Louis Vuitton Parfums: Matiere Noire, Turbulences & Contre Moi

The Louis Vuitton Parfums collection. Source: nymag.com via Louis Vuitton. [Photo lightly cropped on top by me.]

The Louis Vuitton Parfums collection. Source: nymag.com via Louis Vuitton. [The photo’s white top portion has been lightly cropped by me.]

Louis Vuitton has re-entered the perfume world, almost 90 years since its first fragrance and 70 years since its last. This month, the luxury goods giant launched Les Parfums de Louis Vuitton, a collection of seven fragrances. Each one is an eau de parfum that was created by Jacques Cavallier-Belletrud, a Firmenich nose who made Acqua di Gio, L’Eau d’Issey, and Lancome‘s Poeme.

Today, I’ll look at three of the new fragrances, Matière Noire, Turbulences, and Contre Moi. In the next post, I’ll cover Mille Feux and Dans La Peau. So, let’s get straight to it.

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A Guide to “Amber” – Part II: 50 Fragrances To Consider

Do you love your amber with a shot of booze, or straight up? Do you want it as dark as night, its toffee’d chewiness beset by either tobacco, leather or incense, or would you prefer it to be so golden that it evokes James Bond’s Goldfinger girl? Have you sought an “amber” fragrance layered with the creamiest and silkiest vanilla, or do you prefer it accompanied by some combination of dry woods, spices, salty caramel, bitter expresso, chocolate, jammy roses, or aromatic herbs instead? Whatever the combination or your particular preferences, my hope is that there will an “amber” on this list of 50 fragrances to tempt you to explore further.

The tsars' famous "Amber Room," St. Petersburg. Photo: Anna or "I Love Travel," ITravelSPB, on Twitter. (Direct website link embedded within.) [Photo lightly cropped by me.]

The tsars’ famous “Amber Room,” St. Petersburg. Photo: Anna or “I Love Travel,” ITravelSPB, on Twitter. (Direct website link embedded within.) [Photo lightly cropped by me.]

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A Guide to Amber – Part I: Types, Definitions, Materials & Scent

“Amber” is a glorious genre of perfumery, a showcase for all that is decadent, inviting, resinous, and golden in scent, with facets that range across a broad spectrum from the musky, sultry, smoky, and spicy to the deliciously cozy with sweetened aromas of toffee, caramel, or vanilla. But “amber” is a word that needs to be in quotation marks because it is, in reality, an umbrella catch-all term that encompasses many varieties of materials and, as a result, a slew of different aromas or styles.

I’d like to go over the basics of those genres or, to be more precise, sub-genres in what will be a two-part series, starting today with the history, definitions, basics, and scent profile of the materials in each group. In the next post, Part II, I’ll list fragrances that I love and recommend within each category, as well as a few famous ones beloved by others, even if they don’t strike the same chord with me.

Fossilized amber. Source: amberpieces.com

Fossilized amber. Source: amberpieces.com

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Slumberhouse New Sibet

Opulent iris butter as thick as cream turned ashen from cinders dropped by smoked woods; grey floral suede and leather wrapped up in vapours of pink and red, first from carnation, and later from roses; the flanks of an animal heated from an afternoon ride, its golden muskiness pulsating softly through its heartbeat to cling to your cool hands as you stroke fur that is as smooth as satin and infinitely creamy — these are parts of the tableau painted by New Sibet, the latest fragrance from Slumberhouse and it’s quite a departure from the brand’s usual style. Gone is the rugged aesthetic of old created from dense, forceful, practically opaque bases imbued with sweetness, spices, or brooding darkness.

Instead of nature-based landscapes slashed with colour and loaded with weight, this is a coolly elegant, sophisticated scent, soft and vaporous, worn with sleek city suits, furs, or cashmere, and constructed in a fashion that is often as much about tactile texture as it is about scent. Often, even more so, because it’s frequently an impressionistic scent where its elements are sensed almost on a subconscious, intuitive, and subliminal level rather than an actual one, its notes a suggestion that pass on the breeze — there and, yet, not there at the same time. It is scent that is often rendered through a filter, notes tinted in sepia hues like an old photograph, and it’s all done in a way that is extremely artistic and sensory.

New Sibet. Photo: my own.

New Sibet. Photo: my own.

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