Amouage Badr Al Badour & Molook Attars

"Scheherazade" by Alberto Vargas, 1921. Source:

“Scheherazade” by Alberto Vargas, 1921. Source:

Sensual secrets inspired by Scheherazade in The Thousand and One Nights, and a King who speaks of passion through tender roses and oud — those are the inspirations for Amouage’s Badr Al Badour and Molook. At the heart of one of them is a rose note that might as well be a signature of Amouage’s attars, a rose like no other, a rose that somehow manages to improve on Nature in a way that feels almost heretical. Amouage’s attars take perfumery to dizzying heights, but all of them have now been discontinued. As I wrote a while back, I want to pay homage to these lost masterpieces, much as one would write a tribute to Leonardo Da Vinci’s Last Supper, covering as many as I can out of the samples I have left. And I’m happy to say that I’ve found a few places that still carry a rare bottle or two of the attars which will be the focus of today’s review.

Amouage's attars. Source:

Amouage’s attars. Source:


Amouage has no official description or note list for Badr Al Badour on its website, but one of the few stores that still carries the attar, Profumeria Pepos in Italy, has the old text:

Background for Scheherazade by Leon Bakst (1866 - 1924). Source:

Scheherazade by Leon Bakst (1866 – 1924). Source:

Bard Al Badour is inspired by the beauty of a woman told in a famous story “The Thousand and One Nights.” Full of sensuality, its species were selected to evoke unnerving and secret pleasures. Drops of Rosa Damascena and tears of Ambergris are the prelude to a dream-erotic aroma that magnetizes the head notes. A fluctuating moment of vibrant intensity that explodes in a heart filled with three types of wood, Oudh, Burmese and Cambodian. A visceral love tribute to the aroma that most of all recounts the east.

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