Aftelier Perfumes Bergamoss: The Sunny Chypre

Posted on June 24, 2015 by Kafkaesque

Source: overnature.com

Close your eyes, and imagine a morning walk through the country on a summer’s day. You start in a small forest glade where moss creeps up ancient trees and their gnarled roots. Leaves lie damp under your footsteps, crushed into earth that is dark, loamy, and a little sweet. Tender green shoots and fresh herbs climb out of the ground, peeking their heads around the moss, joining the forest’s morning song. The sun glints through the trees, seemingly half awake and still a little pale, but it quickly shakes itself to shine brighter and warmer, moving rapidly over the turquoise sky.

Your walk quickly takes you to a meadow on the other side where clover and soft grasses form a soft, downy blanket covering the lands. You find yourself a tree at the edges, near an adjoining field of hay and a farmer’s small herb patch filled with sage and thyme. You place a blanket and pillow on its mossy roots, lie back, and let the country’s summer pageant engulf you. The sun has woken fully now, shining warm and bright, enveloping you in its soft embrace. It’s a reverie of greenness that feels infinitely warm and happy without ever losing its innate, ineffable sense of elegance.

Source: crazy-frankenstein.com

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Rania J. T. Habanero

Posted on June 22, 2015 by Kafkaesque

Source: pinstake.com

Each of the fragrances of Rania J. Parfumeur showcases a different raw material, and it is the turn of tobacco in T. Habanero. It seeks to give the dark, black note the spicy fire of hot Cuban nights and the aroma of Havana’s famous cigars, but it is more complicated than that for me. Honeyed sweetness, black frankincense, Middle Eastern oud, synthetic sandalwood, and leather all play a part in T. Habanero’s dance, resulting in scent which took me to some surprising places. There is a stage where T. Habanero is a drier, deeper Killianesque Back to Black tobacco that is more suited to an aristocratic, private club in London frequented by Prince Charles and captains of industry than to a wild tango in Cuba. At other times, the scent is like Cuban cigars by way of bedouins in the Sahara, thanks to the barnyard funk of authentic, Middle Eastern oud. And, in the very end, it is a simple trip to overly smoky, arid, blackened woods. It is the last stage which is my problem.

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Rania J. Oud Assam

Posted on June 21, 2015 by Kafkaesque

“Camels and Desert 3” by Mahoor Shah on Fine Art America. (Direct website link embedded within.)

A mix of East and West lies at the heart of Oud Assam which showcases and highlights a true, authentic Middle Eastern oud in many of its complex facets before giving a nod to the West through touches of vetiver greenness and neo-chypre-like elements. It is not a scent for everyone, particularly those who have only experienced Western “oud,” a different animal entirely, and your reaction is going to depend on your familiarity with and appreciation for the more challenging aspects of the genuine article. On the other hand, if you love cheesy, creamy, musky, smoky, and slightly barnyard-like oud, Rania J.’s creation is one for you to try.

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Diptyque Florabellio & L’Artisan Parfumeur Rose Privee

Posted on June 17, 2015 by Kafkaesque

I generally think that it’s a good idea for a perfume lover to go outside their comfort zone from time to time, and to stretch themselves by trying a different sort of olfactory style than what they are usually drawn to, so long as the scent in question has a few notes which they really love. Yet, even with that last part as a solid and absolute requirement, I usually end up wondering why I bothered, because the end result is almost invariably, inevitably, a failure. “Stretching oneself” seems to be great in theory, but actual perfume experimentation outside of my olfactory comfort zone — and, most particularly, amongst brands whose aesthetic I don’t enjoy — rarely results in a happy surprise or a miraculous find. More often than not, I’m left feeling greatly irritated.

That was the case with two new releases that I tried recently: Diptyque‘s Florabellio and L’Artisan Parfumeur‘s Rose Privée. Diptyque is not a brand whose aesthetic I enjoy, because I find their scents to be excessively synthetic, fresh, clean, and sheer, but Florabellio tempted me with claims of coffee, saltiness, and toasted sesame seeds. Hmmph. L’Artisan is another brand that rarely works for me, primarily due to synthetics, sheerness, and longevity issues, though I did really love the great, once discontinued Safran Troublant (which, alas, was also badly flawed by unusually brief longevity on my skin). Nevertheless, the new Rose Privée beckoned to me, not only because it was created by Bertrand Duchaufour, but also because it contains lilac, carnation, basil, patchouli, hay, and amber. What an intriguing set of elements to go with rose, I thought. It can’t be too bad. Well, it wasn’t the worst thing that I’ve ever tried; it had a few bits that were quite interesting or intriguing in the first hour; it was far from the rose soliflore that I was dreading; and it was an A/P scent that actually lasted on my skin for a change. Unfortunately, I also found it to be schizophrenic in its changes, and unappealing as a whole. I’ll cover each fragrance in turn.

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