The New Nicolai Era: An Interview with Patricia & Axel de Nicolaï

Source: Pnicolai.com

Source: Pnicolai.com

A new era is dawning at Parfums de Nicolai, the venerable brand that was one of the pioneers of niche perfumery. Founded and led by the legendary Patricia de Nicolaï, the company recently celebrated its 25th anniversary, changed its name to NICOLAÏ: PARFUMEUR-CRÉATEUR (hereinafter simply referred to as “Nicolai“), and brought in Axel de Nicolaï, Patricia de Nicolaï’s son, as both the General Manager and her collaborator in the perfume-creation process.

It’s a significant step for a few reasons. Axel de Nicolaï was raised in the Nicolai perfume and family tradition, but he also brings a different perspective to the mix after working in the larger mainstream fragrance industry with the big perfume conglomerates of LVMH and InterParfums, and spending time in the Middle East. It was his idea that Nicolai should explore the oud genre, resulting in last year’s Rose Oud and Amber Oud, and his influence also helped to shape the direction of Nicolai’s newest release, Ambre Cashmere Intense. In his main role as the new General Manager, he’s made changes to the company’s marketing direction and sales strategy, but he’s equally determined that marketing should never impact or alter the Nicolai olfactory “DNA.”

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Serge Lutens L’Haleine des Dieux (Section d’Or Collection)

Source: Pinterest.

Source: Pinterest.

“Weird. Perplexing. Why this?!” That pretty much sums up my reaction to much of L’Haleine des Dieux, one of Serge Lutens‘ new luxury parfums in his Section d’Or Collection. Are you familiar with “The German Shepherd Head Tilt” when they’re trying to understand what you’re saying? That was me with L’Haleine des Dieux for the first three hours, not only in terms of trying to understand the notes I was smelling or where they could possibly come from, but also why such a concoction existed in the first place and how anyone could ask $600 for it.

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Serge Lutens Sidi Bel-Abbes (Section d’Or Collection)

Source: the Serge Lutens Facebook page.

Source: the Serge Lutens Facebook page.

Sidi Bel-Abbes is one of five new releases from Serge Lutens, and part of the second wave of the Section d’Or or Gold Collection that debuted last year with L’Incendiaire. The press release at the time described the series as “Serge Lutens at the culmination of his art.” I see it more as a return to Luten’s signature dark orientalism after a flood of drippy releases over the last five years, most of which I find to be icy, metallic, watery, and/or excessively clean. The Section d’Or collection differs in other ways, too: they are extrait de parfums instead of the usual eau de parfums, and their prices are not cheap (to put it mildly). Sidi Bel-Abbes and its compatriots were released at Serge Lutens’ flagship Palais Royale store in June, and I’m very grateful to a dear friend of mine who picked up a sample of it for me on a recent trip to Paris, along with one of L’Haleine des Dieux (Breath of the Gods) which I’ll cover next time.

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Oriza L. Legrand Cuir de l’Aigle Russe (Cuir Impèriale)

The Russian imperial coat of arms and eagle. Source: Wikipedia.

The Russian imperial coat of arms and eagle. Source: Wikipedia.

1892 was a year of empires, part of The Golden Age when aristocrats flourished and opulence was the order of the day. It was also the year when Oriza L. Legrand released a leather fragrance designed to appeal to its imperial Russian clients. A few weeks ago, the modern Oriza re-released the scent which it called Cuir de l’Aigle Russe. The name translates to “Leather of the Russian Eagle,” and the fragrance is based on the 1892 original formula with only a few tweaks to conform to modern perfume regulations.

The scent is quite different from what I had expected. To the extent that there is leather, it is the Spanish leather or Peau d’Espagne of Catherine de Medici, not the tarry, smoky birch leather of the Russian cossacks. And the first three hours were something else entirely.

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