New Releases: LM Parfums Ultimate Seduction

LM Parfums has released a new fragrance called Ultimate Seduction. It is an Extrait de Parfum that became available on April 30th in Europe, and which should soon be available in the U.S. as well.

I thought I’d share some of the information and photos released by LM Parfums. First, Ultimate Seduction has the following perfume pyramid:

TOP NOTES: Pink pepper, black currant, orange
HEART NOTES: Violet, iris, rose
BASE NOTES: patchouli, amber, blond wood, cedar, praline.

Source: Laurent Mazzone & LM Parfums.

Source: Laurent Mazzone & LM Parfums.

Source: Laurent Mazzone & LM Parfums.

Source: Laurent Mazzone & LM Parfums.

Source: LM Parfums.

Source: LM Parfums.

LM Parfums also has a mini-video film to go along with Ultimate Seduction:

As noted earlier, Ultimate Seduction is a pure parfum, and it comes in a 100 ml bottle that costs €195. Osswald in New York should be getting the fragrance in a few weeks, and I think they may price it at $225, in line with Sensual Orchid.

I have been sent a sample of Ultimate Seduction which I’ve been testing, and I will post a review in a few days. I’m first waiting to hear back from the company with regard to the name of the perfumer who worked with Laurent Mazzone on the fragrance, and, much more importantly, whether the perfume has been tweaked or refined from the “Lost Paradise” version that Laurent Mazzone let me try 8 months ago in Paris. I detect distinct differences, especially at the top of the fragrance and in its opening, but they may well be just an issue of memory. After all, that was a rather crazy day, all in all, and involved a lot of perfume testing. For all I know, my memory is playing tricks on me with regard to the finer points. I will say, however, that I like the possibly finalized Ultimate Seduction more than the “Lost Paradise” version that I tried that day, though neither scent evokes obsession, seduction, and madness in my mind. Then again, very few fragrances do.

DETAILS:
Cost & Availability: As noted above, Ultimate Seduction is an extrait that comes in a 100 ml bottle for €195. In the U.S.: Osswald NY should get the perfume in a few weeks. You can check their LM Parfums page at that point to see if Ultimate Seduction has arrived in store.
Outside the U.S.: Ultimate Seduction is currently available from a few European vendors, with more to follow shortly. At this time, you can buy Ultimate Seduction directly from LM Parfums and Laurent Mazzone’s separate perfume retailer, Premiere Avenue, which currently has a 10% off code for the fragrance until May 20th. The same 10% discount also applies to the 5 ml decant sample of Ultimate Seduction which is normally priced at €19. In terms of other retailers, Ultimate Seduction is currently available at First in Fragrance (which is also selling a sample, though perhaps smaller in size) and Paris’ Jovoy. In the U.K., Harvey Nichols is the exclusive distributor of LM Parfums, but I don’t see Ultimate Seduction listed on their page at this time. In the Netherlands, you can find Ultimate Seduction at ParfuMaria. The LM Parfums line is also available at Essenza Nobile, the Netherland’s Silks Cosmetics, and Italy’s Alla Violetta. In the Middle East, I found most of the LM Parfums line at the UAE’s Souq perfume site. For all other countries, you can find a vendor near you from Switzerland to Belgium, Lithuania, Russia, Romania, Croatia, Azerbaijan, and more, by using the LM Parfums Partner listing. Laurent Mazzone or LM Parfums fragrances are widely available throughout Europe, and some of those sites sell samples as well.

New Releases: Amouage Journey (Man and Woman)

Amouage has just released information on its new annual duo, which will be called Journey and which will come in the usual Men and Women‘s pairing. I have received samples of both, thanks to the kindness of Amouage’s Creative Director, Christopher Chong, so you can expect reviews as soon as I’ve tested the fragrances properly.

[UPDATE 5/8/14 — my reviews for both fragrances are now posted: Journey Man and Journey Woman.]

Journey Duo. Source: Amouage Facebook.

Journey Duo. Source: Amouage Facebook.

In the meantime, here is the information released by Amouage on its Facebook page this morning concerning each fragrance and its notes:

Amouage Journey WomanJOURNEY WOMAN:

Floral, Fruity, Leather

Top: Apricot, Jasmine Tea, Osmanthus, Nutmeg, Cardamom

Heart: Jasmine Sambac, Mimosa, Honey, Cedarwood

Base: Pipe Tobacco, Saffron, Vanilla, Cypriol, Musk

 

Amouage Journey ManJOURNEY MAN:

 Woody Spicy

Top: Sichuan Pepper, Bergamot, Cardamom, Neroli Bigarade

Heart: Juniper Berries, Incense, Pure Geraniol, Tobacco Leaves

Base: Tonka Beans, Cypriol, Leather, Ambrox

On Twitter, Mr. Chong posted a photo of a magazine article in which he talked very briefly about the new releases.

If you look very closely at the text at the very bottom, he says:

I’m drawing on my Chinese heritage and culture — I’m really inspired by the underground society of Shanghai in the 1920s. I’ve set myself the challenge to create the type of osmanthus that people haven’t smelt before, blended with white florals, vanilla, and leather.

I think that description applies to Journey Woman, as the men’s version doesn’t contain osmanthus.

As a side note, and if you’ll forgive the tangent, I found Mr. Chong’s interview with Glass magazine to be extremely interesting with regard to a very different matter. If you look closely, you’ll see that he talks about changes in perfume culture in Hong Kong and how the typical stereotype image of Asians disliking strong perfumery is untrue in his (recent) experience. I tried to find the full article online to share with you, but failed. So, if you’ll forgive the brief digression away from the new Journey perfumes, this is the text of one portion of his interview, as best as I can make it out from the photo:

It’s a myth that women in Asia want delicate scents. When I was over there, I presented them with some light, citrus options. They said, “that’s nice.” Then I presented them with the stronger ones, and they were transfixed, as if they had been transported to a different world. Chinese people are realistic — if they’re going to spend a lot of money on a perfume, they want something that is going to last. And ours do last.

Returning to the subject of Journey, according to Mr. Chong, the perfumers who worked under his direction were Alberto Morillas and Pierre Negrin. I didn’t ask if both gentlemen worked on each fragrance, because, frankly, I’ve really pestered Mr. Chong enough with questions, he’s been incredibly patient with me, and I hate feeling like a nuisance.

He did say, however, that Journey will be released in most countries in June. If I learn any additional details, I will update this post.

 

Puredistance Black: Shades of Purple & Pink

The night is dark, and full of terrors.”

Source: Puredistance.

Source: Puredistance.

That is one my favorite quotes from the television series, Game of Thrones, and I often come up with fun variations for different occasions. It’s a line which sticks in my head, so I wasn’t surprised when it popped back up just before I began testing Black, the new, about-to-be-released fragrance from one of my favorite perfume houses, Puredistance. The luxury brand talks about how the scent was inspired by “the concept of black,” and about how it is a “mysterious fragrance that stays in the shadow, giving away – only every now and then – part of its nature.”

Upon reading that part of the press release, and seeing the image sent by the company, all I could think of was, “the night is dark (black), and full of luxury.” Well, not quite. As it turns out, Black is indeed an extremely luxurious fragrance that smells very expensive, but I found it to be as purple and pink as humanly possible. At one point, it evoked fluffy pink clouds, and I almost expected a chubby cherub to be sitting on one and offering me turkish delight. For me, “Black” is the absolute furthest thing from its name, and is not my personal cup of tea. It’s not a bad fragrance by any means — in fact, it’s well done and clearly emanates luxury — but we all have subjective tastes or things that we struggle with, and I struggled quite a bit with Black.  

Black in the 17.5 travel flacon. Source: Puredistance.

Black in the 17.5 travel flacon. Source: Puredistance.

Like all of Puredistance’s fragrances, Black was created by a master perfumer, in this case, Antoine Lie, and is the very highest perfume concentration, an extrait de parfum. Black clocks in at 25% perfume oil, a figure that is surpassed only by Puredistance’s exquisite floral, Opardu (which has 32%). Black will be released at the start of December, and is described as follows:

Puredistance Black is an understated elegant and mysteriously charming perfume inspired by the concept of BLACK; a concept that for centuries has been associated with secrets, mystery and style.

Puredistance BLACK is created in Paris by the famous French Perfumer Antoine Lie based on a concept of Puredistance founder Jan Ewoud Vos. The essence of the concept was to create a perfume that is close to the wearer and releases sensual and elegant scent layers in a whispering way – without shouting. A mysterious fragrance that stays in the shadow, giving away – only every now and then – part of its nature.

Black in bottle, non-travel form.

Black in the regular, non-travel, bottle form.

As part of the whole concept of mysterious shadows, Puredistance wants you to treasure the “beauty of the unknown,” and merely describes the scent as one that is more “masculine and oriental” than Puredistance “I.” The company is keeping secret Black’s perfume notes, saying only that you should “Envision, Smell, Feel. Don’t analyse.” If you’re a regular reader, you all know how well I manage not to analyse things…. It’s hopeless. I was incapable of just smelling, feeling, letting go and not analysing with the uber-luxury brand, JAR, and it’s not possible here, either. It simply is not my personality or forte in life, given my obsessiveness with both facts and details. 

So, based on what I smelled, let me give you my guess of the notes in Puredistance Black:

Ginger, cardamom, absinthe wood (wormwood), saffron, rose, patchouli, myrrh, opoponax (sweet myrrh), amber, sandalwood (not from Mysore), and benzoin.

What I’m less absolutely certain of is the possible inclusion of oud, a tiny touch of elemi wood or guaiac as an additional source of woody smoke, and a drop of vanilla. It’s extremely possible, but I wouldn’t bet my life on it.

Cardamom. Source: www.kitchenheadquarters.org

Cardamom. Source: www.kitchenheadquarters.org

Puredistance Black opens on my skin with a blast of cardamom, immediately followed by ginger, amber, absinthe wood, incense, saffron, patchouli, and a whisper of rose. There is a balanced sweetness, a suggestion of sandalwood, and a saffron that is neither buttery nor hot, but wonderfully spicy. The ginger adds a lovely, fresh, piquant bite that works beautifully with the sweeter notes and the woodsy notes.

Speaking of the latter, I guessed absinthe (or wormwood) for a few reasons. First, even before I tested the perfume and simply upon taking the vial out of its white, satin pouch, I was hit by an extremely strong blast of oud-like woodiness that was herbal, spicy, and green — too much so to be real agarwood. It was also extremely similar in smell to the wood note in Amouage‘s Fate Man, a fragrance that officially includes wormwood. On the skin, the woodsy notes was surprisingly less dominant and forceful than what was wafting out of the vial, but it felt even less than complete, total agarwood in nature. Absinthe shares a few cursory, initial similarities with oud, so that’s what I’m going on.

purple smokeThe initial opening of Black in the first two minutes is lovely, but then, my nemesis takes over: purple, fruited patchouli. For all that I love black/brown patchouli, I despise the purple kind that is ubiquitous and everywhere in modern perfumery. A friend asked me the difference the other day, and I think my explanation may help some other people too.

For me, traditional (and rather 1980s) patchouli is brown/black in hue, with chewy undertones of sweet amber, spice, leather, wood, and incense smoke. The current, modern version of patchouli is purple in hue because it’s fruity, syrupy, jammy, incredibly sweet, and with grape and berry undertones. The very original type of patchouli is the 1970s, hippie kind that is really, really black, dirty patchouli and that people describe as a “head shop” scent. Some examples of fragrances with a strong purple patchouli note would be: almost every commercial, department store perfume containing “patchouli,” Marc JacobsLola, Chanel‘s Coco Noir, Le Labo‘s Ylang 49, Frederic Malle‘s Portrait of a Lady, and, now, alas, Puredistance Black. An example of black/brown, more traditional patchouli would be something like Profumum Roma‘s Patchouly, Serge LutensBorneo 1834, Chanel‘s Coromandel, or Reminiscence‘s Patchouli. It’s not a long list at all because that sort of patchouli is incredibly uncommon nowadays.

Source: Tasty Yummies blog. (Link to website embedded within photo. For recipe for Concord grape jam, click on photo.)

Source: Tasty Yummies blog. (Link to website embedded within photo. For recipe for Concord grape jam, click on photo.)

I spent all this time outlining the specific smell and nature of purple, “fruit-chouli” because it is the heart of soul of how Puredistance Black manifests itself on my skin. No less than three minutes into the perfume’s development, the saffron-oud blast takes on an almost grape-y, berry, jammy overtone that is incredibly sweet. Five minutes in, I feel as though I’ve been covered by fruit syrup. Twenty minutes in, I feel as though I’ve been transformed into a berry tart with unctuous, cloyingly sweet, fruited, purple Smucker’s jam, then sprinkled with rose petals and a dusting of saffron. I have to be honest, I lost my appetite — and I hadn’t eaten in over 12 hours.

I wish there were a substantial counter-balance to the deluge of fruit-chouli in the opening hour. There is a herbal, woody note that flitters about like a tiny hummingbird, but it’s far, far underneath, and wholly unable to compete with the grape-y, berry onslaught that is stomping over my arm like a Panzer unit in full fury. I know my skin tends to amplify base notes, but this is a bit ridiculous. I think sadly back to that absolutely lovely opening with its spicy, gingered, slightly herbal, ambered woodiness, but it’s gone, smothered by unctuous, purple, saffron-rose-infused molasses. Even the absinthe gasps for air, then retreats to the corner to hide its head.

"Purple Velvet Gold Flakes" by *Will3style at Deviantart.com. http://will3style.deviantart.com/art/Purple-Velvet-Gold-Flakes-258099755

“Purple Velvet Gold Flakes” by *Will3style at Deviantart.com. http://will3style.deviantart.com/art/Purple-Velvet-Gold-Flakes-258099755

There is no salvation in low sillage, either. That promised description of a wispy perfume that “stays in the shadow”? Ha! Black’s opening is strong and potent, with significant sillage, wafting in a purple cloud almost a foot around me. I normally would be thrilled, but the fruit-chouli is starting to crush my spirit. For a whole hour, I’m drenched by jammy, grape-berry molasses, that is just lightly infused by particles of saffron-infused rose, incense, absinthe wood, and honeyed amber. The ginger is no longer noticeable, and neither is the cardamom.

Source: hdwallpaperplace.com

Source: hdwallpaperplace.com

It was with enormous relief that things start to slowly — very slowly — improve at the end of the first hour. The Smucker’s patchouli jam lessens fractionally, allowing the rose to finally come out properly from its gooey purple shadow. The rose is sweet, just slightly dewy, and pink in visuals. With each passing moment during the second hour, it takes on a weight of its own, and starts to diffuse the fruitedness of the perfume. The woody notes and light incense are also more noticeable, though they’re largely blended into the greater whole.

Rose-flavoured Turkish Delight.

Rose-flavoured Turkish Delight.

By the start of the third hour, Puredistance Black’s purple hues have turned into a gorgeous shade of pink. The perfume wafts about 2 inches above the skin, and has a soft, creamy texture like a fluffy cloud of saffron-rose. In fact, Black takes on a Turkish Delight, or loukhoum quality, though without any of the sugared powderiness often associated with that confection. The patchouli remains, but it is quite mild as compared to its original, completely nuclear blast. Instead, it merely adds to the loukhoum association with a soft touch of grape. It actually works perfectly and brilliantly now. The absinthe wormwood and touch of incense lurk in the shadows, leaving an image that is primarily that of a pink, fluffy, creamy cloud. I almost expect to see a pink-cheeked cherub sitting on one of them.

I mean it quite sincerely when I saw that I enjoyed this phase of Black. I really did. It reminded me of a significantly richer, creamier, more luxurious version of the drydown phase of Tom Ford‘s Noir de Noir. There, the syrupy, very baroque rose with saffron, truffle earthiness, and the merest, speckled touch of oud also turned into a loukhoum confection in its final stage, but there are big difference. Noir de Noir was much thinner at that point than Black, had an almost violet-y touch, and, more to the point, was extremely powdered in nature. I wasn’t particularly fond of the violet, vanillic powder of the drydown, and I’m relieved that Puredistance Black has none of it at this stage.

Source: 8tracks.com

Source: 8tracks.com

Even better, Black is infinitely deeper, smoother, richer, creamier, and more opulent. The perfume is fluffy, but rich; sweet but not excessive; and an utterly beautiful, creamy, deep, pink rose with just the right amount of fruited patchouli. There is also the very necessary touch of woodiness which Noir de Noir lacked in its drydown, adding a balance to the floral sweetness. Here, the woody element has the faintest flicker of herbaceousness, but, more importantly, a creamy smoothness that makes me wonder if there is generic, Australian sandalwood or cashmeran underneath.

Black remains as this lovely mix for a few hours with only minor alterations. For example, at the start of the fifth hour, the perfume drops to lie just barely above the skin. The herbal absinthe wood that continues to hide behind the floral loukhoum changes in strength, fluctuating from mild to weak on the overall scale of things. And there is a growing hint of something anisic that is rising to the surface.

At the 6.5 hour mark, however, Black begins to transform. It takes on a licorice undertone and slight whiteness which makes me think that it must have myrrh. It is a note which is known to display an anisic, herbal facet, in addition to a slightly churchy, cold, white, incense note. The latter is extremely subtle in Black, but it’s there as well. At the same time, there also is a flickering shade of something honeyed which resembles very much sweet myrrh or opoponax. In addition, Black is starting to show a slightly vanillic powderiness that makes me suspect the presence of benzoin. In its final change, the perfume has turned into a gauzy veil that sits right on the skin, though it is still easily noticeable and potent when sniffed up close.

"Pink abstract" by Montserrat Lopez Ortiz via fineartamerica.com

“Pink abstract,” painting by Montserrat Lopez Ortiz via fineartamerica.com

Black still smells of a floral confection first and foremost, but the newcomers become increasingly noticeable. And, in all honesty, I’m not completely thrilled by the overall effect. There is a cloying undertone to the rose Turkish delight when combined with the anisic, slightly cold, white incense-y myrrh, the sweet myrrh, and the vanillic powder. It’s not helped by a new spiciness that faintly resembles All-Spice powder and/or star anise. In small doses and for a short period of time, the sum total is perfectly fine, but Black stays this way for hours on end. I found it a little fatiguing, if truth be told.

In its very final stage, starting at the 9th hour, Black turns into a whisper of sweet vanillic powder with rose, a vague blur of myrrh, a flicker of abstract woodiness, and an odd underlying tinge of sourness. It’s all a shadow of its former self, coating the skin like the sheerest, thinnest glaze. Black finally fades away about 14 hours from the start with four squirts from the small sample, and 15.25 hours with 5 medium sprays. (Note: My sample atomizer didn’t release the same amount as would be available from a regular bottle as it had a very small hole and a wonky release, so the quantity applied was not as large as those numbers may suggest. It would really be the equivalent of 3 small-to-medium smears from a dab vial, and 4 large ones.)

I tested Black twice, and I’m afraid I wasn’t very enamoured on either occasion. I don’t mind the middle phase, but I wasn’t crazy about the last one. And there aren’t words whatsoever to describe my reaction to the opening hour. As I said, I thought Black significantly and substantially improved at the start of the second hour, but the first one was rough.

Yet, it’s important to put my comments into context: I absolutely loathe purple, fruited patchouli. I try to grit my teeth and get over it when the note is minor, but when it is significant, substantial, and potent, then I simply can’t bear it. I don’t think others have quite the intensity of my reaction to fruit-chouli, which isn’t helped by having a skin chemistry that amplifies the note. In short, my reaction is very subjective and personal to me.

It’s also a reaction that is not even remotely common to others who have tested perfume. Black has generally been greeted with uniform admiration and liking, even by those who usually share my perfume tastes and skin chemistry. Take, for example, The Non-Blonde who writes, in part:

Puredistance is stepping into unexpected new territory with Black, a dark and romantic fragrance created by perfumer Antoine Lei[.] … Black [is] an oriental with an edge that could have come straight out of the labs at Amouage.  […]

Puredistance Black holds my interest from the very first second. A medicinal camphoric note there that lets you know that the raw materials here are real and uncompromising. Soon it becomes honeyed and steeped in booze, making the maybe-oud go down easily and deliciously. Perfumes of this kind, from Amouage to By Kilian often use their sillage to assert themselves as luxury. Not here, though, and as the press materials stress– this is a feature, not a bug. And I have to say that I love it. Black is not exactly a skin scent but it lives and thrives on skin level;  the emotional storm is very much there, manifesting itself for one’s own personal pleasure for a full day and night, just without broadcasting it to the world.

My reaction was also different from those who did detect the patchouli, but had a completely different perception of its nature. In a gushing rave, The Perfume Shrine described Black as follows:

a quasi-brutal opening with a tangy citric fruitiness allied to the darkest, earthiest patchouli possible, like snails coming out of the bush in the dusk, but the cloak of the night soon mollifies it with a woody cluster of honeyed plummy-cedar notes reminiscent of the Lutens canon and a “suede” orientalism. The sweet melange is also reminiscent of pipe tobacco, laced with a boozy aftertaste that lingers. (I hypothesize smoky cypriol/cyperus and vetiver should be featured too). Chewy, a meat course for non vegetarians. […]

Puredistance Black reminds me of the darkness and weirdness factor of Goutal’s Un Parfum Cheri, par Camille, fueled by an intense Indonesian patchouli grade replete with all its earthy chocolate and darkness “dirty” facets. […] Black would be also liked by those who appreciate Borneo 1834 and Bois de Violette or by oudh and tobacco fragrances fans, as the bittersweet oriental feel would appeal.

I’ve tested both the Lutens fragrances that she mentions, and I see absolutely no similarity between the patchouli in Borneo 1834 and Black. Not even remotely. As for Bois de Violette, I don’t think mere fruited sweetness with wood is enough to make the perfumes comparable in style. Clearly, we have very different skin and skin chemistry.

Patchouli — of any kind — isn’t mentioned at all by two bloggers with whom I generally have very similar perfume opinions, as well as perfume tastes. Take the lovely Caro of Te de Violetas who writes:

The initial impression is one of chaos: its fiery opening smolders with notes of chili pepper, cinnamon, and green cardamom, soon overlapped by the bitterness of saffron and absinthe. A smoky touch of oud dominates the blend for a while and brands its character. I am not especially devout of oud but the effect here is restrained and it suffices to cast a veil of mystery. The whole effect is opaque but lightweight and refined. As I near my nose to my wrist, I can’t shake from my head images of Bogart and Bacall. The progression is as smooth as velvet. As it turns softer, well into the drydown, vanillatobacco and tonka ensure a plushy sweetness but the darkness never completely fades away.

As a woman, I can wear Black more comfortably than the rugged M, but I still prefer to smell this on a beloved man or on a handsome stranger.

The Scented Hound also never mentions patchouli, though parts of his experience sound to me as though they involved both absinthe wood and myrrh:

WHAT I SMELL:  Black opens with a sweet and deep incense and smoky accord.  I want to say there’s some bergamot and what seems to be a bit of floraled honey mixed with the smokiness.  That initial smokiness breaks away somewhat to reveal this almost butter like creamy light almond.  But as soon as I notice that, the incense starts to waft up from the bottom again, this time with what seems to be a bit of sueded leather. There’s a bit of sour that makes an appearance that doesn’t detract, but like the smoke and incense, seems to pop in and out.  After around 15 minutes it seems like there is a bit of peppered metallic that makes an appearance.  Again, it comes and goes like all of the other notes which seem to intermix seamlessly without one note dominating.  In the end you’re left with a very light, close to the skin, smooth and elegant slightly woody incensed perfume.

As all of this should make clear, Puredistance Black is different things to different people. All these reviews are dissimilar, though mine seems to veer furthest outside any common thread.

So, the bottom line is that you should try Black for yourself, and make up your mind. If, by chance you generally share similarities with my type of skin and perfume taste, don’t be put off by my review. For example, if you love Tom Ford’s Noir de Noir, or if you would like an even richer version of its drydown, you absolutely should consider Puredistance Black. I will only caution you on one thing: if you’re expecting another, darker, woodier version of Puredistance’s absolutely spectacular “M,” then you will be disappointed. They are nothing alike — and every reviewer who mentions “M” is absolutely consistent on that point.

Perhaps that is small part of why I struggled with Black. M happens to be one of my all-time favorite (modern) fragrances, an absolutely magnificent marvel that is in my Top Ten, and which I would bathe in, if it were possible. The chypre-oriental-leather-amber mix is also the perfect representation of my perfume tastes. I don’t do well with sweetness, and Black turned into a very extreme, very pink example of that. If I had experienced something actually black in hue, with smoky, woody, dark Orientalism, then I suspect M might have had some stiff competition. As it is, I’m afraid it doesn’t.

DISCLOSURE: My small vial of Black was provided courtesy of Puredistance. That did not impact this review. I do not do paid reviews, my opinions are my own, and my first obligation is to my readers.

DETAILS:
Cost & Availability: Black is an extrait de parfum concentration (the highest), will officially debut in December 2013, and will be available in a variety of different sizes on the Puredistance website. Its European retail price will be as follows: €165 for the 17.5 ml travel spray, €275 euro for 60 ml (about 2.1 oz), and €490 euro for the 100 ml/3.4 oz bottle. The American prices are, respectively: $198, $330, and $590. Until its official release, samples of Black are being temporarily offered as part of a promotional special from Puredistance (at the website linked up above). The promotion involves: 2 x 2ml vials of the Extrait for $39 or €29, with free shipping. Retailers: Upon its release, Black will be offered at the usual Puredistance retailers which include: Luckyscent and MinNY in the US; Jovoy in Paris; and London’s Roja Dove’s Haute Parfumerie division on the 5th floor of Harrods. You can already pre-order at Luckyscent. For all other countries, you can use Puredistance’s Store Locator which lists retailers from Australia and New Zealand to Austria and Russia. I will try to remember to update this post later with more direct links, as well as links to sample sites like Surrender to Chance which normally offers Puredistance fragrances in vials that you can buy for testing.

New Perfume Release: LM Parfums Hard Leather

As fate would have it, this morning I received the press release for LM Parfums‘ new fragrance, Hard Leather. Just yesterday, I talked about my overall impressions of the perfume which I got to test in Paris a few weeks ago, and absolutely loved. Hard Leather is set to launch in a few weeks, in November 2013. While I don’t have an exact date yet, I do have the notes and concentration of the perfume. [Update: The perfume has released and I have a full review of it. I have also placed it on my Best of 2013 list.]

I thought I’d post the full photographic press release instead of just writing out the text. I think the visuals are sexy and very sleekly cool, and I’m not just saying that because black is my favorite colour.

LM Parfums Hard Leather

LM Parfums Hard Leather 2

LM Parfums Hard Leather 3

LM Parfums HL 4

So, in short, the notes in Hard Leather are:

Rum, Leather, Iris, Honey, Sandalwood, Cedarwood, Oud, Frankincense, Styrax and Vanilla.

Hard Leather is an extrait (or pure parfum) in concentration and comes in a 100 ml/3.4 oz bottle. LM Parfums’ extrait line usually costs $225 or €195, with the company offering 5 ml decants for €19. I don’t have pricing for Hard Leather, but I assume it will be in the same range. The line is available in the U.S. at OsswaldNY, and Hard Leather should be no exception. In Europe and elsewhere, you can buy LM Parfums directly from Laurent Mazzone’s website, as well as from numerous retailers. Links to online vendors who generally carry the line are below.

DETAILS:
In the U.S.: Laurent Mazzone’s fragrances used to be European exclusives, but the range just came to America two months ago. It’s sold exclusively at OsswaldNYC, with samples available for purchase by telephone order. Outside the U.S.: In Europe, you can buy the perfumes directly from LM Parfums. (There is also this other LM Parfums site.) Samples are available for €14 or €19, depending on the perfume in question and its concentration, and they come in a good 5 ml size. In the UK, the LM Parfums line is carried exclusively at Harvey Nichols. In France, you can find the perfumes, and 5 ml samples of each at Laurent Mazzone’s own Premiere Avenue. In Paris, LM Parfums are sold at Jovoy. Germany’s First in Fragrance carries the full line and sells samples as well. You can also find LM Parfums at Essenza Nobile, Italy’s Vittoria Profumi, or Alla Violetta. In the Netherlands, you can find LM Parfums at Silks Cosmeticsor Parfumaria. In the Middle East, I found most of the LM Parfums line at the UAE’s Souq perfume retailer. For all other countries, you can find a vendor near you from Switzerland to Belgium, Lithuania, Russia, Romania, Croatia, Azerbaijan, and more, by using the LM Parfums Partner listing. Laurent Mazzone or LM Parfums fragrances are widely available throughout Europe, and many of those sites sell samples as well.