Guerlain LUI: Cozy Comfort

Colour me surprised, I actually like Guerlain‘s new LUI. Quite a bit, in fact. It’s not something I had expected; I’m a Guerlain classicist whose heart beats faster for the old, vintage masterpieces from the house, not the vast majority of fragrances released in the LVMH era. LUI is a rare exception. I find it enjoyable, even delectable at times, smooth, nicely balanced, easy to wear, and a cozy comfort. There is no fruitchouli or goopy red fruits to smother you to death with cloying excess; no cheap vanillin shrieking like a deranged, over-sugared, saccharine banshee; no laundry cleanness; no harsh woody-amber synthetics; and no bombastic amounts of caramel-praline bearing with such an intemperate degree of sickly sweetness that it would put a diabetic in a coma. No, nothing like that for once. Instead, there is only a soft, smooth, carefully calibrated, and good quality cloud of golden sweetness laced with floral, woody, smoky, spicy, and amber flourishes. It’s simple, uncomplicated, and hardly novel, and I grant you that my standards, expectations, and bar for LVMH-era Guerlain are basically at rock bottom levels but, even so, I wouldn’t mind a bottle of LUI for myself and it’s been a long, long time since I said that about one of the company’s new releases.

Guerlain’s LUI banner. Source: Guerlain.com

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New Releases: Areej Le Doré Atlantic Ambergris, Inverno Russo, Oud Picante & Flux de Fleur

I don’t typically post about new or upcoming launches, but the fantastic debut collection from Areej Le Doré, the limited 100-bottle quantities for the trio, and the speed with which they sold out made me decide to make an exception to my usual rule. This is a brand where the particular circumstances make it worth having advance notice to order samples, having some time to spend getting to know the fragrances, and then deciding if one wants a bottle. Plus, I was once chastised for covering a fantastic Areej Le Doré fragrance soon after it sold out, albeit for completely understandable reasons because it’s frustrating to hear about great scents that come in limited quantities, but I’m not going to make that mistake again, so I’m telling all of you about their launch before I write even a word about them in an actual review.

Collage: my own. Original photos: Areej Le Doré and Russian Adam.

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7 Minutes of Beauty & Positivity (+Katherine Hepburn’s Chocolate Brownies)

2017 hasn’t been the best year. Every morning, I brace myself upon waking up as I open my news feed or social media, mentally preparing myself for what terrible news inevitably lies ahead. Terrorist bombings, mass shooting, catastrophic natural disaster following upon natural disaster, heightened political tensions (including crazy dictators threatening nuclear confrontation), domestic strife, and so, so much anger, vitriol, and toxicity, seemingly everywhere you look, often against one’s own fellow citizens. No country is immune.

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Masque Milano Mandala

Mandala, the second recent release from Masque Milano, has a very different geographic focus than its New York sister. This one is centered on a monastery in Tibet or Nepal where the sound of Buddhist monks’ overtone singing rings out in the rarefied air, “two notes chant[ed] in perfect, peaceful harmony.” The fragrance is meant to have the same duality, as well as the same meditative serenity, according to Masque’s official scent description: “A myrrh and incense fragrance – light and delicate. A contemplative atmosphere. Vibrating at two levels at the same time.”

Photo: Adam Monk. Source: his website, Monk Art Photography. (Direct website link embedded within.)

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