Guerlain LUI: Cozy Comfort

Colour me surprised, I actually like Guerlain‘s new LUI. Quite a bit, in fact. It’s not something I had expected; I’m a Guerlain classicist whose heart beats faster for the old, vintage masterpieces from the house, not the vast majority of fragrances released in the LVMH era. LUI is a rare exception. I find it enjoyable, even delectable at times, smooth, nicely balanced, easy to wear, and a cozy comfort. There is no fruitchouli or goopy red fruits to smother you to death with cloying excess; no cheap vanillin shrieking like a deranged, over-sugared, saccharine banshee; no laundry cleanness; no harsh woody-amber synthetics; and no bombastic amounts of caramel-praline bearing with such an intemperate degree of sickly sweetness that it would put a diabetic in a coma. No, nothing like that for once. Instead, there is only a soft, smooth, carefully calibrated, and good quality cloud of golden sweetness laced with floral, woody, smoky, spicy, and amber flourishes. It’s simple, uncomplicated, and hardly novel, and I grant you that my standards, expectations, and bar for LVMH-era Guerlain are basically at rock bottom levels but, even so, I wouldn’t mind a bottle of LUI for myself and it’s been a long, long time since I said that about one of the company’s new releases.

Guerlain’s LUI banner. Source: Guerlain.com

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Masque Milano Mandala

Mandala, the second recent release from Masque Milano, has a very different geographic focus than its New York sister. This one is centered on a monastery in Tibet or Nepal where the sound of Buddhist monks’ overtone singing rings out in the rarefied air, “two notes chant[ed] in perfect, peaceful harmony.” The fragrance is meant to have the same duality, as well as the same meditative serenity, according to Masque’s official scent description: “A myrrh and incense fragrance – light and delicate. A contemplative atmosphere. Vibrating at two levels at the same time.”

Photo: Adam Monk. Source: his website, Monk Art Photography. (Direct website link embedded within.)

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Masque Milano Times Square

Times Square in 1986. Photo: Life Magazine. Source: Pinterest.

Times Square, one of two new releases from Masque Milano, seeks to take you back to the cacophony, smells, and busy streets of New York City before Mayor Giuliani cleaned it up in the 1990s. Masque’s official scent description is one of the most unusual, unexpected, and humorous accounts that I’ve come across in terms of what a perfume brand promises to offer you if you try its fragrance. It bluntly and cheerfully talks about the city’s “stink” and its many, divergent “miasmas,” from the scent of cheap tobacco to the garbage on its streets and how the “cherry of the whore’s bloody-red lipstick melts with the strawberry of her chewing-gum.” Yet, if you “find your way through the crowd of bachelorettes waiting for the male-strip show,” [there… ] will be a flood of tuberose and carnation.”

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Lubin, Amouage, Roja Dove & Byredo

Today, we’ll look at a four releases from Lubin, Amouage, Roja Dove, and Byredo: Epidor, Bracken Woman, Tuberose, and Velvet Haze. They’ll be briefer takes than normal; I’m behind on covering recent niche fragrances after my long absence and I’m afraid I’ll never catch up if I write one of my typical reviews for each scent. Plus, the only way someone as verbose as myself can manage to write short descriptions is if I stick to the most impressionist overview possible, and skip the usual detailed breakdown in development, sharing other people’s perspectives, or arduously looking up retail links around the world. I’ll try to provide a few relevant details or links at the end, should you wish to pursue the scent further, but not many. So, let’s get to it.

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