniper Berries, Incense, Pure Geraniol, Tobacco Leaves
Base: Tonka Beans, Cypriol, Leather, Ambrox.

Sichuan hot pot or "Huo Guo". Source:  thebeijinger.com

Sichuan hot pot. Source: thebeijinger.com

Have you ever had a Sichuan Hot Pot? I’m far too much of a chili pepper coward to do so, but I saw and smelt plenty of them when I was in China. The Hot Pot is a much beloved dish that goes back over a 1,000 years, and is centered on a hearty stock infused with chili peppers to which you add other ingredients. There are variations from region to region, but the province of Sichuan is famed for having the fieriest of them all. I’ve seen the impact on aficionados like Chef Anthony Bourdain, who was almost completely hobbled by its flaming intensity in one episode of No Reservations. As Wikipedia succinctly explains:

One of the most famous variations is the Chongqing (Chungking) má là (Chinese麻辣 – “numb and spicy”) hot pot, to which Sichuan pepper (Chinese花椒 huā jiāo “flower pepper”; also known as prickly ash) is added. Combined with spicy ingredients like chili, it creates a sensation on the tongue that is both spicy and burns and numbs slightly[.]

source: colourbox.com

source: colourbox.com

Journey Man opens on my skin as a milder version of the Sichuan hot pot that made Anthony Bourdain gasp. In Amouage’s kitchen, the stock is made of expensive, aged, neroli cognac, while the accompanying ingredients are incense, dry cypriol, leather, and a touch of amber. It is fiery with a serious bite, but fantastically boozy as well. There is spiced dustiness hovering all around, which is perfectly balanced and countered by a wave of slightly sweetened richness. The intensity, fieriness and incredible boldness of the scent punches you in the solar plexus — and I mean that in the best way possible.

Journey’s spiciness seems to far transcend mere chili peppers, though. It feels as though half of a Chinese spice market has been combined in a really potent mix that is made of pure booze. I have absolutely no idea how the various notes coalesced to produced a cognac accord with a vaguely fruited undertone on my skin, but a random guess would be the amber mixed with the neroli and the juniper berries. The latter never carries a pine nuance but, rather, smells fruited, bitter and slightly resinous. Actually, it feels a lot more like pink peppercorn berries than anything from a juniper tree. As for the cardamom, it doesn’t have the vaguely sweet nuttiness that it often manifests on my skin. Instead, it feels more like the powdered remains left at the bottom of an old wooden spice drawer.

Cypriol. Source: indianflowersandherbs.blogspot

Cypriol. Source: indianflowersandherbs.blogspot

The cypriol (also knows as nagarmotha) is key in all this. As Fragrantica explains, the plant “is a relative to papyrus. Its smell is woody with earthy and spicy nuances.” Its oil is often used as a base for oud fragrances, which perhaps explains why some people smell the note in a perfume and think that they’re detecting agarwood. Here, the cypriol combines with the cardamom and incense to create an unusual dustiness. It’s not purely like an ancient Buddhist temple filled with incense; it’s not purely like spice dust; and it’s not purely woody dryness, either. It is like some combination of all three of those aspects in one. Perhaps the best way to describe it is as spiced, woody, incense dust.

It tries desperately to keep the cognac-like richness in check, but, to my joy, it fails. The fiery, spiced booziness flows over everything in a way that would make the Greek god of wine, Dionysius, and the Roman hedonist, Apicius, proud. My skin tends to amplify sweetness, so the note may not appear so strongly on others, but I really hope it does because it’s intoxicating when combined with the walloping amount of spices.

Alahine by Téo Cabanel. Source: liannetioparfums.nl

Alahine by Téo Cabanel. Source: liannetioparfums.nl

The overall effect resembles the start of one of my favorite fragrances, the opulent Alahine from Téo Cabanel. Journey Man is like a fierier, more piquant, drier and non-floral cousin to my beloved Alahine.

There are other differences as well, though. Whereas Alahine has deeply velvety, dark Ta’if roses and ylang-ylang, Journey has cypriol and strong woodiness. Journey’s fruitiness is more of the bitter bigarade and pink peppercorn kind (though it really feels as though Journey has petitgrain as well). And Alahine’s spice market is in Morocco where there are no Sichuan peppers to be found. Journey also has more of a leathered undertone. The differences become greater when you consider the development of the two fragrances as a whole, but they share a very similar opening centered on powerfully spiced booziness with incense and amber.  Those of you who know my feelings about Alahine can perhaps understand why Journey Man impacted me so strongly.

Journey Man is very intense and potent, especially up close, but it is much airier than you’d expect. Initially, its sillage is excellent, though: using 3 spritzes from my decant which amount to roughly 2 small sprays from an actual bottle, the perfume projects about 4 inches above my skin. Yet, Journey doesn’t feel heavy or dense. It has strong weightlessness, to paraphrase a description that one of my readers likes to use for Bertrand Duchaufour creations.

Source: carolinejasmine.com

Source: carolinejasmine.com

Actually, Journey Man feels like it could very well be a fragrance from Duchaufour. It initially has the same dusty quality as his stunning Trayee for Neela Vermeire, not to mention a similar spice, incense, woody vibe.

As with Alahine, here, too, there are differences. Journey Man is strongly boozy, while Trayee is not. Journey is more peppered, and significantly more fiery on my skin than Trayee; the incense feels more diffused throughout Journey and less individually distinct; there is no oud in Journey, though the cypriol tries to step in; and there is more golden warmth at the start. The cardamom is much less noticeable in Journey than in Trayee, especially as any sort of sweet nuttiness, and there is absolutely none of the true Mysore sandalwood that makes Trayee one of my favorite fragrances. I suppose if Trayee and Alahine had a torrid three-way love affair with some Sichuan chili peppers, their love child might be Journey Man.

Source: wallpapersfor.biz

Source: wallpapersfor.biz

Speaking of those peppers, they have a strange effect on me. Something about the scent tickles the nose and the back of my throat much like the capsaicin molecules in a real chili can do. At least, I think the tickle in Journey is from the Sichuan peppers. It could be from something else, since Journey Man also has an accompanying streak of raspiness and parched dryness that lasts for hours. I am sensitive to aromachemicals, so perhaps it stems from the cypriol, the Ambrox, or another molecule. In fact, I could very well be mixing two separate issues — the Sichuan capsaicin and the raspy woodiness — into one.

Photo: Jo Van Damme on Flickr. (Website link embedded within photo..)

Photo: Jo Van Damme on Flickr. (Website link embedded within photo..)

Whatever the source of the Hot Pot bite, I happen to thoroughly enjoy it as an interesting counterbalance to all the booziness, but I do think that some people may struggle with its fiery kick. Another possible difficulty may be those flickers of desiccated woody dryness and raspiness that push Journey Man just to the edge of the unisex-masculine border. For me, the heavy layer of booziness and the ambered warmth counter these two rather separate issues, but it’s really going to come down to individual skin chemistry and personal tastes. People who like softer, richer, or cozier Orientals may struggle with these aspects of Journey, but those who love drier, woodier, and heavily spiced fragrances should have no problem.

Orange peels in cognac. Source: zmojournal.blogspot.com

Orange peels in cognac. Source: zmojournal.blogspot.com

Journey Man continues to shift. The fruited undercurrent grows richer and stronger after 30 minutes. It is perfectly balanced between sweetness and bitterness, perhaps because the neroli often comes across a lot more like petitgrain (the woody twigs from the citrus tree) on my skin than the actual fruit. In contrast, the juniper note continues to smell like a spiced, bright, fresh pink peppercorn berries with a fruited character. Both of them are really quite muted, and are subsumed into the cognac as if orange peels, bitter berries and bigarade petitgrain had been left to macerate in the alcohol. On my skin, Journey Man isn’t really “fruity,” let alone in any strong, distinct way. It’s more like a subtle suggestion of rich orange and woody citrus twigs.

Photo: Hawkea. Source: hawkea.blogspot.com

Photo: Hawkea. Source: hawkea.blogspot.com

By the end of the first hour, Journey Man is a stunningly intense, fiery, boozy, lightly “fruited” spice bomb with incense, dry woodiness, and ambered warmth over a balsamic, resinous, leathery base. The perfume feels richer, deeper, and smokier than it did at the start. However, the very first, tiny streaks of tonka appear in the base, promising changes up ahead. Up top, the dustiness has receded by a hair, probably thanks to the growing presence of the Ambrox, though the occasional raspiness and the capsaicin bite continue. The spice mix also seems to change a little, as something creates the impression of saffron. Not buttery or sweet saffron, but the more fiery, red, nutty kind. It is probably an indirect result of the Sichuan peppers merging with the cardamom.

Source: allposters.com

Source: allposters.com

None of these smaller elements can detract attention away from Journey’s main duo: the spectacularly fiery, spice-booze accord. Honestly, I wonder why no-one has ever thought to combine chili peppers with slightly fruity cognac and incense before. It’s rather brilliant, if you ask me, especially with the balsamic leatheriness of the base. I also find it very evocative. I keep imagining the red dragons of classical Chinese art, or the lion (Foo dogs?) sculptures that guard the Forbidden City — only, here, they’re drenched in expensive French cognac. I really hope that other people’s skin chemistry will highlight or amplify the booziness in the same way, because it’s a superb counterbalance to all of Journey’s drier, woodier, and spicier elements.

Eventually, the cognac takes a step back and Journey Man turns much drier. It starts roughly 90 minutes in, when the perfume turns woodier, as the cypriol grows stronger. The spices feel a little more hazy and dusty, though the suggestion of saffron remains. The notes start to overlap, losing some of their distinctive edge, but also flow more seamlessly into each other. The amber is lightly flecked with tonka, while the orange fruits lose a touch of their sweetness and turn more bitter. The subtle dustiness returns, though it may be from the growing presence of the incense more than from the spices at this point. And the whole thing is much softer in sillage. Journey Man now hovers 2 inches above the skin, though it is still very strong when sniffed up close.

Tonka beans. Source:  Fragrance-creation.com

Tonka beans. Source: Fragrance-creation.com

To an extent, all of these changes are ones of degree, but Journey shifts fundamentally at the start of the 3rd hour when the perfume turns creamy. The tonka fully emerges from the base, melts into the boozy-incense-spice mix, and softens its edges, while also pushing back against the dryness. Journey feels less fiery and dusty now. Its spiciness has a creaminess underlying it which only grows stronger with every passing hour. Everything from the leathered undertone to the woody dryness now feels coated by a smooth layer of tonka.

At the same time, the amber grows simultaneously softer and more prominent. It doesn’t feel like an aromachemical and, in some ways, it doesn’t even feel like “amber” at all. Rather, there is a growing golden hue about Journey Man, a gentler warmth. Together with the tonka, the amber begins to tame Journey’s red dragon. Roughly 4.5 hours in, the perfume turns into a beautifully spiced, creamy amber fragrance with more subtle fieriness and quieter boozy, fruited cognac. Muted swirls of incense smoke are diffused throughout, as is the dry woodiness that no longer feels quite so scratchy. They all sit upon a smoother, gentler resinous base which is only vaguely leathered now, and completely tamed by the creaminess.

Artist: Helen Abbas, "Ramad (Ashes)". Source: islamicartsmagazine.com

Artist: Helen Abbas, “Ramad (Ashes)”. Source: islamicartsmagazine.com

Journey Man feels bold but soft; rich but polished; fiery but creamy and (almost) tamed. However, it’s also much gauzier and lighter. The perfume’s sillage settles at the start of the 6th hour to hover just above the skin, feeling almost like a skin scent, though Journey was still easy to detect up close for another few hours.

Journey’s fire-breathing dragon finally settles down at the start of the 7th hour. The chili peppers remain, but they are fully coated and anesthetized in a layer of creamy tonka sweetness. In fact, the tonka slowly starts to take over everything. I have to admit, I’m a little regretful about that. I like creaminess, but not as much as I do spiced booziness. Here, the effect is to squash or muffle the incense, dry woodiness, and booziness to a large degree.

Ten hours into Journey’s development, the perfume is primarily a woody tonka fragrance dusted with light touches of largely abstract spices and embedded within a soft, golden warmth. The peppers feel more and more like fruited pink peppercorn berries, with only a mild touch of Sichuan. The cypriol has changed as well, and is now slightly earthy woodiness, more than dry or raspy.

Painting by Moon Beom via lostateminor.com

Painting by Moon Beom via lostateminor.com

For the next few hours, Journey Man devolves more and more into lightly spiced creaminess with a vague, nebulous touch of woodiness. It’s pretty, but I personally find it a little uninteresting. (I think I’m mourning the loss of the boozy cognac.) At the same time, I have to admit that it’s nice not to have the Sichuan bite any more. Journey lasts a very long time on my perfume-consuming skin, and I think 12-plus hours of fieriness would be a little exhausting. In its final moments, Journey is nothing more than a blur of spiced creaminess. All in all, Journey lasted roughly 13.75 hours, with sillage that was generally moderate when taken as an average whole.

Source: fanpop.com

Source: fanpop.com

Journey Man is one of those fragrances that makes me happy when I wear it. It is evocative, tells me a thousand stories, and always transports me places. It is very distinctive with a strong identity that is centered on opulence, intensity, and spicy boldness. And, it is very much what I expect from an Amouage fragrance, which was not the case, alas, with Journey Woman. For me, Amouage should be more than mere prettiness with polished elegance. When I first applied Journey Man, my first comment was “my word!” The second was, “this is more like it!”

Not all of Amouage’s fragrances work for me as a personal matter, but they are generally fragrances that I deeply respect for their innovative brilliance, their complexity, and their luxurious character. Journey Man is one that I would absolutely wear myself. With a smile on my face, and a passionate response each and every time to that stunning opening. For me, Journey Man is much more approachable and appealing than some of the men’s line that I have tried, like Fate Man, for example, or the difficult Opus VII. I respect the technical brilliance behind them, but I can’t or wouldn’t wear them.

However, I also recognize that Journey’s appeal will come down to personal tastes, not to mention skin chemistry. It always does — but perhaps for Amouage more than for some other perfume houses. I don’t know if a fiery Sichuan Hot Pot made from cognac, incense, occasionally dusty spices, and dry cypriol will be for everyone. As noted above, my skin tends to amplify sweetness and base notes, so I’m not even sure if others will experience that mysterious cognac note that worked so brilliantly with the chili pepper and that so perfectly counterbalanced the woody dryness. I also suspect that for some, particularly women who enjoy softer orientals, both the Sichuan bite and the overall spice mix may be a little much.

All I can say is that, if you love spice bomb fragrances with fieriness, woodiness, incense, some dryness, and ambered warmth, you should try Journey Man. If you loved Alahine or Trayee, then you should go out of your way to try Journey. I think it’s a dragon worthy of Imperial China, and its bold splendour is stunning.

Disclosure: My sample of Journey Man was courtesy of Christopher Chong and Amouage. That did not influence this review, I do not do paid reviews, and my opinions are my own.

DETAILS:
Cost & Availability: Journey for Men is an eau de parfum that should be available in June in most parts of the world. I don’t know its price, but it will be offered in a 50 ml bottle as well as 100 ml. All the usual Amouage retailers should carry the fragrance, including Luckyscent, Osswald, MinNewYork, Parfums Raffy, First in Fragrance, Jovoy, Harrods, and the like. I will try to remember to update this section at that time. Samples: Surrender to Chance just received Journey Man in store on June 16th. Samples start at $3.99 for a 1/2 ml vial.

Amouage Journey (Woman)

Source: bbs.hsw.cn

Source: bbs.hsw.cn

Amouage wants you to take a Journey through a delicate concert in three parts. It begins with all the musicians tuning their instruments, all the notes appearing simultaneously for a very brief moment in a wave of honeyed sweetness with osmanthus and dark leather. Then, Act I launches its long journey into a soft, very restrained, modest floral bouquet dominated largely by jasmine musk. Act II introduces the first real hints of darker, more complex notes in a bridge to the finale or Act III. It is there that the Journey finally arrives in the Orient with dark, slightly smoky leather and osmanthus covered with sticky balsamic resins and a touch of spice.

Journey Woman accompanies Journey Man as Amouage’s latest fragrances. They are both eau de parfums that will be released in June 2014. According to Christopher Chong, Amouage’s Creative Director, the perfumers who worked under his direction were Alberto Morillas and Pierre Negrin. I don’t know if the two gentlemen worked together on each fragrance, or if they each took one of the duo, but I shall assume it is the former for now.

Shanghai "Calender Girls," vintage 1920s. Source: http://abovetheseafilm.tumblr.com/

Shanghai “Calender Girls,” vintage 1920s. Source: http://abovetheseafilm.tumblr.com/

The inspiration behind Journey Woman (or “Journey” as I shall sometimes call it) seems to have been Shanghai in the 1920s. There are no official press release descriptions for the fragrance as of yet, but Mr. Chong provided a little background in an interview with Glass Magazine earlier this year:

I’m drawing on my Chinese heritage and culture — I’m really inspired by the underground society of Shanghai in the 1920s. I’ve set myself the challenge to create the type of osmanthus that people haven’t smelt before, blended with white florals, vanilla, and leather.

Journey Woman. Source; Amouage Facebook page.

Journey Woman. Source; Amouage Facebook page.

The official Amouage Facebook page describes Journey Woman as follows:

Floral, Fruity, Leather

Top: Apricot, Jasmine Tea, Osmanthus, Nutmeg, Cardamom

Heart: Jasmine Sambac, Mimosa, Honey, Cedarwood

Base: Pipe Tobacco, Saffron, Vanilla, Cypriol, Musk.

Journey Woman opens on my skin with honey, apricot, animalics and jasmine tea, followed by a quick burst of leather, a touch of abstract spices, and a whisper of dry cypriol that smells a bit oud-like. The latter is undoubtedly merely the result of my mental associations, as cypriol is often used as a base for oud fragrances. This opening with its plethora of nuanced notes is very short-lived on my skin, more akin to the brief moments before a concert starts when the musicians are tuning their instruments, and you hear a lot of notes at once. Some of the elements depart almost immediately, like the animalics and the tiny flicker of spices.

Source: picsfab.com

Source: picsfab.com

Within minutes, Act I of Journey Woman begins, as the honey softens into a rich honey-and-tea accord atop a base of slightly musky leather. The scent is also imbued with a delicate, very pale floralacy. It really smells like jasmine tea more than any actual flowers, per se. In fact, the floral aspect to the scent feels quite abstract and indistinct on my skin. So, too, is the fruited note which doesn’t really read as a distinct apricot note. Both elements feel more like muted, hazy suggestions amidst the sea of honey.

Jasmine Tea. Source: tea-terra.ru

Jasmine Tea. Source: tea-terra.ru

The latter is not particularly sticky or overly sweet. Rather, it is more like a watery honey nectar or agave than a really thick, gooey note. One reason why the sweetness is kept in check is the flicker of a dry, reedy, slightly aromachemical parchment-like note from the cypriol. It adds a tiny, quiet, very subtle touch of dryness that keeps the honeyed jasmine tea accord from tipping into cloying territory. The whole thing sits above a very thin smear of something vaguely leathered, with occasional touches of woody dryness and the fading hint of abstract spices.

Osmanthus. Source: blog.proxisante.com

Osmanthus. Source: blog.proxisante.com

It takes about 10 minutes for the osmanthus to appear, but like everything else in Journey’s opening act, it is muted, restrained, and very indistinct. To the extent that the flower smells of apricots, it’s rather a delicate, pale aroma. More noticeable is the osmanthus’ tea-like facets which take on a subtle smokiness like black Lapsang Souchong. It mixes well with the green jasmine, and that rather nebulous, vague, nondescript blend of spices in the background. The whole thing is blanketed with a strong layer of honey in a mix that feels extremely demure.

In fact, much of Journey’s opening phase on my skin feels like as though it’s been carefully calibrated to be as restrained as possible. I can’t decide if Mr. Chong wanted some sort of slow build-up, much like a musical movement, or if he intentionally wanted to soften such heavy, strong, very oriental elements as honey, jasmine sambac, bitter nutmeg, and fiery saffron. I have to admit, I find it all very disappointing. I tested Journey on both arms, just to see if there would be a substantial variation, as there sometimes is with my non-testing arm. No, there was no dramatic difference.

Acacia mimosa. Source: cn.best-wallpaper.net

Acacia mimosa. Source: cn.best-wallpaper.net

Journey continues to slowly shift. 30 minutes in, a lovely creamy softness starts to rise up from the base. It is warm, smooth, and very golden in feel. There is a light touch of powderiness, as if the mimosa’s yellow pollen had been sprinkled over everything, but the flower itself doesn’t appear on my skin. The leatheriness in the base softens further, but it is really more like an undercurrent of textural darkness than actual leather. It is very subtle, as is the cypriol’s oud-like touch which grows increasingly muted. For the most part, Journey Woman is a very honeyed fragrance with largely abstract fruity and floral notes, flecked very lightly by muted, muffled touches of black tea, “leather,” and vaguely woody dryness.

The creaminess grows stronger and stronger with every passing moment, and it is the nicest part of Journey’s first act. 45 minutes into the perfume’s development, it merges fully with the honey and the abstract fruity florals, turning into a smooth, very creamy sweetness. There is a fluctuating level of “leather” in the base, and an occasional, fleeting touch of smokiness, but the more noticeable event is the growing prominence of the jasmine.

Source: ebay.com

Source: ebay.com

At the 90-minute mark, the jasmine sambac fully takes over, turning Journey Woman into a scent that is primarily creamy jasmine musk. The fruity nuance feel even more abstract, amorphous and muffled, the “leathered” base ebbs away for the most part, and the honey steps into the shadows. Journey Woman is a very soft, slightly sheer fragrance with only the creamy texture giving it any weight. The sillage hovers an inch above the skin, and it all feels incredibly proper.

For the next 5 hours or so, Journey Woman is, by and large, primarily a simple, creamy, jasmine woody musk on my skin. The tea — both Jasmine green and Lapsang black — fades away entirely by the end of the 2nd hour. The “leather,” honey and the abstract hint of woodiness pop up only once in a while in the background, then flit away, before occasionally reappearing in a very minimalistic way. Meanwhile, the fruity note continues to be abstract, doesn’t translate as “apricot,” and is so muted that it often seems like it’s about to vanish away entirely. What I’m left with for hours and hour is a very generic, nondescript but refined, smooth jasmine musk with creaminess.

Source: popularscreensavers.com

Source: popularscreensavers.com

The overall effect reminds me of a Kilian fragrance in its polished, easy, refined smoothness, but also, in its uncomplicated simpleness. And this is where I have some serious problems. Journey Woman’s opening act doesn’t have the characteristic Amouage signature of very opulent, complex, heavy boldness with endless layers, twists, and turns. It doesn’t even feel particularly oriental in nature. It’s more like a very abstract scent, a creamy fruity-floral with woody musk aspects and some nebulous suggestions of other things once in a blue moon.

"Sweet osmanthus, Chrysanthemum and Birds" by Lue Ji, Ming Dynasty. Source: paintingschinese.com

“Sweet osmanthus, Chrysanthemum and Birds” by Lue Ji, Ming Dynasty. Source: paintingschinese.com

It’s pretty in its smooth, polished refinement, but it simply doesn’t feel like an Amouage scent. If you gave me a blind smell test, never in a million years would I ever suspect that what I was smelling in Journey’s first six hours was created by Amouage. I would think it was possibly a Chanel Exclusif, one of Kilian‘s smoothly simplistic Asian fragrances, or a new member of the largely unremarkable Tom Ford‘s Atelier d’Orient collection. Journey’s restraint, light airiness, and lack of heft are only a small part of the reasons why.

The main reason is that Journey Woman on my skin is incredibly safe and nondescript. It could easily be a creamier, fractionally deeper, minutely richer cousin to Chanel‘s 1932, only without the latter’s “bathtastic” aldehydes. They don’t smell the same, but the overall vibe and restraint are very similar. There is none of the boldness, richness, heavy opulence, spiciness and, more importantly, complex intensity that I associate with Amouage fragrances like the two Jubilations, Interlude Man, Fate Woman, Ubar, Epic Woman, or the like. (For what it’s worth, I thought the new Journey Man felt like a full-born Amouage from the start with a simply spectacular, stunning opening.)

For me, Journey Woman is a very approachable, easy, very light affair that feels like a church mouse librarian in a family of powerful divas and sheikhs, albeit a church mouse dressed in high-quality designer clothes. I have to admit, I found myself completely bewildered at times at the scent wafting off my skin. Then, I remembered Beloved Man which had a similar creaminess on my skin in a refined, pretty bouquet that was simultaneously rather nondescript and very un-Amouage-like in its simplicity. The full set of notes may differ, but the restrained vibe, lack of complexity, and creaminess are similar. So, perhaps Journey Woman isn’t a complete anomaly. Then again, Beloved Man has received a rather polarized reception for reasons similar to what I feel about Journey Woman, so perhaps that says something as well.

For any other brand, being compared to a Chanel Exclusif or Kilian wouldn’t be a bad thing. Yet, for me, Amouage is one of my favorite perfume houses precisely because it isn’t like those brands — neither of which are particular favorites of mine. (Chanel’s magnificent Coromandel excepted.) Amouage has a very different identity and aesthetic in my mind, so the disconnect that I feel for a good 6 hours with Journey Woman is difficult for me. (Even more so when I compare it to Journey Man’s superb, intoxicating opening.)

Painting: Ju Lian (1828-1904). Source: arts.cultural-china.com/

Painting: Ju Lian (1828-1904). Source: arts.cultural-china.com/

None of this is to say that Journey Woman is a bad fragrance. It’s not. In fact, I think women who are looking for a deeper, semi-oriental cousin to Chanel’s 1932, only with touches of nebulous “fruitiness” and “leather” instead of aldehydes, will probably adore Journey Woman. Same with anyone who enjoyed the light, airy floral orientals in Tom Ford‘s Atelier d’Orient Collection like Shanghai Lily and Fleur de Chine.

Like 1932, Journey Woman is completely unchallenging, uncomplicated, and easy in its polished simplicity. However, I was bored and unimpressed with Chanel’s 1932 for many of those precise reasons, not to mention its bland facelessness. I’m one of those people who needs more in a fragrance than mere refinement, especially when they are restrained, light floral musks. I don’t think elegant smoothness is the same as actual character, and I struggle when it comes with a certain price point. It is even harder for me when it comes from a perfume house whose fragrances I deeply respect and generally consider to be brilliant, innovative, opulent, complex, and distinctive. Like Amouage.

Painting by Moon Beom via lostateminor.com

Painting by Moon Beom via lostateminor.com

Journey Woman is saved for me by its genuinely lovely drydown. It appears after a brief bridge phase (or Act II) where the perfume transitions by taking parts of Act I and merging them with growing elements of oriental darkness that will be at the heart of the dénouement in Act III.

The second act slowly begins at the start of the 6th hour, when a resinous, almost balsamic streak first stirs in Journey’s base. The creamy jasmine musk takes on a goldenness that feels almost ambered, as if some labdanum and a touch of smoky styrax had been used. Tiny touches of osmanthus and honey return to the scene, while the leather in the base grows stronger. Next to it are the first suggestions of something tobacco’d, though it’s subtle and muted.

Kafkaesque Darker Cream Beige Purple Abstract 2

Slowly, very slowly, Journey Woman changes, until suddenly it turns into a very different fragrance at the start of the 9th hour. Now, Act III begins, and the perfume feels like what I had expected Journey to be at the start. The osmanthus bursts in, taking over, and tossing the jasmine to the side completely. To my surprise, the honey reappears. At the same time, the leather is out in full force, and the osmanthus wafts both its delicate floralacy and its more fruited, apricot characteristics. Subtle touches of smokiness weave in and out, though I can’t figure out whether they stem from the tobacco or from something else. To me, it resembles styrax in all its sticky, chewy, dense, and smoky darkness.

Source: free wallpapers at antemortemarts.com.

Source: free wallpapers at antemortemarts.com.

Journey Woman is now a very honeyed, lightly fruited, leathery osmanthus scent atop a darkly resinous base and cocooned in a soft golden warmth. Sometimes, the fruitiness feels more like an abstract, nebulous suggestion; on other occasions, there is a definite whiff of actual apricots in the mix. At the same time, the osmanthus emits tiny flickers of black Lapsang Souchong tea again. Equally tiny touches of spiciness are mixed into the rich bouquet, though they are generally muted, amorphous, and never read as “saffron” or “nutmeg” to my nose. Much more prominent, however, is the tobacco that lurks in base. It feels more dense and chewy than the more delicate pipe variety mentioned in the notes, and adds to Journey’s new oriental darkness and depth. The whole thing is finished off by a light coating of honey.

Act III feels like we’ve come full circle from Journey’s opening moments, and is much more of what I expected from the fragrance’s notes. It’s a sultry bouquet whose light touches of smokiness, leathery resins, and tobacco work wonderfully to transform the osmanthus away from its usual delicate floralacy and fruitiness. The only shame is that, at this point, Journey is a skin scent on me so I can’t enjoy its new richness unless I have my nose on my skin.

Photo: my own.

Photo: my own.

Journey Woman continues in this vein for several more hours, until it finally fades away in a blur of honeyed sweetness with a touch of something vaguely resembling osmanthus. All in all, Journey Woman lasted just under 14.5 hours on my perfume-consuming skin with the equivalent of 2 sprays from an actual bottle, and 12.75 hours with the equivalent of one.

The sillage was moderate at first, wafting about 3 inches above the skin with the larger dose, but the perfume felt very airy and light. Journey Woman gained a little more body and richness when the creaminess arrived, but the sillage generally hovered a modest inch above the skin at the start of the 3rd hour. It turned into a skin scent on me 4.5 hours in. As a whole, I would categorize Journey Woman as rather light, though tenacious in longevity. It is not one of Amouage’s powerhouse scents.

As you may have gathered by now, I was disappointed in Journey Woman. Perhaps my expectations were too high after reading all the rich notes listed in the description, many of which are favorites of mine. I had thought Journey Woman would be a bold, spicy, dark, oriental sibling to the fantastic Fate Woman or to the mesmerizing, complex Jubilation 25, but it’s more of its own creature with a simpler, quieter style. It doesn’t feel like an Amouage to me (except in terms of its quality and smoothness), but my reaction is ultimately one of subjective interpretations and tastes.

I think women who like florals with restrained, refined simplicity and uncomplicated easiness will appreciate Journey Woman. So will anyone who likes creamy jasmine musks that eventually turn into something more oriental, leathery and dark. If you enjoyed some of the florals in Tom Ford’s Atelier d’Orient collection, you should definitely give Journey Woman a sniff.

Disclosure: My sample of Journey Woman was courtesy of Christopher Chong and Amouage. That did not influence this review, I do not do paid reviews, and my opinions are my own.

DETAILS:
Cost & Availability: Journey Woman is an eau de parfum that should be available in June in most parts of the world. I don’t know its price, but it will be offered in a 50 ml bottle as well as 100 ml. All the usual Amouage retailers should carry the fragrance, including Luckyscent, Osswald, MinNewYork, Parfums Raffy, First in Fragrance, Jovoy, Harrods, and the like. I will try to remember to update this section at that time. SamplesSurrender to Chance just received Journey Woman in store on June 16th. Samples start at $3.99 for a 1/2 ml vial.

Oriza L. Legrand Foin Fraîchement Coupé

Source: high-definition-wallpaper.com

Source: high-definition-wallpaper.com

Foin Fraîchement Coupé is a limited edition fragrance from the ancient house of Oriza L. Legrand (hereinafter just “Oriza“). It is a very classical, traditional scent that represents not only Oriza’s ancient roots, but also one of the oldest genres of perfumery: the aromatic fougère. In fact, the fragrance was originally released almost 150 years ago, and its full name is Foin Fraîchement Coupé 1866 (hereinafter just “Foin Fraichement“) to reflect the year of its debut. Yet, this is no powdery, dusty scent taken out of a museum; Foin Fraichement has been re-tweaked for the modern era by Hugo Lambert, the nose behind the new Oriza fragrances and one of the brand’s two co-owners.

Source: Oriza L. Legrand

Source: Oriza L. Legrand

The new Foin Fraichement is an eau de parfum that was released in 2013. On its website, Oriza describes Foin Fraichement and its notes as follows:

1886
New-Mown-Hay

“When you walk in the evening, breathing the smell of new-mown hay, listening to the cuckoo in the woods, watching the stars that spin, your heart, indeed, your heart is purer, more penetrated with  air, light, and the peaceful azure horizon, where the earth touches the sky in a quiet kiss. Oh! like the perfume in the air of a women’s hair! like the skin of their soft hands, as their eyes stare at us and penetrate our soul!” Gustave Flaubert

Top Notes: Angelique, Star Anise & Wild Mint.
Heart Notes: Clover, Sainfoin, New-Mown-Hay & Clary Sage.
Base Notes: Hay , White Musk, cockle & Ivy.

Source: josephsevier.org

Source: josephsevier.org

Foin Fraichement opens on my skin as a strongly green, aromatic cologne with green mint, green angelique, sweet grass, and slightly pungent, dried herbs. The bouquet is heavily infused with clary sage which manifests the plant’s soapy herbaceousness, as well as its lavender facets. The very cologne-like vibe is further underscored by clean musk and a lemony aroma. I don’t know where the latter comes from, but the two together add a clean freshness to go along with the very crisp, bright, green bouquet.

Star Anise. Source: perierga.gr

Star Anise. Source: perierga.gr

Minutes later, the star anise arrives, adding a strong spiciness to the notes. It competes with the lavendery clary sage, and the minty herbal accords for dominance, and somewhat overpowers the more delicate grass tonalities on my skin. The overall effect of the aromatic, spicy, herbal, soapy clean, and slightly lemony notes is a scent that is not only very classic in feel, but rather like a vintage barber-shop fragrance.

Clary sage. Source: dreamstime.com

Clary sage. Source: dreamstime.com

In fact, there are times when Foin Fraichement’s opening bouquet rather resembles Old Spice on my skin. The latter was released in 1937/1938, while the Oriza scent launched about 90 years before, but there are definite similarities. One reason why is the two fragrances have an overlap in notes: star anise, clary sage, lemon, musk, and soapiness. Old Spice is soapier (thanks to the inclusion of aldehydes), has other pungent spices like nutmeg and pimento, and far fewer green notes, but the two fragrances have a definite kinship and similar vibe. The difference for me is that Foin Fraichement feels much more refined, deep, and expensive.

"Golden Hay Bales in Green Fields' by Elena Elisseeva on Fine Art America.

“Golden Hay Bales in Green Fields’ by Elena Elisseeva on Fine Art America.

More importantly, though, the similarities don’t last very long. 20 minutes in, small touches of sweetness and hay rise up from the base, softening some of Foin Fraichement’s aromatic crispness. The perfume is now a very spicy, lightly sweetened blend of star anise, citric freshness, and herbal greenness, all lightly dusted with fresh hay. At the 40-minute mark, Foin Fraichement changes further as its base turns creamy, almost as if some soft woods were included. The clary sage’s soapiness recedes a little, as well.

For the first two hours, many of these changes are one of degree. During that time, Foin Fraichement is a very simple fragrance whose core essence remains unchanged. There are tiny fluctuations in the nature or feel of some of the secondary elements, but, by and large, Foin Fraichement is a very classical aromatic green fragrance in the fougère category with spicy, herbal, green, clean, and hay notes. (If you’re interested, you can read more about the aromatic green subcategory for fougères on Fragrantica.)

Source: hqwallpapers4free.com

Source: hqwallpapers4free.com

Foin Fraichement’s opening bouquet is quite airy and light, but also strong. 2 small sprays created quite a concentrated fragrance that initially hovered 3 inches in projection. Both the sillage and the perfume’s strength slowly soften, however, especially once the creamy base puts an end to the Foin Fraichement’s soapiness. It also helps to diffuse the musk and some of the fragrance’s herbal greenness. At the end of the 2nd hour, Foin Fraichement hovers maybe half an inch above my skin.

The biggest and most noticeable change on my skin is that creaminess to which I keep referring. At times, it feels almost vanillic at times; on other occasions, it is like coumarin and creamy hay. It is thoroughly intertwined with Foin Fraichement’s green side which increasingly takes on vetiver-like tonalities in its grassiness. The mint has faded away, but a faintly powdery touch takes its place. The whole thing is infused with star anise’s spicy sharpness, as well as a delicate sweetness. At the start of the third hour, Foin Fraichement’s main bouquet is of star anise spiciness with green vetiver-like notes, a lingering touch of aromatic herbaceouness, and clean, fresh musk, all atop a creamy coumarin and hay base. It no longer bears any resemblance to Old Spice.

Photo: my own.

Photo: my own.

Foin Fraichement’s drydown stage begins at the start of the 4th hour, and consists primarily of beautiful creaminess with star anise spiciness. There is a flicker of greenness that feels like vetiver, but only light touches of aromatic clary sage and musk remain. Taking their place is what I’d swear was a hefty amount of coumarin. As Fragrantica explains, coumarin consists of:

crystals found in tonka beans and other plants, smelling of almonds, vanilla and freshly-mown hay; found in both fragrances and flavorings, extremely versatile and popular, basis of the fougere family of scents.

Tonka beans. Source:  Fragrance-creation.com

Tonka beans. Source: Fragrance-creation.com

Here, the aroma resembles tonka vanilla, with only infrequent, light undertones of sweet hay. The whole spicy, creamy bouquet is lightly dusted by a tiny amount of powder, but it is generally the sweetened variety, thereby underscoring the coumarin-tonka angle even further.

Foin Fraichement turns into a skin scent on me at the 3.5 hour mark, but the perfume lingers on for a while. In its final moments, Foin Fraichement is a blur of creaminess with a touch of something dry and spicy. All in all, it lasted 7.25 hours on me with 2 sprays.

Foin Fraichement label and logo. Source: Oriza L. Legrand website.

Foin Fraichement label and logo. Source: Oriza L. Legrand website.

Foin Fraichement isn’t a complicated or edgy scent, but then, it’s not meant to be. Fragrances in 1866 weren’t the twisting, morphing creatures that they are today, so one can’t blame Foin Fraichement for its simplicity. Plus, the aromatic fougère category is perhaps the most traditional category of perfumery around. Foin Fraichement comes with those limitations, but it feels like a very refined take on the crisp, green, herbal aromatic genre. It’s also somewhat modern and not wholly vintage in character, as it lacks heavy soapiness or powderiness. In other words, if Foin Fraichement has a retro call-back to the past, it is due primarily to its very traditional genre. Everyone from Guerlain to Profumum Roma makes aromatic fougères, so Foin Fraichement is not old-fashioned so much as classical in nature.

For my personal tastes and style, the fragrance is a little too cologne-like at its start (and you know my personal issues with soapy cleanness), but I found the drydown to be lovely. The mix of star anise and creaminess was wonderful, and so smooth, too. My only real quibble with the fragrance is a small one regarding its moderate longevity, but that may be a question of personal skin chemistry. Foin Fraichement certainly lasted longer on my skin than some of the other scents from the Oriza line.

As a whole, I think Foin Fraichement is a very easy, approachable, good quality, and versatile fragrance. However, it skews into the masculine territory at its start, and I don’t know if some women will find it truly unisex in nature. I suspect it will depend largely on how they feel about herbaceous or aromatic notes like mint, clary sage, and/or lavender, especially all together and in conjunction with star anise.

Foin Fraichement is available on Oriza’s website, and costs €90 for a 100 ml bottle, which is less than the €120 for most of its other siblings. It is also sold at a variety of European retailers, and at a New York boutique called Juju Amuse (see the details section below). Even better, Luckyscent in L.A. just start carrying the full Oriza L. Legrand line (including the lovely soaps and candles) today. It sells Foin Fraichement for $125.

All in all, if you’re looking for a very fresh, spicy aromatic fougère with a refined classicism, you should give Foin Fraichement Coupé a sniff.

Disclosure: Sample courtesy of Oriza L. Legrand. That did not influence this review, I do not do paid reviews, and my opinions are my own.

DETAILS:
Cost & Availability: Foin Fraichement is an eau de parfum that comes in a 100 ml or 3.4 oz bottle, and costs $125 or €90. Foin Fraichement is available directly from Oriza’s e-store. A great sample set is also available from the e-Store (scroll down midway to the page and it’s on the right.) The set includes 7 fragrances in the range, though not Foin Fraîchement Coupé, with each scent coming in 2 ml spray vials. The whole thing costs a low €9. Separate shipping is listed as €9, but a friend said he was charged only €7. Oriza ships globally, as I’ve had readers order the sample set from all over. In the U.S.: Luckyscent now carries the full Oriza L. Legrand line, including Foin Fraichement which it sells for $125 for a 100 ml bottle. Oriza is also carried at New York’s JuJu s’amuse. It has two locations, and I’ve provided the number for one, in case you want to check whether they do phone orders: 100 Thompson Street New York, NY 10012, with Ph: (212) 226.1201; but, also, 1220 Lexington Avenue (at 82nd Street), New York, NY 10018. Other vendors in Europe: Oriza’s perfumes are also sold at Paris’ Marie-Antoinette (which was my favorite perfume shop in Paris), as well as one store in Sweden. In the Netherlands, the Oriza line is carried at ParfuMaria. Germany’s First in Fragrance also carries the Oriza Legrand line, including Foin Fraichement. Oriza L. Legrand is also sold at a few places in Japan. For details on those retailers and the Swedish store, you can check Oriza Points of Sale page.

New Releases: Amouage Journey (Man and Woman)

Amouage has just released information on its new annual duo, which will be called Journey and which will come in the usual Men and Women‘s pairing. I have received samples of both, thanks to the kindness of Amouage’s Creative Director, Christopher Chong, so you can expect reviews as soon as I’ve tested the fragrances properly.

[UPDATE 5/8/14 — my reviews for both fragrances are now posted: Journey Man and Journey Woman.]

Journey Duo. Source: Amouage Facebook.

Journey Duo. Source: Amouage Facebook.

In the meantime, here is the information released by Amouage on its Facebook page this morning concerning each fragrance and its notes:

Amouage Journey WomanJOURNEY WOMAN:

Floral, Fruity, Leather

Top: Apricot, Jasmine Tea, Osmanthus, Nutmeg, Cardamom

Heart: Jasmine Sambac, Mimosa, Honey, Cedarwood

Base: Pipe Tobacco, Saffron, Vanilla, Cypriol, Musk

 

Amouage Journey ManJOURNEY MAN:

 Woody Spicy

Top: Sichuan Pepper, Bergamot, Cardamom, Neroli Bigarade

Heart: Juniper Berries, Incense, Pure Geraniol, Tobacco Leaves

Base: Tonka Beans, Cypriol, Leather, Ambrox

On Twitter, Mr. Chong posted a photo of a magazine article in which he talked very briefly about the new releases.

If you look very closely at the text at the very bottom, he says:

I’m drawing on my Chinese heritage and culture — I’m really inspired by the underground society of Shanghai in the 1920s. I’ve set myself the challenge to create the type of osmanthus that people haven’t smelt before, blended with white florals, vanilla, and leather.

I think that description applies to Journey Woman, as the men’s version doesn’t contain osmanthus.

As a side note, and if you’ll forgive the tangent, I found Mr. Chong’s interview with Glass magazine to be extremely interesting with regard to a very different matter. If you look closely, you’ll see that he talks about changes in perfume culture in Hong Kong and how the typical stereotype image of Asians disliking strong perfumery is untrue in his (recent) experience. I tried to find the full article online to share with you, but failed. So, if you’ll forgive the brief digression away from the new Journey perfumes, this is the text of one portion of his interview, as best as I can make it out from the photo:

It’s a myth that women in Asia want delicate scents. When I was over there, I presented them with some light, citrus options. They said, “that’s nice.” Then I presented them with the stronger ones, and they were transfixed, as if they had been transported to a different world. Chinese people are realistic — if they’re going to spend a lot of money on a perfume, they want something that is going to last. And ours do last.

Returning to the subject of Journey, according to Mr. Chong, the perfumers who worked under his direction were Alberto Morillas and Pierre Negrin. I didn’t ask if both gentlemen worked on each fragrance, because, frankly, I’ve really pestered Mr. Chong enough with questions, he’s been incredibly patient with me, and I hate feeling like a nuisance.

He did say, however, that Journey will be released in most countries in June. If I learn any additional details, I will update this post.