Florientals, Definitions & Big, Bold Favorites

What really is a Floriental or floral-oriental? It’s a fantastic sub-genre of perfumery, but I don’t think it’s as easy to define as it might initially seem. Simply classifying any oriental with floral notes as a “floral-oriental” is far too wide-reaching, in my opinion. Moreover, it ignores the balance of elements in most oriental compositions. It’s an issue I’ve been pondering after I realised how few were the number of fragrances that met the definition in my mind.

Source: wallpaperscastle.com

Source: wallpaperscastle.com

Now, I grant you, definitions in this context are fluid and are undoubtedly going to be rather subjective in nature. Sub-genres don’t really have an official set of structural rules the way there are for the overarching, main families like fougères or chypres. For the latter, it’s easy to classify because of the tripod format which requires the use of bergamot in the opening and oakmoss and patchouli in the base, with the floral element as the heart. And we all know a basic oriental when we see (or, rather sniff) one, too.

"scheherazade" by Alberto Vargas, 1921. Source: cataxe.com

“Scheherazade” by Alberto Vargas, 1921. Source: cataxe.com

But sub-genres are where things get tricky. Fragrantica has several sub-sections for the fougère category, like oriental fougères, or aromatic ones. In fact, it has multiple sub-parts merely for the “aromatic” category as a whole. So what does Fragrantica say for Florientals or, as they put it, Oriental Floral?

Sweet, warm, powdery base typical of this group harmonizes with such flowers like gardenia, tuberose, tiare or with a spicy note of carnation. In our base the oriental floral group has 2060 for women, 13 for men and 463 shared fragrances.

That’s their entire definition. And I really disagree. First, I don’t think a “powdery” base is required. Second, their definition is so broad that any fragrance with labdanum amber or benzoin and even a small streak of carnation would qualify. 2060 scents? I’m surprised it’s not 9060, given the scope of their criteria. It simply can’t be as generic and basic as that, if you ask me — which brings us, full circle, back to the subjective nature of definitions. I certainly don’t claim to have the definitive one for Florientals and, again, I don’t think there actually is one. However, I do have some criteria of my own. They are delineations borne of testing and wearing a monumental number of orientals because, if this blog has any specialised area of focus, it’s orientals above all else.

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Favorite Florals: Listed by Flower

Source: designzzz.com

Source: designzzz.com

I’ve been thinking lately of the fragrances I enjoy within specific floral categories. It started, in part, because a friend of mine is slowly expanding beyond his comfort zone, and tipping his toe into a whole genre of fragrances that he had previously avoided. In general, though, I’m frequently asked, “what’s your favorite _____?” amongst the vast selection of rose, gardenia, orange blossom, and other florals out there. So, I thought I’d do a list, based primarily on one criteria: what I personally adore and reach for, own as a full bottle, or want to buy for myself. In several instances, however, I’ve included what I think is a good example of a fragrance within that floral genre, even if it doesn’t work for me personally.

Jasmine peacock created from jasmine flowers. Source: Hdwallpaperes.com

A peacock created from jasmine flowers. Source: Hdwallpaperes.com

As always, I have to emphasize that perfume reviewing is subjective and personal by its very nature, so winnowing fragrances down to a personal favorites list like this is even more so. A few other things to note: I’m not going to cover every possible category of floral (or else, this list would be endless), and, to the extent possible, I’m going to stick to soliflores (or fragrances centered predominantly around one flower). As a result, many scents that I love are omitted solely by virtue of being very mixed in focus. (For example, my beloved Alahine from Teo Cabanel; Puredistance‘s delicate Opardu; Amouage‘s stunning chypre-oriental hybrid, Fate Woman, or its Ubar, a larger-than-life, yellow and gold, 3D floriental powerhouse.) Also, I should emphasize that perfume lovers can be very fickle creatures. What I’ve listed is what comes to mind today, and it might not be the same next week or even next month.

Finally, because this is all so personal and subjective, there will be omissions from the list that might surprise people. For example, I simply do not think much of Portrait of a Lady or Carnal Flower, period. It is heresy, I know, but neither one impresses me, so I’m not including them in their respective categories of rose or tuberose. After all, this really is about what I like or think is good, right? Finally, the fragrances within each category are not ranked by order (so it mean nothing if a scent is put at #1 or #4), and I’ve also tried to avoid the vintage category wherever possible.

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Tom Ford Black Orchid & Velvet Orchid

"Black and Gold Yin Yang" by Dynamicz34 on DeviantArt.com. (Website link embedded within.)

“Black and Gold Yin Yang” by Dynamicz34 on DeviantArt.com. (Website link embedded within.)

Tom Ford‘s new Velvet Orchid feels like a mirror image of his famous, Black Orchid. Their contrasting essences are: light and dark; day and night; an easy, approachable purring, versus bold, overtly seductive growling. One reason why is that the creamy, velvety florals at their core are infused either with bright citruses, boozy vanilla and caramel amber, or by a multi-faceted bouquet of bitter-sweet chocolate, patchouli, and earthy black truffles. Both fragrances are very enjoyable to wear, even compulsively sniffable at times, but which one you prefer will probably depend primarily on your personal style. Some might find Velvet Orchid to be a de-fanged version of its older sibling, while others may think it’s a considerably easier, softer fragrance.

BLACK ORCHID:

Source: parfum-shop.kz

Source: parfum-shop.kz

Black Orchid ad by photographers Mert  Marcus. Source: perfumeglamour.com

Black Orchid ad by photographers Mert & Marcus. Source: perfumeglamour.com

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Grossmith Shem-el-Nessim: Romantic Beauty

An exquisite floral beauty worthy of a queen in a bygone era. That is Shem-el-Nessim, a fragrance from Grossmith London that harkens back to the very best of grand perfumery, with a strong resemblance to vintage L’Heure Bleue in parfum form. Rich neroli orange blossoms swirl together with geranium, roses, deep bergamot, orris, and plush patchouli greenness to create an opulent, luxurious floriental. I find it truly beautiful, carrying the full weight of its 108 year old history in its powdered floral start, but ending with a very timeless, perhaps even modern, finish of creamy neroli-vanilla mousse. Shem-el-Nessim is not for everyone, and most definitely not for modern tastes. But for women who bemoan the loss of the vintage greats, it is a fragrance that they must try.

Grossmith's Baccarat set of the original fragrances, £23,250. Photo: Grossmith via The Telegraph newspaper.

Grossmith’s Baccarat set of the original fragrances, £23,250. Photo: Grossmith via The Telegraph newspaper.

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