Papillon Dryad: Polished Country Chic

“The Nymph Salmacis And Hermaphroditus” by Francois Joseph via WikiWand

I press soft flesh to bark in the evening’s gold dusk,
to breathe heavy hues of a Satyr’s musk.
My body is swelling with the oak’s root and seed
Our veins and our vines weave together with ease,
And as your chatter dispels at the shake of our leaves,
You set your ear to our chest, to hear the whisper of trees. [….]
Beneath the dark of your eyelids, our damp forest floor rises.
The lilac of lavender soothes dwindling sight.
The essence of our body’s sap stained perfume
Soars above oak beams, drenched in silk, silver light.

I press the soft suede of an apricots sheath to your lips.
The sweetness jars with narcissus’ bitter.
Head tilted, enchanted, you breathe your first breath, with the timber of touch I lead you, bereft
of sight and of sound, but with gilt dew on your skin
each of your pursed pores unravels, and the forest seeps in.

I watch moist emerald moss survive in the sun,
I catch burnished, bronze leaves that fall from each stem.
While dwelled in the canopy, I skim saplings in starlight,
And dust gilded galbanum through the dim of the glen.
From autumn to summer, from winter to spring
I glow.

The branches and bow are open.
The changing of seasons ticks with the sun.
Each colour prints petal marks to rest at your chest; it is dappled with wolf’s blood and the slick of deer’s tongue.
Roses creep at my ankles, bergamot blooms
Clary sage clouds you with billowing fumes,
and here in my tree I watch you awaken; I do not hide behind trunk or stem.
So dance with the Dryad’s, sip all you have taken
Fall blind, deaf and drunk in the pearl of the glen.

~~JASMINE MOORES~~

Dryad. Photo by Thomas Dunckley of The Candy Perfume Boy. Source: Liz Moores.

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Tom Ford Vert d’Encens

Source: feelgrafix.com

Source: feelgrafix.com

Tom Ford explores new territory with his Vert d’Encens, transporting you to forest landscapes where mighty pines and fragrant fir trees drop their aromatic pine needles and sweet sap over a leafy greenness. Yet, there is a twist: smoky incense, heliotrope vanilla, and dusty, dark chocolate are layered within, resulting in one of the more interesting and appealing Tom Ford releases in a while. In fact, I found its opening to be so appealing that I pondered buying Vert d’Encens for myself. It’s the first time that a Tom Ford fragrance has tempted me in a number of years.

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Tom Ford Vert Boheme: The Return of the ’70s

1977 Pierre Cardin Haute Couture in L'officiel magazine. Source: Pinterest.

1977 Pierre Cardin Haute Couture in L’officiel magazine. Source: Pinterest.

Vert Boheme is one of four new Tom Ford fragrances called Les Extraits Verts which were released in September as part of the Private Blend Collection. Vert Boheme is a clean, fresh, green and feminine (not unisex) floral eau de parfum that follows a classical 1970s style. It reminded me a lot of a mix of YSL‘s vintage Rive Gauche, Diorissimo, and Chanel‘s Cristalle, given a modern touch through a heavy dose of clean musk. Having said that, I have major issues with its development, structure, and quality, and I don’t find it to be particularly distinctive. Be that as it may, I think Vert Boheme will be a very popular fragrance with women who like extremely fresh, clean, crisp, green florals as well as the vintage style of perfumery.

On his website, Tom Ford describes Vert Boheme as follows:

Sparkling and infallible like a jewel gleaming in the Sun, Private Blend Vert Bohéme is TOM FORD’s interpretation of green at its most free-spirited. Sicilian, Mandarin and Magnolia exude Bohemian femininity, exquisitely enhanced with gustavia, also known as “The Tree of Heaven”, known for its spectacular single blossoms that last for just one day. The fresh vibrancy awakens a divine first bloom, crystal-clear and exposed.

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Amouage Myths (Woman)

Amouage‘s new Myths for Women was not what I had expected. There was the welcome, happy surprise of carnation as its driving focus, instead of the litany of white florals that have dominated so many of the brand’s recent releases. Red but drenched with greenness, hot but chilly, the carnation was a beautiful note that took me even further off guard with the way its companions — my ultimate green nemeses, violet leaf and galbanum — somehow recreated a passing impression of one of my favourites, hyacinth, from its liquid floralcy to the venomous bitterness of its sap. It’s a brief and wholly impressionistic touch, but I was delighted. Equally unexpected, but far less welcome, was Myths’ persistent dryness and diffuse sheerness, two things which I think characterize the Opus Collection’s aesthetic as opposed to the regular line whose women’s fragrances exemplified oriental opulence and full-bodied richness, or at least they did, once upon a time. As a whole, both Myths, the Women’s and the Men’s (which I’ll cover in the next review) feel like the continuation of Christopher Chong’s style of perfumery, moving Amouage away from its Franco-Arabian and vintage-style roots into something purely Western and modern. How you feel about that will depend on your tastes and expectations.

Myths Man (left) and Woman (right). Source: Fragrantica.ru

Myths Man (left) and Woman (right). Source: Fragrantica.ru

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