Masque Milano Lost Alice: Whimsical Fun & Comfort

Masque Milano‘s Lost Alice is a lovely, fun, whimsical olfactory escape and comfort scent for a pandemic world where most of these things are in short supply.

Richard Emil Miller, “Woman Reading in A Garden.”

Creatively inspired, original in notes and ideas, and (mostly) successfully achieved, it is one of those fragrances that epitomizes, in my opinion, what niche is supposed to be, the reason why we seek it out over more easily accessible fragrance brands, the reason why we’re willing to pay more money, and the reason why we expect so much more from other brands that claim to be “niche” only to offer the most tired, downtrodden, generic retreads of stale ideas instead. When I write scathingly about the latest rehash of tobacco, vanilla, and amber (or worse still, Ambroxan), when I lament about Serge Lutens’ loss of original ideas and pioneering spirit, it is fragrances like many of those from Masque Milano that come to mind as alternatives where the brand is genuinely making a constant, years-long effort to put something new, interesting, or creative out there. Like Lost Alice.

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Providence Perfume Company: Four Reviews

Source: Parfum1.com

Source: Parfum1.com

Mossy forests, leathery tea medleys with apricot, ginger spice blends atop soft florals, and indolic floral orientals — those are the heart of four fragrances from Providence Perfume Company that I thought we’d look at today.

Providence Perfume Company is a highly respected, American artisanal and all-natural brand founded by Charna Ethier. I really liked her Provanilla when I tried it earlier this year, a deep, dark vanilla with Caribbean rum and a surprisingly delicious splash of creamy honeydew melon. Ms. Ethier kindly sent me samples of her other creations and, today, I’ll cover Osmanthus Oolong, Ginger Lily, Hindu Honeysuckle, and Moss Gown. That’s a lot to fit into one post and I don’t want it to be ridiculously long, so I’ll try to be as brief as someone with my verboseness can manage.

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Masque Russian Tea

Photo: iStock via foodandwine.com

Photo: iStock via foodandwine.com

Imagine yourself camping in a forest, sipping tea by the fire. Bright, green mint and a dollop of raspberries float in your mug of black Lapsang Souchong whose leaves you’ve toasted in a cast-iron skillet to release their smoky darkness and delicate nuttiness. The campfire billows out smoke from cade and birch logs, each coated with blackened tar that smells like butch leather as much as burnt, singed wood. Labdanum amber glows like coals amidst the flames, and release a meaty, musky warmth.

Photo: "Controlled Burn" by Kevin Cooley. Source: indulgd.com or http://indulgd.com/controlled-burns-by-kevin-cooley/

Photo: “Controlled Burn” by Kevin Cooley at http://indulgd.com/controlled-burns-by-kevin-cooley/

The smell of your tea rises in the air, sending out streamers of cool mint and juicy raspberry to counter the billowing campfire smoke. Bright freshness and fruited sweetness vie with multi-faceted smoke, leather, tar, and woods, all enveloped by the fire’s soft warmth. You take out a pipe, stuff it with dark tobacco, and light it as you sip your tea in the flickering light of the warm fire which serves as a beacon in the dark forest, casting shadows upon the desiccated remains of nearby trees, and creating a woody-ambered dryness. It would be a lovely picture were it not for a few issues, one of which is that you’re also being doused with arid, harshly acrid, and often antiseptic-smelling chemicals that pour down on you like heavy rain.

Unfortunately, that was not my only difficulty with Russian Tea, a popular fragrance released last year that I’ve absolutely dreaded covering for the last two months. It actually took me a few attempts to get through wearing the fragrance all the way through, instead of quickly scrubbing it off, but at least it eventually gets better after its very abrasive opening hours. Well, somewhat better. In general, Russian Tea has not been a joyous experience.

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