La Via Del Profumo Oud Caravan No. 3 & Cuba Express

Posted on May 5, 2015 by Kafkaesque

Yesterday, we visited Tarzan in a forest of oakmoss vetiver but, today, we’re going on Oud Caravan No. 3 in the Sahara before taking the Cuba Express. Those are two fragrances from AbdesSalaam Attar (“Dominique Dubrana“) of La Via del Profumo, and I’ll look at each one in turn.

OUD CARAVAN No. 3:

Source: fanpop.com & pinterest.

Oud Caravan No. 3 is an eau de parfum and the final part of a trilogy that was originally created in conjunction with a 2011 Basenotes project called the Oud Caravan Project. On his website, AbdesSalaam Attar explains that No. 3 is a true, authentic agarwood fragrance and, as a result, its opening and head notes are not for the faint of heart, even though the oud’s fangs have been muzzled here as compared to the first two entries in the line. He also elaborates on the nature of true, Middle Eastern oud which I think might be important for those of you accustomed to the very inauthentic or diluted Western sort which, frequently, isn’t even real agarwood at all. I’ve taken the liberty of formatting AbdesSalaam’s single-line description into paragraphs for reasons of space and it reads, in relevant part, as follows:

Oud Caravan via La Via del Profumo website

For those who want to know the real Oud. […] Oud Caravan N° 3 is the last and final version of the Oud Caravan project. A rich, lushful fantastic Oud. It is an authentic Oud, wild and full fledged, hose animalic notes have been at last tamed.

Real Oud is not a perfume for all. It is not an easy scent to wear, you must have a lion’s heart. He is somehow like the mythical Dragon, if your inner force is too weak you will not bear it. In the Oud Caravan N°3 the Dragon has been briddled and saddled, made ready for you to ride him.

Sourc: alamy.com

Oud is the perfume of the Bedouin princes of the desert. I have tempered with exotic fruitty notes the aspect of excessive power that caracterize the head notes of a good Oud. A good Oud must be excessively powerful and long lasting. The initial heaviness is a natural characteristic of a quality Oud but the beauty of this essence is in its heart and end notes.

The head notes of Oud have to be overcome by the wearer and not all have the energy for that, but thesse notes are indeed those who give the greatest joy to the real Oud lover. My aim was to smooth and temper the initial notes and to control their energy in order to make the scent real Oud accessible to a greater number.

Oud is comparable to the date tree of the Arabs, difficult to climb because of the dangerous needles of its leaves, but when you overcome this, you reach a treasure of sweetness, the ripe fresh dates. It is more easy to enjoy the date tree sitting under its shade than by climbing it and eating its dates, likewise it is more easy to smell the sillage of a prince wearing real Oud than to wear it oneself. Oud Caravan N° 3 is like a date tree where the leaves have been cleaned of their sharp needles so that the treasure of sweetness of the fresh dates is easily at hand.

Continue reading →

Amouage Badr Al Badour & Molook Attars

Posted on April 10, 2015 by Kafkaesque

“Scheherazade” by Alberto Vargas, 1921. Source: cataxe.com

Sensual secrets inspired by Scheherazade in The Thousand and One Nights, and a King who speaks of passion through tender roses and oud — those are the inspirations for Amouage’s Badr Al Badour and Molook. At the heart of one of them is a rose note that might as well be a signature of Amouage’s attars, a rose like no other, a rose that somehow manages to improve on Nature in a way that feels almost heretical. Amouage’s attars take perfumery to dizzying heights, but all of them have now been discontinued. As I wrote a while back, I want to pay homage to these lost masterpieces, much as one would write a tribute to Leonardo Da Vinci’s Last Supper, covering as many as I can out of the samples I have left. And I’m happy to say that I’ve found a few places that still carry a rare bottle or two of the attars which will be the focus of today’s review.

Amouage’s attars. Source: adjiumi.it

BADR AL BADOUR:

Amouage has no official description or note list for Badr Al Badour on its website, but one of the few stores that still carries the attar, Profumeria Pepos in Italy, has the old text:

Scheherazade by Leon Bakst (1866 – 1924). Source: imgarcade.com

Bard Al Badour is inspired by the beauty of a woman told in a famous story “The Thousand and One Nights.” Full of sensuality, its species were selected to evoke unnerving and secret pleasures. Drops of Rosa Damascena and tears of Ambergris are the prelude to a dream-erotic aroma that magnetizes the head notes. A fluctuating moment of vibrant intensity that explodes in a heart filled with three types of wood, Oudh, Burmese and Cambodian. A visceral love tribute to the aroma that most of all recounts the east.

Continue reading →

Reviews En Bref: Penhaligon’s As Sawira & Levantium

Posted on April 3, 2015 by Kafkaesque

Penhaligon’s Trade Routes Collection are fragrances inspired by the exotic spices and woods brought to London in the 19th century from the Orient and Middle East. Two of the oud scents in the line are As Sawira and Levantium. I’ll take a look at each in turn. In general, my Reviews en Bref are for fragrances that — for whatever reason — didn’t seem to merit one of my detailed, exhaustive reviews. In this case, it’s because neither fragrance was particularly complex or enjoyable.

AS SAWIRA:

Source: Penhaligon’s.

As Sawira is an eau de parfum that was created by Christian de Provenzano and released in 2015 as a limited-edition part of the Trade Routes Collection. According to Twisted Lily, the fragrance’s inspiration and its notes are as follows:

As Sawira, a new addition to the Trade Routes Collection, is inspired by the city Essaoiura, which became the first seaport of Morocco in the nineteenth century. With extensive trade connections to London, many of the commodities which adorned the wharves of the docklands will have originated from there.

Bergamot, Davana, Saffron, Absinthe, Rose, Jasmine, Carnation, Clove, Cardamom, Labdanum, Amber, Oud, Myrrh, Gaiacwood, Sandalwood, Cedarwood, Patchouli, Musk, Vanilla, Maltol.

Continue reading →

Guerlain Santal Royal

Posted on February 25, 2015 by Kafkaesque

Source: q80ean.com

It takes some effort to get a One-Star “Avoid” rating from Luca Turin, but Guerlain has managed it with its new Santal Royal. I don’t always agree with the famous perfume critic and I don’t think Santal Royal is the worst thing I’ve ever smelt, even from Guerlain (L’Homme Ideal holds that dubious distinction), but he’s right: Santal Royal isn’t good. It is especially disappointing coming from a once-great house, perhaps the greatest that ever was.

In essence, Santal Royal is another sub-par, extremely commercial creation from Guerlain without any distinctiveness or originality, and with absolutely nothing remotely reminiscent of sandalwood. What it does have, however, is a strong resemblance to a heavily aromachemical Montale fragrance or to any number of basic, cheap, Middle Eastern fragrances centered on a generic, overly sweet, wholly synthetic, fruity rose-oud combination. Actually, I’ve smelt better perfumes from Montale, which is saying something given my general view of that house.

Continue reading →