Hiram Green Arbolé Arbolé

"In Love" (1907) by Marcus Stone. Source: Pinterest.

“In Love” (1907) by Marcus Stone. Source: Pinterest.

Arbolé Arbolé, the latest fragrance from Hiram Green, weds spicy woods and powdery, sweet, floral-vanillic elements in holy matrimony with rings of dark resins. It was interesting to observe how the relationships at the core of the scent unfolded like a musical piece where the courtship took place during an unexpected overture or prelude, followed by a march up the aisle, a post-wedding reception dance where everyone joins in, and then, finally, the couple retires to cuddle in a cozy haze on the first night of their honeymoon.

Arbolé Arbolé (hereinafter spelled without the accent or just called “Arbole”) wasn’t my thing despite my love for many of the notes at the center of the composition, but it’s also one of those fragrances that seems to manifest itself quite differently from one person to the next. How it turns out on your skin, particularly in its opening, is likely to shape how you view the scent.

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Hermès Galop d’Hermès

Galop d’Hermès is a new leather-rose parfum and marks the first, full, solo release by Christine Nagel as Jean-Claude Ellena‘s successor and as Hermès’ in-house nose. The fragrance hews closely to the Ellena/Hermes aesthetic, and isn’t an abandonment of tradition or a new direction. Depending on how you feel about the brand’s style, that will either be a good thing or a disappointment.

Galop d'Hermes, ad. Source: Fragrantica

Galop d’Hermes, ad. Source: Fragrantica

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The Average, The Banal, The Bad & The Ugly: Vol. 2

Atramental from Room 1015. Photo: Roberto Greco.

Atramental from Room 1015. Photo: Roberto Greco.

Today, a look at seven niche fragrances that didn’t do much for me, leaving me either shrugging, apathetic, or running to scrub. There are a few more entries this time around in the “Average” category as compared to Volume 1 because one or two of the perfumes have decent or wearable elements, typically right at the start. However, when all the factors are taken as a whole, from start to finish, and in relation to the price as well, then their sum-total amounts to merely okay or “average,” in my opinion. The rest of the scents fell into other categories, as you will see.

As in Volume 1, I’ll be following an abbreviated format and there won’t be note lists, official descriptions, photos of every bottle, links to Fragrantica, discussion of other people’s experiences as a comparison, a long list of retail links, or anything else. I’m going to take a page out of what Luca Turin and so many other people do, and simply give my opinion in the most general, synthesized fashion I can manage.

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Hiram Green Dilettante

Photo: Jana Martish via her website. (Direct link embedded within.)

Photo: Jana Martish via her website. (Direct link embedded within.)

Hiram Green‘s latest release, Dilettante, is rather deceiving at first glance. You’d think it was a simple, sunny soliflore, capturing the essence of an orange tree, from the sunshine gleaming around its lush floral petals to the unripened, green (neroli) fruits hanging on the spicy, bitter petitgrain of its branches, down its trunk to the earth in which it grows. If you thought that, you’d be right because that is partially what the fragrance is about. At least initially…. You see, Dilettante had a surprise in store for me, moving beyond its initial “sunshine, Vitamin C, and orange blossom tree captured in a bottle,” to turn into something molten later on. Truth be told, I’m not sure the version I experienced is the normal one for Dilettante, rather than an atypical oddity due to some strange interaction with my skin, but I was smitten anyway. Irrespective of how the later stages turned out, though, all of it feels like another solid, well-crafted, wonderfully appealing release from this small artisanal house.

Hiram Green. Source: Fragrantica.

Hiram Green. Source: Fragrantica.

I have a lot of respect for Mr. Green, a shy, humble, and gifted perfumer who deserves a lot more attention than he gets, in my opinion. In fact, I think he should be applauded for a really rare trait, one that the best chefs aspire to but not enough perfume houses, if you ask me. Namely, being good to great on consistent basis. Again and again and again, Mr. Green produces solid, good, and sometimes great perfumes that are rich, polished, seamlessly blended, easy to wear, and extremely high-quality for a moderate, reasonable price. There is zero pretension or over-the-top marketing hyperbole; no ever-increasing prices that don’t match the scents in question; and no interest in following the latest hot trend. Just one perfume a year, worked on carefully and quietly with the simple aim of making it the best he can. That’s it.

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