Téo Cabanel Lace Garden: Spring Rhapsody

Gardini Giusti, Verona. Source: wild-about-travel.com

Gardini Giusti, Verona. Source: wild-about-travel.com

Close your eyes and imagine palatial, perfectly manicured, green gardens, perhaps in Verona’s Giusti Gardens or Rome’s Villa d’Este. An endless vista of green is covered by a powerful but translucent web of embroidered lace made from fresh white petals. Magnolia flowers drip a milky juice that smells like figs. Orange blossom buds have just started to unfurl and waft a delicate scent that is as green as the tuberose and jasmine that encircle the garden like tall statues. Ylang-ylang hovers in the shadows, while creamy white trees stand as sentries in the distance, shedding benzoin and a wisp of delicate, warm powder like their equivalent of pollen. The wind blows little puffs of vanilla over the gardens, but this is not a tale of sweetness. It is a rhapsody of spring, celebrating the marriage of the freshest white flowers with greenness, as a choir of soft woods surrounds them to sing their praises. It is the tale of Lace Garden from Téo Cabanel.

Source: Téo Cabanel.

Source: Téo Cabanel.

I should disclose at the start that I have a huge soft spot for Téo Cabanel Parfums. Their scents are always solid and high quality for a really reasonable price. I admire that they work hard at putting out the best scents they can, one a year, instead of a deluge every few months. They aren’t driven by greed or commercialism, don’t put out flashy campaigns, or don’t try to be provocative for the sake of appearing “edgy.” Instead, they seem to care only about the actual scent and its quality. Plus, they’re so hugely under-appreciated that they seem like an underdog in the perfume world, which always brings out my protective side. All of this is separate from the fact that this small, relatively unknown perfume house makes one of my favorite modern fragrances (Alahine). When you add in the house’s fascinating history — complete with the notorious style icon, the Duchess of Windsor, as its most ardent fan — and the fact that I’m a history fanatic, then Teo Cabanel becomes a brand that I always root for.

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Puredistance White

A “dream of white and gold” is the tagline for White, the latest release from the luxury brand, Puredistance. The company makes one of my favorite fragrances, the glorious M, so I always look forward to their releases. I also appreciate that they don’t release an avalanche of fragrances each year, settling instead on one scent that they work hard to perfect, and I greatly admire the luxuriousness elegance of their packaging. There is just something about Puredistance that I really like, even when one of their fragrances leaves me cold, like their Black.

Source: Puredistance website.

Source: Puredistance website.

Thankfully, White (or “WHITE” in all-caps as it is officially spelt) isn’t the disappointment of that last scent, though it is no M, or even Opardu with its head-turning opening phase. White is elegantly done, has a gorgeous drydown, clearly uses some very expensive ingredients, and certainly creates the visions of white and gold (or yellow) that were intended. That said, it is also a simple fragrance that is very safe in my opinion and, for much of its opening stage, also excessively commercial in profile as well. Its beauty lies in its drydown, due primarily to the superb quality of the expensive ingredients (real Mysore sandalwood!) that dominate at that point, but the rest of the scent didn’t feel distinctive or special to me. It’s a testament to just how warm, friendly, and nice the people behind Puredistance are that I feel like an utter cad saying that, but I can’t help it.

White was created by Antoine Lie who spent over a year on the scent. At one point, when the outcome didn’t match the vision that Puredistance’s founder, Jan Ewoud Vos had for the scent, everything was scratched and Mr. Lie started all over again. Mr. Vos wanted something pure, sunny, bright and evocative of happiness, and he wouldn’t settle for anything less. The final version is meant to “enhance your mood through intense, but comforting beauty” with “shades of serene white and warm gold” created through “the best and most expensive ingredients in the world.” White will debut at the Milan Esxence show at the end of March, but will be officially released around April 20th. Like its siblings, it is an extrait de parfum, but White exceeds the levels of prior scents by clocking in at a whopping 38% fragrance oil.

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Grab Bag Round-Up – March 2015

One of my favorite things that my friend, The Non-Blonde, does on her website is a monthly series called “Currently” in which she does a brief round-up of various personal things in the area of books, music, television shows, cooking, or random thoughts. I look forward to each month’s entry, particularly to see what she’s reading or listening to (’80s music forever!) or because I’ll know that I’ll smile at one of her random thoughts. (“Why are there gummy bears in the soda of Candy Crush soda?” or “Please tell me that the Oscars are a Kanye-free zone.”)

So, with full credit to her for her wonderful idea, I’d like to do something similar, though with a few differences. First, because it’s me, I’ll never manage to have any entries that are just one sentence long. Second, I don’t have time to read books any more, alas, but I do read a lot of things around the web, so I would like to share instead articles or sites that have caught my interest lately. So, here’s March’s Grab Bag.

General Perfume News:

  • From The New York Times: “Designing a Bespoke Perfume” and the general cost thereof. Interesting tidbit: in the 1970s, roughly 90 fragrances were launched a year. Today, according to Michael Edwards in other work, more than 1,600 fragrances are released each year.
  • From The Smithsonian Magazine: two allegedly fake pheromones submitted by a perfume company for study back in 1991 caused scientists decades of wasted research into human pheromones.
  • From UPI: A Nielsen report states that American Latinos have become a key consumer in beauty (and fragrance) sales, showing a “staggering” difference in their purchases as compared to how low sales are in those areas for other demographic groups. One quote: “The Nielsen report also indicated Latino men take their beauty and appearance very seriously. Compared to non-Hispanic men, sales on shaving cream, hair spray, mustache dyes and after-shave all grew significantly, especially when it comes to fragrance as sales increased by 15.5 percent.

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Roja Dove Goodman’s

Bergdorf Goodman on Fifth Avenue. Source: skyscrapercity.com

Bergdorf Goodman on Fifth Avenue. Source: skyscrapercity.com

Smoky vetiver and spiced woods lie at the heart of Goodman’s, Roja Dove‘s creation for the New York luxury department store, Bergdorf Goodman. It’s a pure parfum that ostensibly embodies the luxury and sophistication of the men’s section of the store. I must say, I can’t see it — and I’ve lived in New York (twice) and am very familiar with Bergdorf Goodman. Not only does Goodman’s not evoke either the store or “sensual,” luxurious richness for me, but I find it to be a deeply disappointing release by the standards I have for Roja Dove.

Bergdorf Goodman's men store. Photo by Stephen Siegel at  archinect.com

Bergdorf Goodman’s men store. Photo by Stephen Siegel at archinect.com

Goodman’s was released in 2014, along with a parallel version for the women’s section of the store called Bergdorf’s. Both extraits were originally available only from the store itself, but Roja Dove now offers them on his website along with other exclusives like the UAE fragrance that he created solely for the Emirates. Oddly, the colour of the liquid in the Goodman’s bottle he shows on his website is significantly paler than the one shown by Bergdorf Goodman.

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