Perfume Review: Le Parfum Couture Denis Durand for M. Micallef

Denis Durand Couture Fashion Show 2 LRHaute couture and haute perfumery seem like a natural fit, especially for the French. So, it’s perhaps not surprising that both things came together with Le Parfum Couture Denis Durand for M. Micallef. It is a new oriental eau de parfum that is the result of collaboration between the French, niche, perfume line, M. Micallef, and the French couturier, Denis Durand. (Given the length of the fragrance’s name, I hope you’ll excuse me if I’ll just refer to it as “Le Parfum Couture Denis Durand” or “Le Parfum Couture” from now on.)

M.Micallef Le Parfum Couture Denis Durand perfume bottle

In the press release, M. Micallef describes the perfume as follows:.

A glamorous, mystical and sophisticated perfume has been born from the close friendship and artistic cooperation between Martine Micallef and Denis Durand: le parfum Denis Durand Couture.

The fragrance composition explodes with citrus head notes and spicy accents of cinnamon. An intense and complex fragrance, the heart and the base cleverly balances the rose, orange blossom and honey softness with the strength of animalic and woody notes.

Dressed with hand sewn delicate Chantilly black lace, the flacon is adorned with a little satin bow and a golden medal engraved with the initials of the two artists.

Denis Durand Le Parfum Couture

The perfume notes according to the statement are as follows:

Top Note: Ceylon Cinnamon, Italian tangerine

Heartnote: Bulgarian Rose, Honey, Orange Blossoms, Animalis

Basenote: Sandalwood, Patchouly, Amber and White Musk.

The “animalis” note is the key to understanding Le Parfum Couture. Upon first sniffing the perfume, even in its vial, I thought there was oud in it. I scanned the notes three times in slight bewilderment, as “oud” wafted out across my desk. But, no, “oud” is not listed anywhere in sight. In utter confusion, I turned to the internet, and was enormously relieved to discover that CaFleureBon‘s Managing Editor, Mark Behnke, had thought the exact same thing. He writes of his experience, and about what that note actually turned out to be:

When I was first wearing Le Parfum Couture Denis Durand I repeatedly mistakenly identified the animalis as oud. Mme Micallef has been so successful in making oud behave in whatever way she needs to achieve a desired effect I thought this was another example. When I did get the note list I had to get a clarification on what animalis is and was told it is a blend of labdanum and castoreum.

Labdanum and castoreum. I would have never guessed it in a million years! I’m very familiar with both notes individually, but the primary essence in Le Parfum Couture Denis Durand doesn’t smell like either one. It most definitely doesn’t smell like labdanum, which is one of my favorite ingredients.

Making matters much more complicated is the argument that CaFleureBon is completely incorrect and that Animalis has absolutely nothing to do with labdanum or castoreum but is, in fact, a trademarked ingredient from the fragrance company Synarome. According to the commentator, “Joe,” on Now Smell This, Animalis is a wholly separate ingredient and a famous perfume “base” that is the key to such scents as Etat Libre d’Orange‘s Vierges et Toreros. The Perfume Shrine article which he cites does indeed give a very different scent description for Animalis, saying that it is the very basis for the descriptive term “animalic” in perfumery and cataloguing its long, “dirty” history in perfumery from vintage Robert Piguet Visa, to being the mystery ingredient responsible for Kouros‘ savage, almost urinous, animalic splendour. Whatever the truth of all this, all I know is that M. Micallef has apparently gone on record as to what that the “Animalis” note is supposed to be.

Honestly, none of this matters one whit to me. Whatever the semantics or technicalities, all I know is that, on my skin, “Animalis” smells like oud — absolutely and exactly, right down to the medicinal facet that agarwood can sometimes reflect. I thought so, CaFleureBon thought so, Now Smell This and others have thought so. Period. Le Parfum Couture is so centered on this one aroma that, for the purposes of this review, I’m simply going to have to refer to it as “oud,” in quotes, because anything else would feel a bit misleading and would create the impression that the perfume smells animalic, “dirty,” urinously leathery, or feral in muskiness. It simply does not.

Le Parfum Couture Denis Durand opens on my skin with a split second blast of pure medicinal “oud” which almost instantly softens under a wave of honey. The “oud” is never just peppered woods, but it doesn’t smell like rubbery, pink bandages or camphor, either. Really, the only way to describe it is medicinal. There are also slightly animalic undertones to the scent, but they are faint. The perfume quickly turns richer, softer, sweeter and heavier, as the medicinal undertones soften a little. The honey note is beautiful; it feels very dark and rich, almost exactly like what you’d smell in a jar. Wisps of rose, cinnamon and tangerine swirl in the background, but they are extremely faint. The primary note is honeyed “agarwood”: rich and potently strong, it is also surprisingly airy in feel.

HoneyAn hour in, Le Parfum Couture is honey, cinnamon, light ambered musk, and rose — all heavily mixed with “oud.” I never smelled orange blossoms in any distinct way, though there is the faintest suggestion of both the flowers and the fruit lurking behind that wonderful honey note. The latter is my favorite, and it is so photo-realistic that I confess to being driven to make hot, buttered toast slathered with honey. In doing so, I noticed a funny oddity: out of the three different kinds of honey in my pantry, the note in Le Parfum Couture Denis Durand was almost exactly like that in my Mitica Orange Blossom Honey. Make of that what you will.

Despite the strong role of that photo-realistic honey, the perfume smells much more like an oud-centric fragrance than anything else. Throughout its entire development, “oud” sings loudest on stage. Other accords come and go, but they are merely supporting players. One of those is the rose note which starts to become significant around the ninety minute mark. As the honey recedes, the rose steps up to take its place. There is the very lightest hint of cinnamon — which feels a lot more like cardamom, actually — along with an even fainter suggestion of animalic musk. The latter is never skanky, dirty, raunchy, or, indeed, very profound. As a whole, the influences of these notes so minor that Le Parfum Denis Durand smells quite similar to By Kilian‘s Rose Oud — only significantly richer, stronger, and mixed with a large amount of honey.

Three and a half hours in, the perfume starts to shift a little. A beautiful, spicy, creamy sandalwood taps the rose on the shoulder, and steps in to dance with the “oud.” Yes, Le Parfum Couture Denis Durand is a little like the game of musical chairs where only the “oud” remains truly constant and powerful, sitting on a throne in the line-up. The sandalwood is lovely and it softens the “agarwood” note, turning it ambered, golden, and much less medicinal. Instead, it starts to feel a little closer to highly peppered woods. The rich honey and the whisper of cardamom-cinnamon add to the shimmery, amber glow. The rose note is still there, but it flickers in the background, adding its subtle touch to the overall effect.

The perfume doesn’t change much in its final dry-down stage. Around 6.5 hours in, it is mostly “oud” with hints of rose and sandalwood. Later, in its final moments, Le Parfum Couture Denis Durand is just amorphous, dry, woodsy notes and “oud” atop the faintest base of light musk and honey. The cinnamon note, which smells even more like cardamom to me, whispers faintly in the background. And that’s about it. All in all, Le Parfum Couture lasted just over 9.25 hours on my perfume-consuming skin. For much of its development, it was quite a strong scent, though always surprisingly airy and light in feel. It projected a few feet in the first hour, then dropped quite a bit, but Le Parfum Couture only became a skin scent around the 5th hour.

There aren’t a ton of in-depth reviews for Le Parfum Couture Denis Durand out there yet, since it was only just released a few weeks ago. One of the few is an admiring assessment from Angela at Now Smell This who seems to have a considerably different experience. Though Angela also detected the “oud,” she had loads of tangerine at the start and then, later, orange blossom. Here are some snippets from her review:

While Parfum Couture could never be called shy, neither is it the crass, room-hogging perfume I feared. Instead, it’s a warm, easy-to-wear oriental balancing tangerine, honey, and amber with a streak of metallic tang. I bet it will find a lot of fans. I’m one. […]

Parfum Couture’s tangerine and honey leap right out of the fragrance at first, reminding me of Byblos by Byblos (remember that one?) layered over the new Schiaparelli Shocking. I like the combination of sweet and animal that honey gives a fragrance — something about it reminds me of drinking sweetened ice tea. As for the citrus, in the mid-1990s I was obsessed with tangerine-laden fragrances, and I even wore Guépard for a while, despite the cheesy gold and green plastic cage over its bottle. (Sorry, all you old office mates.) Parfum Couture reminds me of those fragrances, but softer and more elegantly blended.

Oud isn’t listed in Parfum Couture’s notes, but I swear I detect it cutting the mouthwatering heft of the tangerine and honey. Or is it the “animalis” listed in the perfume’s notes?1 Orange blossom adds buzz, and Parfum Couture’s amber is the shimmery rather than cloying sort. I mostly smell the perfume’s patchouli after I’ve worn it several hours and on my clothing the next day, where it clings in a quiet, sexy way.

CaFleureBon was similarly entranced. In fact, I believe the Managing Editor, Mark Behnke, found Le Parfum Couture to be one of the very best Micallef fragrances ever released. In fact, he thought it was so “smoldering” that it would be his pick for a Valentine’s Day scent. His review describes a little of how Le Parfum Couture manifested itself on his skin:

If the rose and animalis was all that was going on in the heart it would be great but a sweet grace note, courtesy of orange blossom and honey, adds a glowing core to the intensity and it feels like the reflection of light off of satin or the shine off a bared shoulder under the spotlights. With such an intense heart it would have been easy to ease up a bit but Mme Micallef keeps the intensity level high as patchouli and amber produce a foundation for sandalwood and white musk to interact with. This base lightens up on the animalic by using the white musk but patchouli, amber, and sandalwood keep the development at a consistent volume right until the end.

Clearly, I had a very different experience from both of them. For me, Le Parfum Couture Denis Durand was primarily an “oud” fragrance, and it was never as complex or “smoldering” on my skin as it seems to have been on others. If it had been, I think I would have been considerably more wow‘d. I would have loved to experience what Angela at Now Smell This encountered since it seems much more nuanced and sexy. Plus, I adore orange blossoms and orange notes. You can’t imagine my enormous disappointment at how little (if at all) each note appeared on my skin. Lastly, as I’ve noted a few times on the blog recently, I have increasingly severe “oud” fatigue as a whole. It is probably the main reason for why, for my own personal use or tastes, I thought Le Parfum Couture was simply pleasant, as opposed to love at first sniff.

That said, most normal people do not test an “oud” fragrance (or two) each and every week, and many have a considerably greater appreciation for the note than I do now. Those who love it would probably greatly enjoy Le Parfum Couture Denis Durand. It has a richness thanks to that beautiful honey note and a quiet spiciness which separates it out from many of the “oud” fragrances with their simple rose accord. Plus, Le Parfum Couture has that lovely stage where the “oud” duets with the sandalwood in quite an entrancing manner. So, if the notes intrigue you, I would definitely encourage you to give it a sniff. Those who aren’t enraptured by Animalis and its oud-like manifestation here may prefer instead to watch the runway defilé for the release of Le Parfum Couture Denis Durand as shown in the YouTube video below.

DISCLOSURE: Sample provided courtesy of M. Micallef Parfums. I do not do paid reviews, and I always tell a company upfront that there is no guarantee of a good review, or any review at all. I make it very clear that my first obligation is to my readers and to be completely truthful as to my thoughts.

DETAILS:
Cost & Availability: Le Parfum Couture Denis Durand is an eau de parfum that comes in a 50 ml/1.7 oz bottle and costs $190. In the U.S., it is available at Luckyscent, along with a sample for $4. Normally, M. Micallef perfumes are also carried at Parfum1, but Denis Durand Couture is not yet listed there. You may want to check back in a few weeks. In Europe, M. Micallef Le Parfum Couture Denis Durand is carried at First in Fragrance where it retails for €145. The full range of M. Micallef fragrances, including the brand new Denis Durand Couture, is available at Paris’ Jovoy Fragrances. In the U.K., Micallef fragrances are usually carried at Fortnum & Mason, but I don’t see Denis Durand Couture listed on their website at the moment as it is so new. In Australia, you can find M. Micallef at Cara & Co in Sydney, but they don’t have an online store yet. In the Middle East, some of the many places where M. Micallef fragrances are available are: all UAE malls and Dubai Duty-Free locations at the airports; Al Hawaj in Bahrain; Mazaya in Cairo Egypt; everywhere in Kuwait; ABC and Beauty Concept in Lebanon; and Pari Gallery and Bleu Salon in Qatar. For all other locations, you can try the Points of Sale locator on the M. Micallef website. If you want to try a sample of the fragrance, you can do so at Lucky Scent at the link listed above which sells a 0.7ml vial for $4.

Review En Bref: Heeley Parfums Cardinal

As always, my Reviews En Bref are for fragrances that — for whatever reason — didn’t warrant one of my full, exhaustive, detailed reviews.

Heeley CardinalCardinal is an Oriental eau de parfum from the British-born, Paris-based designer, James Heeley. The perfume and its notes are described on the Heeley website as follows:

Incense enrobed in folds of white linen

A timeless scent built around the traditional incense notes of labdanum, ciste, frankincense and myhr. An air of lightness and purity is portrayed by a note of fresh, clean linen. The association of grey amber, patchouli and vetiver, imparts this perfume with mysticism and a rare and contemporary elegance.

♂ An immaculate young priest.
♀ Auburn hair and milky white skin. Romantic and mystical.

White Linen . Baie Rose . Black Pepper
Labdanum . Frankincense . Myhr
Vetiver . Grey Amber . Patchouli

Fragrantica also includes aldehydes which I think is quite a key component of the fragrance. And, as a side note, “Baie Rose” is another name for pink peppercorns.

Source: Hm.com

Cotton. Source: Hm.com

Mr. Heeley wasn’t kidding about the white linen. Cardinal opens on my skin with linen, followed in its footsteps by frankincense, patchouli and labdanum amber. The latter feels slightly leathery and animalic, though it is muted in nature and completely overwhelmed by the fresh cotton scent. There is also a strong undercurrent of soapy, waxy aldehydes.

Cardinal is quite a cool or cold scent at first, and one which definitely evokes the feeling of an old, stony church with its slightly musty aroma. Within minutes, the patchouli-incense combination grows stronger, and I find it extremely unpleasant. Something about the mix of fresh, white cotton with soap and incense atop a slightly dirty, leathery base of labdanum and patchouli feels incredibly contradictory. Even worse than the discordant aspects, the whole thing smells extremely artificial.

Bounce Fabric SoftenerIf you’ve read this blog for any amount of time, you’ll know that one of the things that I dislike the most are soapy scents. However, fresh, soapy, artificial, and laundry detergent all combined in one has to be the greatest evil in my eyes. Cardinal hits all my triggers. At the end of the first hour, it is all soap, soapy labdanum, white cotton, incense and…. Bounce. For those of you outside of America, Bounce is a fabric softener that often comes in sheets which you throw into the dryer to add freshness and to prevent static or lint. The fabric softener sheets come in a variety of scents, including Fresh Linen!

My tolerance for extreme aldehydes or general soapiness as a perfume note is extremely low. My tolerance for soapy, fresh scents that replicate fabric softener is practically nonexistent. For hours and hours, Cardinal wafted out varying degrees of that terrible combination. There was a growing sweetness to the soapy, fresh, incense-y, Bounce-heavy, cotton hot mess as time passed, thanks to the myrrh and labdanum. Making it all worse somehow is the impression of a white musk accord which appears about 90 minutes in. Cardinal’s artificial discordance is further cemented by a synthetic undertone which gave me a throbbing headache and a burning tightness high up in my nose.

Cardinal was such a painful experience that I actually considered scrubbing it entirely, but I stuck it out. All 9.75 hours of it. At no point did Cardinal twist, morph, change, or reflect other facets. It was linear all the way and, while linear is fine if you love the notes in question, I found its singularity to be an incredible ordeal. I suppose I should be glad that Cardinal was a light, airy fragrance but, unfortunately, it was still sufficiently strong enough for me not to feel a huge amount of gratitude for that fact.

Cardinal is often compared to Comme de Garçon‘s Avignon perfume. I haven’t tried the latter, but for those of you who are curious, Now Smell This has a comparison that may be useful:

Like Avignon, Cardinal starts off rather strong, but it has nothing like Avignon’s uncompromisingly gloomy stance: it is brighter, smoother, and not quite so bone-dry, although I wouldn’t go so far as to call it sweet. The dry down is soft and mildly earthy, and like many incense-focused fragrances, has a meditative quality.

Is church incense really church incense if it isn’t brooding and dark? Well, if Avignon is your idea of perfection, you might answer no, but if Avignon was too much of a good thing for you — or if, like me, you think there just can’t be too many variations on incense — Cardinal might be just what you’re looking for.

I haven’t looked up a ton of other reviews for Cardinal, but those few that I have read never seem to mention the damn linen. I’m baffled. The cotton note is, to me, a far greater characteristic than the incense. It’s even explicitly mentioned on the company’s website. A few commentators on Fragrantica mention the soapiness — and one calls it a soapier version of Avignon — but absolutely no-one talks cottony freshness or fabric softener. All I can say is that my skin clearly must amplify the note, along with the soapiness.

I know Cardinal is much-loved amongst those who enjoy incense fragrances. I love incense, too. Unfortunately, Cardinal had me praying for deliverance…

DETAILS:
Cost & Availability: Cardinal is an eau de parfum that comes in 3.4 oz/100 ml bottle. It is available from the Heeley website where it costs €120, or from Luckyscent where it costs $180. There are undoubtedly numerous other online retailers which also carry the fragrance, but you’ll have to forgive my lack of interest in looking up the links. I obtained my sample from Surrender to Chance where prices start at $3.99 for a 1 ml vial.

Perfume Review – Frapin Speakeasy: Pancakes in Havana

By now, regular readers of the blog should know that history motivates me as much as perfume. (Actually, probably more.) So, it should come as no surprise that I read about Frapin and had to try one of their fragrances. Frapin is relatively new to the perfume scene, having started just five years ago in 2008, but the line has been making luxury cognac for centuries. In fact, the family behind it goes back almost 800 years! To quote a Vanity Fair article,

The Frapin’s rich family heritage is the stuff of a whimsical, old-world romance novel—and, according to creative director David Frossard, the key inspiration for all seven fragrances in the line.One of the oldest and most established families in France, the Frapins have been distilling cognac from their original Fontpinot Castle, situated on 300 hectares in the Grand Champagne region of France, since 1270 and through 20 generations; they expanded into fragrance in 2008. And if a castle isn’t enough of a fairy tale for you, Louis XIV himself granted official nobility to the Frapin family in 1697.

Frapin Castle. Source: Frapin website.

Frapin Castle. Source: Frapin website.

Frapin, as a perfume house, is perhaps best known for its 1270 fragrance and then, for the limited-edition, Bertrand Duchaufour-created 1697. Both are loved for being very boozy, rich scents, in keeping with Frapin’s goal of replicating the feel and smell of their cognac.

I opted, instead, to try Speakeasy, a perfume whose name appealed to my interest in the Prohibition era of the 1920s when alcohol was constitutionally banned in America, leading to the rise of the Mafia, gangsters, and illegal bootlegging. (My appreciation for the HBO television series, “Boardwalk Empire,” added to it.) For those outside of America, the term “speakeasy” refers to the illegal drinking dens that were operating in secret and where alcohol flowed like water, as the mobsters raked in the cash. It was the era of Al Capone, Meyer Lansky, Lucky Luciano, and the St. Valentine’s Day Massacre.

Source: CaFleureBon

Source: CaFleureBon

Speakeasy is a boozy, woody Oriental fragrance that was released in 2012 and that was created by Marc‐Antoine Cortcchiato, the founder of Parfum d’Empire — yet, another reason why I opted for this perfume over its more famous siblings. And, I have to say, I’m disappointed. For one thing, Speakeasy most certainly does not evoke the 1920s and Prohibition, but, rather, a slightly seedy bar in 1950s Cuba or Miami filled with mojitos, pancakes, and cigars. One commentator on Fragrantica found it brought to mind the 1970s with its vinyl orange plastic, formica green and ruddy browns — and it does that, too. My main problem with Speakeasy, however, is that it’s a hodge-podge that isn’t really enormously interesting. It’s fine, it’s average, it’s neither here, nor there — and it doesn’t inspire much of anything to me. Perhaps it should have been more like Hemingway in his early Cuban days….

Havana. Source: Standard.co.uk.

Havana. Source: Standard.co.uk.

Luckyscent has a wonderful description of the fragrance which, alas, really didn’t bear out in reality for me:

Speak easy: those were the words whispered to clients in illegal bars during the Prohibiton…

Frapin’s new fragrance conjures the film noir allure of an age when danger lurked under the glamour; a tropical bar where Hemingway could have bumped into the characters of To Have and Have Not. Misted glasses, club chairs, smuggled Cuban cigars savored by gentlemen bootleggers under wood ceiling fast churning the damp air…

According to Luckyscent, Speakeasy’s long list of notes includes:

Rum extract, Indian davana, Sweet italian orange and Fizzy lime from Brazil, Cold russian mint and Egyptian geranium, Oriental leather accord, Ciste absolute, Labdanum absolute, Styrax essence, Turkish tobacco accord, Tobacco absolute, Liatrix absolute, Everlasting [Immortelle] flower absolute, Tonka bean absolute and White musks.

Mojito with cigarSpeakeasy opens on my skin with a brief, split-second element of a traditional cologne. There is fresh, zesty lemon, lemon peel, and orange which feels a lot like freshly-squeezed juice. The scent is thin, light and slightly cool in nature. Within seconds, however, the fragrance turns warmer, thicker, smooth and sweet with rum and honey notes. The boozy accord is supplemented by hints of fuzzy, green geranium and mint. The citruses recede slightly to the background where they add a subtle depth to the fragrance but are never hugely dominant. That role is taken, instead, by the rum which is strong and rich, though actually much lighter in feel than I had expected. It feels a little like Captain Morgan’s Rum and bloody close to a Mojito cocktail, but not exactly. Perhaps it’s because the note is infused with dry tobacco leaves and immortelle.

Immortelle, or Helichrysum in Corsica. Source: Wikicommons.

Immortelle, or Helichrysum in Corsica. Source: Wikicommons.

Ah, the immortelle — the reason why Speakeasy may be a hard sell for many. You see, the immortelle is quite dominant in the development of the perfume, and it’s a note which polarizes people greatly. For those unfamiliar with immortelle, it’s is a yellow flower most frequently found in the Southern Mediterranean, and its dry, floral scent usually turns quickly into the aroma of maple syrup. Here, both aspects of  the flower are noticeable. Initially, it is a dry, light, slightly aromatic flowers which join with the tobacco leaves to counter Speakeasy’s boozy sweetness. Later, however, the maple syrup comes out. But I’m getting ahead of myself.

Source: iVillage.com

Source: iVillage.com

Thirty minutes in, Speakeasy is a swirl of rum-infused citruses, dry tobacco leaves, amber, and vaguely amorphous floral notes dominated by the immortelle. It feels a lot less like a Mojito, though the mint still flickers lightly in the background. The orange note lurks there too: it is much less fresh and light; it feels like the caramelized pulp of the fruit. But neither the mint nor the orange can counter the boozy, ambered rum that is the core essence of Speakeasy. At the start of the second hour, Speakeasy decreases in volume and becomes much softer, while also becoming much more brown and orange in hue. There is sticky, rum citrus with sugar cane, melted and caramelized, but also with a subtle hint of saltiness. Florals float in the background, simultaneously fruited and a bit dry. The whole thing sits atop a base of rummy amber with tobacco and hints of immortelle.

From the initial impressions of a Mojito, we’ve now suddenly gone to a 1950s bar in Havana or Miami. It’s filled with heavy-set men in open tropical shirts, sporting heavy gold chains over a visible expanse of black, furry, springy chest-hair. In their thick fingers, they hold fresh Cuban cigars — dry and unsmoked — which they wave in the air at the bartender to order another round of Rum-and-Coke. I can’t get the image out of my head. It doesn’t help that, 3 hours in, Speakeasy takes a turn into root-beer territory backed with rum, more dry tobacco, and a growing hint of maple syrup. The latter initially feels a lot more nutty in nature than the syrup you’d pour over pancakes, but it’s still not really my cup of tea. I like the floral aspects of Immortelle, not the maple syrup, and unfortunately, the former note starts to fade as the latter grows in dominance. Now, my heavy, furry, cigar-wielding, Havana men in tropical shirts also have a side of pancakes to go with their Cuba Libre drinks.

Source: Instructables.com

Source: Instructables.com

By the start of the seventh hour, Speakeasy is maple syrup amber and… maple syrup. Yes, there is still the tobacco — and it still feels like an unlit cigar or dry sheets of tobacco leaves, rather than anything evoking an ashtray — but it’s quite minimal. The immortelle has taken over the show. For the next five hours, Speakeasy is ever softening shades of maple syrup. And that’s it. Truly. I can’t detect a single other element to the scent.

All in all, Speakeasy lasted over under 12.5 hours on my perfume-consuming skin which is quite remarkable. I should note, however, that I did two tests for Speakeasy and the first time, when I applied much less, the longevity and sillage were significantly less pronounced. With the equivalent of one good spray, Speakeasy lasted approximately 9.75 hours and had good sillage. With just a little over 2 sprays (really about 2 and 1/2), the longevity was a few hours more. On both occasions, the sillage was very good for the first hour — even powerful when I applied a greater quantity — and projected three to four inches off my skin. Later, Speakeasy softened, though it was easily detected if I brought my arm anywhere near my nose. It became a skin scent around the eighth hour during my second test.

Despite the rich notes and the excellent projection, Speakeasy surprised me in being quite lightweight in feel. The texture isn’t opaque, heavy, resinous or thick. And, for all the rum involved, it doesn’t feel like a boozy scent. It’s not like HermèsAmbre Narguilé, Guerlain‘s Spiritueuse Double Vanille, Tom Ford‘s Tobacco Vanille, Teo Cabanel‘s Alahine — all scents with a boozy, rummy nature, though they are all perfumes with a huge amount of spice in them, too. Most of those have a large tobacco element as well but, still, they aren’t the same as Speakeasy. Perhaps it’s because Speakeasy has the mojito, maple syrup and pure rum accords, as opposed to the spiced, stewed prunes, raisins and apples of the others. Or, perhaps, it’s because it’s so texturally light.

Whatever the reason, I truly couldn’t summon up much enthusiasm. I have tried and tried to pinpoint why — apart from my issues with smelling like maple syrup — and I think it’s because Speakeasy feels a bit like a hodge-podge. It’s neither a truly boozy, spiced, smoky, amber oriental, nor a light summery, Mojito scent. Tobacco and rum generally work perfectly well together, but the immortelle adds a discordant jangle, as does the mint. The wonderful perfume blogger, The Non-Blonde, summed it up as “chaotic” — and I think she’s absolutely right, even though her experience differed from my own. In her review, she wrote:

Unlike the term “Speakeasy” and its hush-hush connotations, Frapin’s fragrance is a heavy hitter right from the start. It’s noisy and chaotic as the perfume throws almost everything it has at you: herbs and fruit, smoke and syrup– they party like it’s 1929.

Things get smoother rather quickly. The mojito is replaced by a darker and warmer drink. The syrupy sweetness sets the tone for a comfortable old leather, incense, and a rich tobacco. If you dislike immortelle and its burnt maple aroma, there’s no amount of Frapin booze that will help Speakeasy go down better for you. Personally I love it, so the sweeter the better in this case. Tobacco truly dominates the way Speakeasy smells on my skin: light and dark, sweet and smoky. I love it, but must admit that it can be too literal. I never smoked and would rather not smell like I’ve become a smoker in middle-age. It’s actually a little disturbing that the remnants of Speakeasy on my clothes remind me of a smoky bar.

On my skin, there really wasn’t that much tobacco, and it never felt like an ashtray; I honestly never felt as though I’d spent all night in a smoky bar. To me, the note felt much more like that of sheaves of tobacco leaves drying in the hot Virginia sun, or like that of an unsmoked cigar. I also never detected incense or leather, though Speakeasy definitely evokes some sort of old bar with leather and wood. (God, leather and incense may have made it so much better!) Despite these minor differences, though, I share her views on the jangling, chaotic feel to the scent. Don’t get me wrong — Speakeasy is not a bad scent by any means, but it leaves me feeling completely indifferent.

I haven’t tried Frapin’s limited-edition 1697, but I’ve read a comment on Fragrantica to the effect that Speakeasy was like a little “summer sister” to the Duchaufour creation. I have to wonder a little about that as there is no immortelle in 1697’s notes, and that element is such a huge part of Speakeasy’s middle to late stages. Still, those looking for a more boozy, amber scent may want to give “1697” a sniff, while those seeking a lighter, summery fragrance with a more tropical feel may want to opt for Speakeasy. But those who shudder at the mere thought of immortelle — and there are many of you out there — should probably stay away at all costs.

DETAILS:
Cost & Availability: Speakeasy is an eau de parfum that is available only in a 3.4 oz/100 ml and which costs $145. In the U.S., it is available at Luckyscent, Beautyhabit, and MinNewYork (which sells it for $5 more at $150). In Canada, Speakeasy is available at The Perfume Shoppe for CAD $145. In the UK, I’ve read that Frapin fragrances are carried on the specialty floor of Harvey Nichols (Le Floret?), but I don’t know for sure. In France, it is available at Nose for €105 and I think there is free shipping at that price within the EU. For the rest of Europe, there is First in Fragrance which sells Speakeasy for €96. As for samples, I obtained mine from Surrender to Chance which sells vials starting at $4.50 for 1 ml.

Perfume: Sample Sales In Time For Mother’s Day & May Codes

Two of the big U.S. perfume decanting/sample sites are having short sales in time for Mother’s Day, and I thought I’d share the codes and details.

THE PERFUMED COURT:

I don’t usually use The Perfumed Court, but the site has a 20% off sale for two days: May 6th and May 7th. However, the sale applies ONLY to specific listed houses. A note at the start: shipping from The Perfume Court seems to have been reduced as I see it is now listed as $2.95 for domestic orders below $100 (I’m pretty sure it was more before). International shipping is $9.95 to Canada for orders below $100, and $9.95 to all other international destinations for orders below $50. International orders that total $50-$100 is $16.95 (which is more than Surrender to Chance’s $12.95). Prices go up from there.

Again, the sale is only for TWO DAYS — May 6th and 7th — and the relevant information on the discount code and applicable perfume brands is listed below:

Save 20%
Coupon code:  ILOVEMOM
 
Offer Valid: May 6th – May 7th, exprires 5/7/13 11:59pm EST Valid only for listed perfume houses

Every fragrance from over 75 manufacturers is on sale! Don’t miss out on this huge savings opportunity!

 
A Lab on Fire
Alice & Peter
Antonia’s Flowers
Ava Lux
Bois 1920
Bvlgari
Carolina Herrera
Carthusia
Chanticaille
Costamore
Czech & Speake
D.S. & Durga
Dolce & Gabbana¹ 
Donna Karen
Givenchy² 
Hilde Soliani
Histoires des Parfums
Honore des Pres
Houbigant

¹Velvet Collection only
²Recolte Harvest fragrances only
 
Hutieme Art Parfums
I Coloniali
Ineke
Ines de la Fressange
Jacomo Art
Jean-Charles Brosseau
Jil Sander
Juicy Couture
Kat Von D
Keiko Mecheri
Kenzo
Kerosene
Korres
L’Artisan
L’Wren Scott
La Perla
Lady Gaga
Lalique
Lancome
Laura Mercier
Le Labo
Lesnez
Lorenzo Villoresi
Lubin
Lucky Scent Decennial
Lush
M. Micallef
Maitre Parfumeur et Gantier
Majda Bekkali
Marc Jacobs
Memo
Miller Harris
Monegal
Mor Cosmetics
Naomi Goodsir
Neela Vermiere
Nest Fragrances
Oliver & Co
Olivier Durbano
Parfum d’Empire
Parfums de Nicolai
Parfums de Rosine
Pascale Morabito
Penhaligon’s
Phaedon
Profumum Roma
Puredistance
Rochas
Shiseido
Sinfonia de Notte
Slatkin
Slumberhouse
Strange Invisible Perfumes
Tesori di Oriente
The Different Company
Ulrich Lang
Ungaro
Union
X-Ray
YS Uzac
SURRENDER TO CHANCE:

Surrender to Chance is doing something different. It’s more of a gift card issue with some store credit being given back to your account in June. The deal runs through MAY 10th. However, I also have the discount codes for May for anyone who doesn’t yet have a Surrender to Chance account and who may therefore not have gotten the newsletter. Here are the the full details on everything being offered:

I don’t like to show up empty handed on Mother’s Day.  Perfume is always a great gift any time, but it’s difficult to know exactly what mom would like.  I know some moms have their fragrance that everyone buys. Surely she might be wanting something new.

Every mom is different in what they like. Some moms want an uber-smokin’ perfume, some want something wildly feminine, some moms want a raspy leather, and others want something that smells natural or realistic.  That makes either a gift certificate or a perfume sample set a great gift for Mother’s Day.

We also think you should have a gift too.

Buy a Surrender to Chance Gift Certificate now for mom, for grandma, your aunt, best friend or, heck yeah, yourself through Friday, May 10 (midnight ET), and we’ll reward you with Chance Cash on June 3, 2013.

  • Buy a $50 gift certificate and get $5 Chance Cash on June 3, 2013
  • Buy a $100 gift certificate and get $15 chance Cash on June 3, 2013
  • Buy a $200 gift certificate and get $40 Chance Cash on June 3, 2013

You will need to have a Surrender to Chance account and use the code MOMANDME.

We recommend if you already have an account,  you should log out of your account (look at the top of the webpage to see the log out button) and log back in. If you don’t have an account, make sure to set one up on checkout so we can put your Chance Cash in on June 3.

You can purchase Gift Certificates on our website by clicking the link on  the very top menu or on the left side menu, or click here.

So you need some ideas for what to send mom. We’ve got some sample sets that should get you started that are great for spring.  

Flower Sample Sets for Mom 

Bouquet of Flowers for Mom – 12 samples for 25.99

Bouquet of Flowers – 20 samples for $64.99

Beginner’s Guided Walk through the Flower Garden – 12 samples for $26.99

White Florals – 7 samples for $14.99

Perfumes:  The A-Z Guide Best Floral Fragrances – 10 samples for $40.99

Want to introduce mom to niche perfumes?  Try a niche perfume sample set.  Or try a Beginner Classic & Niche sample set, or Note Introduction sample set.  

New to Store:

L’Artisan Caligna

Tauer Perfumes Noontide Petals

Jo Malone Osmanthus Blossom

Annick Goutal Neroli Les Cologne

Fragonard Muguet

 _________________________________________________________________

 Discount Codes for May

5% off with code mayflowers

8% off orders totaling more than $75 with code maynotsnowagainuntiloctober (sorry, but this snow on May 1 has left me incredibly weary of snow)