Iris with leather, frankincense and myrrh, topped off by tales of Montmartre in 1894 and a dancer from the Moulin Rouge who receives an enchanted vial of ambergris… I was instantly intrigued. I’d never heard of the perfume house which was an Italian one, but the Italians make some great fragrances and those notes had a siren’s lure. So, I sent off for a vial of Montmartre (as well as one of a scent called Cruda that turned out to be a rose rollercoaster), and thought I would tell you my own tale.
Morph Parfums is a relatively new Italian house that may have been founded in 2103, judging by their Facebook page. A comment on Parfumo.net says that their creative director (and possible founder) is a man called Dr. Andrea Angelino, while the perfumes are made by Maurizio Cerizza. Apparently, all of them are super-concentrated in nature, clocking in at a whopping 33% which is far higher than most extrait de parfums. On their website, Morph describes them as being
the outcome of a careful research of the best natural essences which have been chosen with passion all around the world. Morph redoubles, in its creations, the quantity of usually used essences so creating intense Eau de parfum and enhancing the endurance and the intensity on the skin of its unique odors. Odors that describe with stories, travels, adventures and emotions.
Morph also has long stories for all their scents. For Montmartre (sometimes called “Montmartre 1894“), it is about a young ballerina called Yvette who works at the famed Moulin Rouge in Paris’ Montmartre district in 1894. One night, a street vendor gifts her with a mysterious vial of an opulent, ambered perfume whose aroma enchants everyone who encounters it, leaving them happy and smiling. The rest of the tale is a long one, but ends with Morph saying that it has “found the magic ampoule of Yvette, hidden for decades by her smiling descendants. Morph has reproduced its unforgettable aroma of amber, natural elements and a touch of happiness.”