Parfums de Nicolaï Cuir Cuba Intense

Posted on November 19, 2014 by Kafkaesque

Imagine a land in an alternate universe, a parallel Cuba called Cuir Cuba Intense. There, an old tobacco farmer rolls out tobacco leaves, not on the thighs of nubile virgins, but on cedar tables covered with thick, black licorice paste. The leaves are still a bit raw, half-moist, and wet, with a certain dirty darkness that borders on the leathery. The farmer layers the tobacco with generous amounts of sweet coumarin crystals, then more black licorice, before dusting them with geranium rose, bits of lavender and mint, and a touch of lemon. Rolled into cigars, they are lightly doused with civet and musk, then nestled between sheaves of sweet hay, and left to dry in a room filled with golden ambered warmth which carries the faintest traces of rum and honey.

“Tobacco Rolling, Vinales, Cuba.” Photo by April Maciborka and David Wile. Their sites: blog.aprilmaciborka.com (link to full website gallery embedded within) and davidwile.com

Over time, the cigars change. The licorice melts into their body, the civet awakens to add a slightly sharp edge, and the tobacco starts to dry. They lose their raw darkness, tempered by the coumarin crystals which bloom into a subtle creaminess. Eventually, by some alchemical transformation of this alternate universe, the tobacco is no longer even tobacco. It has turned into leather. First, into a dark, sweetened leather dusted with spices and, then, finally, into the creamiest calf-skin with supple smoothness and a hint of sweetness.

Patricia de Nicolaï, via her own website.

That is the world of Cuir Cuba Intense, brought to you by Patricia de Nicolaï, a talented perfumer who is, in my opinion, the true, rightful heir to the Guerlain throne. You can read more about that, her childhood in the Guerlain family, the glass-ceiling for female noses within both the family and the perfume industry as a whole, and how her Parfums de Nicolaï brand was really the first, truly “niche” house in a profile piece I wrote a long time ago. Here, I will only say that we’re all probably better off that Madame de Nicolaï (hereinafter spelled simply as “Nicolai,” sans the dotted “i”) is following her own vision and not subject to the dictates of a corporate overlord like LVMH. In fact, this year marks Parfums de Nicolai’s 25th Anniversary, so a huge congratulations to her and to her husband who co-founded the house.

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Aedes de Venustas Copal Azur

Posted on November 17, 2014 by Kafkaesque

A beach on the Yucatan Peninsula. Source: wexas.com

Copal Azur comes with the promise of all the colours of the Mayan Riviera, captured in one bottle: from the turquoise of its foaming seas to the green of its jungles, the white of its beaches and the plumes of Copal incense smoke, and the gold of fire-burning amber laid at the altars of the Jaguar God. Inspired by a Mayan citadel on Mexico’s Yucatan Peninsula, it is a fragrance whose aroma is painted in the most beautiful strokes, conjuring up a truly vivid image that transports you visually and mentally. Yet, words can differ from actual reality, and what sounds so good as a verbal picture may not translate to the same thing in terms of scent. There are parts of Copal Azur that I found quite enjoyable, but other parts got lost in translation. Or, to be more precise, it may have been better had they not been translated at all.

Source: Now Smell This.

Copal Azur is an eau de parfum that was created by Bertrand Duchaufour, and released on November 15th. Whomever wrote the Aedes de Venustas’ press release did a magnificent job, if only in describing the beauty of the Yucatan Peninsula and its feel. You can read the full details on the Aedes website, but I’ll cover a few of the points here. First, the company explains that Copal Azur tries to capture the scent of a Mayan incense called Copal, but that the resin “cannot be used as a perfume ingredient.” As a result, “three different extractions of frankincense are used to conjure it from top to base notes, making up an extravagant 30% of the formula.” Continue reading →

LM Parfums Army of Lovers

Posted on October 16, 2014 by Kafkaesque

Opulent roses and animalic leather lie at the heart of Army of Lovers, the latest release from LM Parfums. Although it is ostensibly a chypre, Army of Lovers often feels more like a leather fragrance than one redolent of oakmoss. The greenness shimmers like a distant mirage, whilst all before you is musky leather that has been smeared with honey, sprinkled with spices, then nestled amongst some jammy roses in a stable. There is no getting around that last part, as this is one very dirty, raunchy leather that has a definite equine vibe for a good portion of its lifespan on my skin.

Jessica Chastain in Vanity Fair. Source: Vanityfair.com (Photo lightly cropped by me horizontally.)

In fact, Army of Lovers often reminded me of the old story about Camilla Parker-Bowles, now Duchess of Cornwall, who would allegedly go straight from riding her horse after a long day at the hunt to slipping on an expensive evening gown and attending a party, without a shower in-between. Yet, something about that shimmering oakmoss mirage in the background makes Army of Lovers more than dirty, horse-y leather wrapped up with rubied roses. LM Parfums’ founder, Laurent Mazzone, once told me that he loves the great vintage legends like Mitsouko, and that he seeks to bring the same sort of vibe to his fragrances, only in a more modern way.

Movie poster for Lady Chatterley’s Lover (1981 version) with Sylvia Krystel. Source: movies.film-cine.com

That sort of old-school sophistication hovers around Army of Lovers in a way that makes the Camilla Parker-Bowles story seem more apt for the characters of Downton Abbey, or some mash-up of a Ralph Lauren ad involving British aristocrats, riding, and evening gowns. There is a twist, though: these aristocrats are plucked from D.H. Lawrence‘s Lady Chatterley’s Lover and end up having a rather raunchy frolic with a musky, dirty gamekeeper in the stables.

Let’s start at the beginning. Army of Lovers is part of LM Parfums‘ Intimacy Collection, a stronger, more expensive range which is centered around pure parfums made from more luxurious ingredients. Hard Leather was the first in the collection, and Army of Lovers joined it on October 15th, with an official launch date of November 1st.

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Serge Lutens L’Incendiaire: Greatest Hits Redux

Posted on October 14, 2014 by Kafkaesque

L’Incendiaire is a walk through an olfactory hall of mirrors, echoing the scents of Serge Lutens‘ greatest hits from amongst his darkest orientals. Fille en Aiguilles leads the charge, followed by the notorious Serge Noire, while Feminité du Bois brings up the rear. It’s a smoldering pastiche of all of the signature Lutens notes: plummy, stewed fruits that are dusted with spices, lashed with incense, patchouli, and sticky balsamic resins, then nestled in a dark forest where cedar trees drip a brown sugar sap. A little fly made out of oud buzzes around them, though it is inconsequential in the larger scheme of things. As time passes, the Lutens classics change their order in the troop formation, but the bottom line remains the same: L’Incendiaire feels like a mixed tape compilation of scents I’ve encountered before, only refined to a polished core. It’s very enjoyable, but I feel rather conflicted for reasons that I’ll get to later.

Photo by Fotografin CvdG – Carolin von der Gönna. Source: Her Fotografin CvdG Facebook page. (Website link embedded within.)

L’Incendiaire (“The Arsonist”) was created by Christopher Sheldrake and debuted about two weeks ago. It is notable as both the first pure parfum from Serge Lutens, as well as The Maestro’s first foray in oud. The extrait is part of a new prestige line called the Gold Label or Section d’Or Collection. (The regular export line has a cream label, while the Haute Concentration eau de parfums come with a black label.)

Source: legrante.com/blog

Earlier this year, Fragrantica posted the Lutens press release that explains why this collection is supposedly different from anything previously put out by the brand, as well as why it’s significantly more expensive than anything else in the line, including its bell-jars:

The launch of L’incendiaire marks the emergence of a new Serge Lutens collection, Section d’or, the brand’s most prestigious range yet. With bottles inspired by the original rectangular design and featuring the sharp angular lines so revered by Mr. Lutens, this exclusive collection is the brand’s ultimate creation. And when it comes to choosing ingredients, only the finest quality is used, no expense spared. Even the black and gold hues symbolize a breakaway from the classic collections. This is Serge Lutens at the culmination of his art.

Source: the Serge Lutens Facebook page.

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