Areej Le Doré has just launched its fourth series of fragrances. There are four new parfums: Koh-i-Noor, Malik Al Taif, Oud Luwak, and Baikal Gris. Today, I’ll provide you with information on the scents, their notes, any relevant raw material information or perfume techniques that may have been used, packaging changes, price reductions, the sample situation, shipping changes, and retail information. I’ll include mini reviews for the fragrances and end by briefly covering the new sinking-grade oud incense offering.
Areej Le Doré and Russian Adam have launched a new series of fragrances, including the long-anticipated upgraded version of his celebrated Siberian Musk. There are five fragrances in total, if one counts the concentrated attar version of one of them as a separate entity which, in my opinion, it really is. The five releases are: Russian Musk, Walimah Parfum, Walimah Attar, Russian Oud, and Indolis. Today, I’ll give you the basic run-down on launch, the scents, their notes, the sample situation, packaging upgrades, and even include mini reviews or pre-reviews for some of the fragrances.
Hiram Green‘s latest release, Slowdive, is a rich, thick oriental whose warmth and sweetness are rather lovely on icy, frigid winter days. It’s described as a “tobacco-themed” fragrance and has additional notes of honey, resins, citrus, dried fruits, and florals. On my skin, however, it was primarily a honey fragrance, albeit one given great full-bodied, molten depth through finely painted brush-strokes of other elements.
Superstitious is the latest fragrance from Frédéric Malle, created in conjunction with the great couturier, Alber Elbaz. Monsieur Elbaz is perhaps best known for his stunning work at Lanvin in the 2000s, but what is less well-known is that he had his start when Yves Saint-Laurent‘s partner, Pierre Bergé, handpicked him in the late 1990s to take the helm of that august fashion house where he successfully carried on the Maestro’s style, albeit with his own twist.
At first glance, this might seem to be nothing more than an irrelevant factoid or bit of biographical background, meaningful only to those of us, like myself, who continue to worship Monsieur Saint Laurent (a god, a total fashion god!) because, let’s face it, there is usually no olfactory connection between a couture house’s design style and how their perfumes actually smell.
Superstitious, however, is a rare exception. You could have knocked me over with a spoon when I tried it because the early hours of the scent reflect not only Monsieur Elbaz’s sleek, bold, streamlined, seamless, and incredibly sophisticated personal design aesthetic but also, and above all else, the Yves Saint Laurent olfactory signature as exemplified by its early floral-aldehydic fragrances like (vintage) Rive Gauche and Y. Superstitious was intentionally created to be both vintage and modern in feel, but where it stands out for me is in its early hours when it is a perfect rendition of the grand old style of the YSL classics. I’m unenthused by the fragrance’s second chapter when the Ropion olfactory signature kicks in and Superstitious dissolves into something wholly modern, structureless, and excessively clean, but those early hours were the boldest that I’ve seen from a Malle fragrance in a long, long time.